On the Tenth Day of Christmas

On the tenth day of Christmas, my true love gave to me…

This is one of the only times that I encountered something that was too damaged to save. As it was on my own dime, I had to be selective with what I kept for future training. The reason for the disposable was because of the newspaper plastered on the back of the drop (for opacity from upstage lights, I’m sure). This, combined with massive dusting pigment and a pretty ugly composition made it undesirable to salvage and store for restoration training. We unrolled the drop in the parking lot of the Minneapolis Scottish Rite because of the mess. It was one of 70+ scenes! This is just drop that I salvaged from the Peoria, Illinois Scottish Rite Cathedral after they transitioned to rear projections and gutted the rigging. All of the Peoria Christmas Carol Scenery had to be thrown out due to the contaminants. I ended up only saving the Peoria Scottish Rite Masonic scenery for future experimentation with restoration methods. The remainder of the collection was from the turn-of-the-twentieth century (Volland & Toomey) that Becker Studios refurbished and sold to the Peoria Scottish Rite in 1924. Over time, Twin Cities Scenic Company contributed a few pieces to the collection, such as the “Christmas Carol” in the 1940s.

Author: waszut_barrett@me.com

Wendy Rae Waszut-Barrett, PhD, is an author, artist, and historian, specializing in painted settings for opera houses, vaudeville theaters, social halls, cinemas, and other entertainment venues. For over thirty years, her passion has remained the preservation of theatrical heritage, restoration of historic backdrops, and the training of scenic artists in lost painting techniques. In addition to evaluating, restoring, and replicating historic scenes, Waszut-Barrett also writes about forgotten scenic art techniques and theatre manufacturers. Recent publications include the The Santa Fe Scottish Rite Temple: Freemasonry, Architecture and Theatre (Museum of New Mexico Press, 2018), as well as articles for Theatre Historical Society of America’s Marquee, InitiativeTheatre Museum Berlin’s Die Vierte Wand, and various Masonic publications such as Scottish Rite Journal, Heredom and Plumbline. Dr. Waszut-Barrett is the founder and president of Historic Stage Services, LLC, a company specializing in historic stages and how to make them work for today’s needs. Although her primary focus remains on the past, she continues to work as a contemporary scene designer for theatre and opera.

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