Abbey Ruins

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F. Lloyds “Practical Guide to Scene Painting and Painting in Distemper” in  1875 prominently depicts a painted scene with abbey ruins as the scene.  This composition was picked up by a variety of stage venues, especially the Scottish Rite.  In the majority of Southern Jurisdiction Scottish Rite venues, the setting depicts the ruins of an abbey for a secret meeting during dark times in Europe for the 21st degree.

At the Austin Scottish Rite, their abbey ruins are also intended for the 30th degree – complete with the translucent section on a tombstone that reveals the words “He who shall overcome the dread of death shall ascend above the terrestrial sphere and be entitled to the greater mysteries.”  This is an alternative staging to the catacombs where the magical illusion of “Pepper’s Ghost” transform’s a man into a skeleton with the assistance of plate glass and lights.

All compositions are similar to various illustrations of Holyrood Abbey as noted below.

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Backdrop in Austin, Texas at the Ancient and Accepted Scottish Rite of Freemasonry for the 30th degree.

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Author: waszut_barrett@me.com

Wendy Rae Waszut-Barrett, PhD, is an author, artist, and historian, specializing in painted settings for opera houses, vaudeville theaters, social halls, cinemas, and other entertainment venues. For over thirty years, her passion has remained the preservation of theatrical heritage, restoration of historic backdrops, and the training of scenic artists in lost painting techniques. In addition to evaluating, restoring, and replicating historic scenes, Waszut-Barrett also writes about forgotten scenic art techniques and theatre manufacturers. Recent publications include the The Santa Fe Scottish Rite Temple: Freemasonry, Architecture and Theatre (Museum of New Mexico Press, 2018), as well as articles for Theatre Historical Society of America’s Marquee, InitiativeTheatre Museum Berlin’s Die Vierte Wand, and various Masonic publications such as Scottish Rite Journal, Heredom and Plumbline. Dr. Waszut-Barrett is the founder and president of Historic Stage Services, LLC, a company specializing in historic stages and how to make them work for today’s needs. Although her primary focus remains on the past, she continues to work as a contemporary scene designer for theatre and opera.

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