Tales from a Scenic Artist and Scholar. Part 945 – Oak Park High School, 1917

Copyright © 2020 by Wendy Waszut-Barrett

The demand for school stage scenery increased in the early twentieth century in a similar fashion as that for fraternal stage scenery.  A dramatic increase in orders began during the second decade of the twentieth century. Schools were not a new client, but many more academic institutions begin to produce stage shows, necessitating the purchase of stock scenery and specialty settings for school productions.

Oak Park High School

In 1917, Thomas G. Moses wrote, “Closed with Oak Park High School for $675.00, the first they have bought for their stage.” On May 4, 1917, the “Chicago Tribune” announced, “High School to Give Opera. Oak Park High School will present ‘Hansel and Gretel’ this evening at the high school auditorium. A school orchestra of fifty pieces will accompany the cast” (page 11). Of the actual production, I have only uncovered the one article. The auditorium was only a decade old when Sosman & Landis delivered scenery in 1917, likely for the upcoming production of “Hansel and Gretel.”

Scenery produced by Sosman & Landis on the Oak Park High School stage. From a production Ernest Hemingway was in during 1917.

Oak Park opened a new high school in 1907. That same year the school’s orchestra was founded. It was also one of the first schools to offer credit toward graduation based on student performance in the orchestra.

The new building was designed to hold 800 students and was located at East and Ontario Streets. However, by 1908, the school was deemed defective and needed extra work; the concrete floors were inadequate to carry the necessary weight and the contractors were sued. This is likely the reason that the school did not order any painted scenery until 1917.  Additionally, in 1916, the original Oak Park school building was sold for $25,000 and subsequently provided funding for a variety of projects. 

As I looked at school activities during 1916-1917, this was the same period when Ernest Hemingway was contributor to the school newspaper and literary magazine. Some of his works were included in “Hemingway at Oak Park High: The High School Writings of Ernest Hemingway, 1916-1917.” Hemingway played the role of Richard Brinsley Sheridan in his class’ performance of “Beau Brummel” at Oak Park High School; he graduated in 1917. His sister Marcelline was a member of the Drama Club. Here is an interestingly link to Hemingway’s High School graduation: https://www.huffpost.com/entry/hemingways-high-school-graduation-100-years-later_b_59144a0ee4b016248243f1ff?guccounter=1&guce_referrer=aHR0cHM6Ly93d3cuZ29vZ2xlLmNvbS8&guce_referrer_sig=AQAAAE6eeE3ka8HhzZSB_FdpafZR0hncAj0sZbi5r4FHl3D5_qSW2XMBOgJHA5k7IQuFQQ5DaluarnAzGVegYWkez79SuhNf3ELLWUgKPcGjnIODIBV9hQGoPeNtifjGu11ZJcXp5pcVYQ85WUPsekX9LlF8MCISoewN1b9FrvK2yuWt

Ernest Hemingway was an Oak Park High School graduate in 1917.
Oak Park High School Class of 1917.

In 1917, local Oak Park real estate listings noted that the Oak Park high School was “one of the best in the country” (Chicago Tribune, 1 April 1917, page 74). The history of the Oak Park High School is quite interesting in itself. Oak Park was the home to many artists and architects who worked in Chicago; a short train ride to downtown. Oak Park was an affluent area with famous names.

To be continued…

Author: waszut_barrett@me.com

Wendy Rae Waszut-Barrett, PhD, is an author, artist, and historian, specializing in painted settings for opera houses, vaudeville theaters, social halls, cinemas, and other entertainment venues. For over thirty years, her passion has remained the preservation of theatrical heritage, restoration of historic backdrops, and the training of scenic artists in lost painting techniques. In addition to evaluating, restoring, and replicating historic scenes, Waszut-Barrett also writes about forgotten scenic art techniques and theatre manufacturers. Recent publications include the The Santa Fe Scottish Rite Temple: Freemasonry, Architecture and Theatre (Museum of New Mexico Press, 2018), as well as articles for Theatre Historical Society of America’s Marquee, InitiativeTheatre Museum Berlin’s Die Vierte Wand, and various Masonic publications such as Scottish Rite Journal, Heredom and Plumbline. Dr. Waszut-Barrett is the founder and president of Historic Stage Services, LLC, a company specializing in historic stages and how to make them work for today’s needs. Although her primary focus remains on the past, she continues to work as a contemporary scene designer for theatre and opera.

Leave a Reply

Your email address will not be published. Required fields are marked *