Gauzes

“Hanson Gauze is named for its purveyor, Joe Hanson, 423 West 43rd Street, New York City. It is a heavy durable gauze with small, square mesh. It has a ribbed side and a smooth side. It is manufactured only in a 30′ width and comes unfireproofed. The ribbed side, with the rib running horizontally, is considered the best side for painting as it catches the paint when either opaque color and dye is applied.
Bobbinet is a finer and more fragile gauze. Because of the nature of the weave of the mesh the end of a bobbinet drop may stretch and sag under the pull of tension of the battens. therefore it should be made several feet longer than necessary. This gauze is fine for a “fogging” effect. It takes dye or opaque color readily. It comes unfireproofed and is thirty feet wide. Other fabrics may be glued or sewn to the bobbinet. It can be used for borders, drops and even certain framed scenery.
 
 
“Gauzes (Hansen, Bobbinet, Scrim) are usually tacked down with a ‘strengthened’ tack. This is accomplished by driving the tack through a small square of cardboard. This prevents the tearing of the gauze when it shrinks.”
 
Excerpt from Bradford Ashworth’s “Notes on Scene Painting” (1952, pages 2, 3, and 10)
 
Below depicts the use of bobbinet for the Sanctum Sanctorum gates in King Solomon’s Temple (4th degree of the Scottish Rite drop). These images are from from Quincy, Illinois.
img_6646
img_6655
img_6656
img_6653

Author: waszut_barrett@me.com

Wendy Rae Waszut-Barrett, PhD, is an author, artist, and historian, specializing in painted settings for opera houses, vaudeville theaters, social halls, cinemas, and other entertainment venues. For over thirty years, her passion has remained the preservation of theatrical heritage, restoration of historic backdrops, and the training of scenic artists in lost painting techniques. In addition to evaluating, restoring, and replicating historic scenes, Waszut-Barrett also writes about forgotten scenic art techniques and theatre manufacturers. Recent publications include the The Santa Fe Scottish Rite Temple: Freemasonry, Architecture and Theatre (Museum of New Mexico Press, 2018), as well as articles for Theatre Historical Society of America’s Marquee, InitiativeTheatre Museum Berlin’s Die Vierte Wand, and various Masonic publications such as Scottish Rite Journal, Heredom and Plumbline. Dr. Waszut-Barrett is the founder and president of Historic Stage Services, LLC, a company specializing in historic stages and how to make them work for today’s needs. Although her primary focus remains on the past, she continues to work as a contemporary scene designer for theatre and opera.

Leave a Reply

Your email address will not be published. Required fields are marked *