It’s an unplanned holiday…for a week or so. I took a tumble and my wrists are out of commission.
Category: Holidays
Happy Easter!
Scenery for painted by Thomas G. Moses and Fitch Fulton for the Scottish Rite Theatre in Fort Scott, Kansas, 1924.












Happy Valentines Day! 1923

Happy Valentines Day!
As I continue to explore the life and times of Thomas G. Moses in 1923, I am sharing “Valentine’s Manual of Old New York” for the same year today. Here is the link: http://www.columbia.edu/cu/lweb/digital/collections/cul/texts/ldpd_6274889_000/
There are some lovely illustrations, including a lithograph of Union Square with a border composed of famous theatre personalities. Enjoy!

Happy Turkey Day!
One way to repurpose old Thanksgiving decorations. This makes me chuckle every year.


Time for a Break!

I am going on holiday – taking a break from posting online for the next two weeks. On July 20, 2020, I will resume sharing historic scenery photos again at Facebook page Dry Pigment. I will also return to the life and times of scenic artist Thomas G. Moses (1856-1934) in “Tales of a Scenic Artist and Scholar” Stay safe.
Tales from a Scenic Artist and Scholar. Part 1005 – Peace, November 11, 1918
Copyright © 2020 by Wendy Waszut-Barrett
In 1918 Thomas G. Moses wrote, “The Big World War ended November 11th, and the biggest kind of rally was pulled off. I never saw such a crowd. It was not safe to be on the street with a hat on or a good suit of clothes.”

Front pages of newspapers across the country announced the end of the war to end all wars, but it was the Los Angeles Times that used the headline of PEACE. The first page of many city newspapers reported, “The world war will end this morning at 6 o’clock, Washington time, 11 o’clock, Paris time. The armistice was signed by the German representatives at midnight. The announcement was made by the State Department at 2:50 o’clock this morning. The announcement was made verbally by an official of the State Department in this form” ‘The armistice has been signed. It was signed at 5 o’clock a.m. Paris time and hostilities will cease at 11 o’clock this morning, Paris time.’”

In Chicago, the “Tribune” published, “Chicago Gets Out of Bed; Bedlam Reigns in the Loop.” The article continued, “The first news of the signing of the armistice reached THE TRIBUNE office at 1:55 o’clock this morning. It came in a flash from the Associated Press by telephone. The text of the flash was simply: “Armistice signed.” THE TRIBUNE immediately verified the flash. By this time the meager details of the announcement from Washington had reached the Associated Press offices. Assured that the news this time was authentic, from Washington had reached the Associated Press offices. Assured that the news this time was authentic, THE TRIBUNE set off its giant sirens and within a few minutes the sleeping town was astir. THE TRIBUNE sirens were at least five minutes ahead of any other noise producing instruments in the informing of the public of the news.
“Within ten minutes a long procession of blue jackets who were asleep in downtown hotels or awaiting trains in hotel lobbies had poured into the street and formed a cheering procession past THE TRIBUNE office in Madison street. Jackies and soldiers in other parts of the city were soon emulating the first detachments and they were joined inside of half an hour by yelling, howling throngs of civilians, who made the sleeping loop resemble the jam and jumble of midday.
“Bandsmen were quickly tumbled from their beds and formed into units of loud sound, announcing to the town that it was over over there. The noise and the hurrah and the people sprang up as if by magic, and before 3 o’clock the downtown street were taking on the aspect of madness which ran riot last Thursday when the country went crazy over a rumor.
“THE TRIBUNE, with its forms waiting, as they had been for three anxious days and nights, was, as usual, the first on the street, telling the people that the hour of democracy throughout the earth had struck. In less than thirty minutes from the time the first flash reached the telegraph desk the “Peace extra.” Was being sold by newsboys on loop corners. THE TRIBUNE sirens were quickly followed in the outskirts of other whistles, and soon from downtown hotels and lodging houses, and from residents both in the city proper and in the suburbs, the citizens began flocking downtown to join in the general hilarity.
“THE TRIBUNE notified the police and fire departments’ headquarters. Instantly the message was relayed to every engine house and police station in the city. Fireboats let go their sirens, awakening people for blocks around. Policemen on their beats were notified and in less than five minutes from the time of the arrival of the news in Chicago it had been carried to every nook and corner by the police and firemen.
Hundreds of taxicabs and other motor vehicles jammed the streets. The police reserves which had been held Sunday evening in expectancy of the signing of peace had been sent home, and save for a handful of policemen, the downtown streets were unprotected. Lieut. William Murphy of the Central station took it upon himself to call every available man from outside stations. By 3 o’clock 100 bluecoats were in the loop to keep order and facilitate traffic. I seemed as if the whole navy was downtown. An observer who came into the office a short time after the sirens had announced the greatest story in the world, said he thought there must be more sailors here than at Great Lakes.
“Parade after parade was quickly swinging up and down through the canons of the city, and the Stars and Stripes at the front, Uncle Sam’s men at home whopped and yelled the victory of their brothers in Europe. From hotel rooms the guests who tossed balls and ribbons of paper, and red fire and rockets soon came into the had not yet had tie to get outside game of rejoicing.
At the Hotel Sherman the news brought dozens of theatrical folks and guests into the lobby. Night manager Michael O’Brien had a general telephone alarm sent throughout the house, “Chicago Tribune announces armistice signed.” That was sufficient. The lobby soon looked like the height of New Year’s Eve. Every known noise devise was soon gathered. Brass cuspidors were grabbed. Flags were torn down and waved. At Randolph and Clark Street the crowd took possession and almost wrecked the newsstands. When THE TRIBUNE extra arrived announcing the news the crowd fought good naturedly for the papers. Dimes, quarters, and even dollars were tendered, no one waiting for change. Red fire was burned which lighted up the streets for several blocks. A fleet of taxicabs gathered and added to the other noise making devices.
“From the night watchman’s door of the Conway building five shots in the general direction of the cornice on the county building. A tall, gray-haired man jumped from a yellow taxi and asked what it all meant. The chauffeur, too, leaped out and gave the explanation.
“It means that you owe me just two-sixty,” he said, “if this is the end of your ride.”
“But the shots? The shots?” insisted the tall man.
“That’s the end of Germany’s ride,” said the chauffeur.
The tall man paid and rushed madly to Righeimer’s, where he pounded vainly on the door, calling “Let me in! Let me in! The law’s all off on booze this morning of all the mornings in the world!”
Somebody passed the hopeful, untrue word that the tall man was Righeimer himself, and that he was going to open the bar and take a big chance. The door, at the end of five minutes, was as in the beginning. Then the big man emitted a roar of rage and pain, tossed his hat to the pave, and raised his long strong arms into the night.
“Think of it, all of ye!” he cried to the crowd, now made up of at least five hundred. “Think of it and weep with me! Any poor, downtrodden, despised bartender might, with one key and an ounce of nerve share the glory of the world at this moment with Foch himself!”
It was evident that hundred had waited in the loop for the bona fide announcement. Flags and streamers appeared quickly. The “I had told you so” cards bobbed in hatbands over the crush. Horns and cowbells added to the din. Railroad torches lighted the crowd with red glare. And all the time celebrants appeared and added to the delirious mob.
One of the first incidents to attract a special crowd on THE TRIBUNE corner was an impromptu speech by an excited blonde. She started out to tell her views to a bystander, but as she grew more enthusiastic her voice rose and she widened her circle of auditors. Before long she was shouting at the top of her voice and had a bodyguard of Great Lakes gobs cheering her on. A motor truck rolled down Dearborn street with an immense sign torn from a movie house held high above it. It read: “The Prussian Cur.”



To be continued…
Tales from a Scenic Artist and Scholar. Part 1001 – Memorial Day, 1918
Copyright © 2020 by Wendy Waszut-Barrett

In honor of those that we have lost in past wars, it seems an appropriate post for today.
To be continued…
Tales from a Scenic Artist and Scholar. Part 989 – William F. Hamilton, 1918
Copyright © 2020 by Wendy Waszut-Barrett
In 1918, Thomas G. Moses wrote, “I made a lot of models and sketches for floats for Labor Day. Hamilton came out from New York to superintend the work. He always drops into a fat job somewhere.” Moses was referring working with William F. Hamilton again. The project was floats for the San Francisco Labor Day. The parade of 1918 focused on labor unions and worker’s rights, with eighty-seven unions participating in the parade that day, spread out over seven divisions.




It has been more than two years since I explored the life of scenic artist Will Hamilton and the short-lived firm of Moses & Hamilton. It is time to recap, because I think that working with Hamilton during the summer of 1918 prompted Moses to tender his resignation to Sosman & Landis by that fall. Hamilton may have reminded him that better opportunities were lurking elsewhere, and that Sosman & Landis was a sinking ship.
Moses first met Hamilton in 1892 when they were both hired to design the models and paint scenery for “Ben Hur,” the pantomime tableaux (see past installment 256 https://drypigment.net2017/11/22/tales-from-a-scenic-artist-and-scholar-acquiring-the-fort-scott-scenery-collection-for-the-minnesota-masonic-heritage-center-part-256-thomas-g-moses-painting-scenery-for-the-ben-hur-tableaux-and/).
Less than a decade later, the two established Moses & Hamilton in New York. The partnership lasted until 1904 when Moses returned to Chicago to become vice-president at Sosman & Landis studio. When Perry Landis had to leave the company for health reasons, Sosman assumed many of the administrative and marketing duties. Therefore, someone was needed to supervise all design, construction, painting and installation.

It had been difficult for Moses to leave in 1904. That year he wrote, “When I had to tell Hamilton, I almost gave in to stay with him, for he was awfully broken up over it.” Moses was leaving a good friend, a good crew, and good work, hoping for something even better upon his return in Chicago. This was especially difficult as the theatrical center of the United States was shifting to New York.
Moses & Hamilton had assembled a paint crew at the Proctor’s 125th Street Theatre only three years earlier. Their staff included Ed Loitz, Otto Armbruster and Al Robert. Projects were plentiful, and consistently spread across three theatres: The American Theatre, Proctor’s Twenty-third Street Theatre, and Proctor’s 125th Street Theater. Thomas G. Moses was the lead scenic artist at the American Theater, William F. Hamilton was the lead scenic artist for Proctor’s Twenty-third Street Theatre, and Al Roberts was the lead scenic artist at Proctor’s 125th Street Theatre.
For three years, Moses & Hamilton had more work than they could handle, producing scenery for opera, vaudeville, and other entertainments. Their work for Frederick Thompson at Luna Park included “A Trip to the Moon,” “20,000 Leagues Under the Sea” “War of the Worlds,” and “Fire and Flames.” A few of Moses & Hamilton’s Broadway designs included “Under the Southern Skies” (Theatre Republic, Nov. 12, 1901 to Jan. 1902), “In Dahomey” (New York Theatre, Feb. 18, 1903 to April 4, 1903, with a return to the Grand Opera House from August to September, 1904), “The Medal and the Maid” (Broadway Theatre, Jan. 11, 1904 to Feb. 20, 1904, Grand Opera House, March 1904), “The Pit” (Lyric Theatre, Feb. 10, 1904, to April 1904), and “Girls Will Be Girls” (Haverly’s 14th Street Theatre, Aug. 27, 1904 to Sept. 3, 1904). Their work was sought after by Helena Modjeska, John C. Fisher, Henry Savage, and other well-known theatre personalities.

Even after Moses & Hamilton folded, the two continued working together on a variety of projects across the country until 1909. Moses remained at Sosman & Landis, while Hamilton worked at New York Studios, the eastern affiliate of Sosman & Landis. However, as business picked up at Sosman & Landis, it became more and more difficult for Moses to do any outside work with Hamilton. Previously, he earned extra income by taking on these outside projects. Part of the perks was his being able to use the studio for night work. However, as Sosman & Landis took on more and more work, hours were extended into the evening, prohibiting outside projects.
So work slows down during the war years, and Hamilton comes around again. It was no coincidence that Hamilton shows up in July and Moses resigns as president of Sosman & Landis less than two months later. Moses wrote, “September 1st, I resigned as President of the Sosman and Landis Company which severs my connection with the firm after thirty-eight years of service. I joined the New York Studios and expect to get a studio and an office to do business.” On September 2nd Moses recorded, “There was a big Labor Day parade and such a crowd. Mama and I went down but were very careful not to get in the thick of it.” That was his first day of freedom from Sosman & Landis, his first day without the worry of being president at the company.
To be continued…
Tales from a Scenic Artist and Scholar. Part 986: Mother’s Day, 1918
Copyright © 2020 by Wendy Waszut-Barrett
Part 986: Mother’s Day, 1918
In 1918, Mother’s Day was officially five years old. Newspapers across the country recalled the historic event, reporting, “On May 10, 1913, a resolution passed the United States house of representatives and the senate commending Mother’s day for the observance by the house and senate, the president of he United States and his cabinet and other heads of government departments.” (Salt Lake Tribune, Salt Lake City, UT, 10 May 1918, page 16). Another two Mother’s Days would pass mothers were honored with the right to vote. Passed by Congress June 4, 1919, and ratified on August 18, 1920, the 19th amendment granted women the right to vote.

To be continued…
Tales from a Scenic Artist and Scholar. Part 952 – Decoration Day, 1917
Copyright © 2020 by Wendy Waszut-Barrett

In 1917, Thomas G. Moses wrote, “I went to Fox Lake on Decoration Day, official opening. I had a new cot sent up and it was certainly an improvement over the old one. I actually rest now and enjoy going up.”
Decoration Day honored the deceased, with soldiers decorating the graves of their fallen comrades; flowers, flags and wreaths ornamented headstones. The day became known as Memorial Day. This also became the official opener for summer, marking travel to summer homes, cabins and resorts.
The Palette & Chisel Club’s summer home was on Fox Lake. Only 55 miles northwest of Chicago, the picturesque area provided artists with a retreat to escape the summer heat in Chicago.
As I was looking at Decoration day events in Chicgao during 1917, I can across a lovely article at Chicagology https://chicagology.com/decorationday/
Here is an excerpt from the post:
“Chicago Tribune May 30, 1900
DECORATION DAY.
The day set apart for commemorating the deeds of the nation’s honored dead loses none of its patriotic significance as the years come and go. While it is becoming less of a day of mourning than in the years when the grief over the losses of the civil war was still fresh, its patriotic scope is widening. Another war has also intervened and left its quota of new graves to be decorated reverently with flowers and hags. Far off, in the Philippines there are rows of mounds that will be draped today with the Stars and Stripes and the day will be observed in Cuba and Porto Rico. By strewing upon the water it is proposed the part played by the navy in fighting the battles of the nation. There is an added impressiveness in the thought that the Memorial day exercises are being observed simultaneously not only from one side of the continent to the other, but also in islands of the sea on opposite sides of the globe.
Chicago has always paid especial attention to Memorial day, and today the usual impressive parade will be seen, with the civil war veterans and their time-honored flags in the place of honor at the van. There is inspiration as well as sadness in the sight of this dwindling band of old soldiers in each city and town as they go forth each year to decorate the graves of the comrades who fell in battle so many years ago. But as their ranks grow thinner there are stronger escorts of the younger generation to take up the old banners and defend the things for which the others fought.
One of the most valuable features of the Memorial day exercises is the part connected with the public schools. Patriotic Speeches, tableaux, and the singing of national anthems in all the Chicago schools yesterday ushered in the present holiday. The impulses of patriotism stirred in eager young minds by these exercises are worth more for securing the future safety and perpetuity of the union than a great standing army. When it is remembered that the same spirit of devotion to the flag now animates the South as well as the North, there is every reason to look forward with high hope and confidence to the great future before the nation. While Memorial day is a time for a backward glance it is also a day for a hopeful and confident outlook upon the future.”


To be continued…