I am currently exploring the life and times of scenic Thomas G. Moses in 1923. It seems a good time to share images from my visit to the Joplin Scottish Rite Theatre in 2018. The scenery was delivered by the Fabric Studios or Chicago in 1923. For more information about the Fabric Studios, visit https://drypigment.net…/tales-from-a-scenic-artist-and…/
Scenery by the Fabric Studios of Chicago, 1923Scenery by the Fabric Studios of Chicago, 1923Scenery by the Fabric Studios of Chicago, 1923Scenery by the Fabric Studios of Chicago, 1923Scenery by the Fabric Studios of Chicago, 1923Scenery by the Fabric Studios of Chicago, 1923Scenery by the Fabric Studios of Chicago, 1923
Wendy Rae Waszut-Barrett, PhD, is an author, artist, and historian, specializing in painted settings for opera houses, vaudeville theaters, social halls, cinemas, and other entertainment venues. For over thirty years, her passion has remained the preservation of theatrical heritage, restoration of historic backdrops, and the training of scenic artists in lost painting techniques. In addition to evaluating, restoring, and replicating historic scenes, Waszut-Barrett also writes about forgotten scenic art techniques and theatre manufacturers. Recent publications include the The Santa Fe Scottish Rite Temple: Freemasonry, Architecture and Theatre (Museum of New Mexico Press, 2018), as well as articles for Theatre Historical Society of America’s Marquee, InitiativeTheatre Museum Berlin’s Die Vierte Wand, and various Masonic publications such as Scottish Rite Journal, Heredom and Plumbline. Dr. Waszut-Barrett is the founder and president of Historic Stage Services, LLC, a company specializing in historic stages and how to make them work for today’s needs. Although her primary focus remains on the past, she continues to work as a contemporary scene designer for theatre and opera.
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