Scottish Rite Scenery – Egypt

One of the most interesting Ancient and Accepted Scottish Rite of Freemasonry stage sets that I have ever encountered is in my home town of Minneapolis, Minnesota.  It is for the thirty-first degree and was designed by the Twin City Scenic Company for the Minneapolis Scottish Rite.

The Minneapolis Scottish Rite building was once church.  When they transformed the space for Masonic uses, the altar became  the stage.  There is also use a lodge space for ceremonials that is used for certain degrees and is referred to as the Red Room (named for the color of the carpet).  This beautiful space used to be the area that I converted into a paint studio whenever I had a large project and is now the home of Lodge No. 19.

Like the theatre space. there is a horseshoe balcony surrounds three sides of the auditorium.  The central floor in both rooms do not have fixed seating in the center.  In the Red Room there is a small recessed area for the stage.  There used to be a roll drop that hung above this area, depicting the rebuilding of King Solomon’s Temple.

The Egyptian setting scenery by Twin Cities Scenic Co. for the Lodge room transforms the entire space.  Flats (scenic walls) are place against the walls under the balcony.  A scrim ceiling obscures the ceiling, yet members seated in the balcony areas are able to view the activities on the floor below.

 

 

 

 

 

 

 

The pictures below are depicted with a photographic flash so you could see some of the colors and painted details.

 

 

 

Author: waszut_barrett@me.com

Wendy Rae Waszut-Barrett, PhD, is an author, artist, and historian, specializing in painted settings for opera houses, vaudeville theaters, social halls, cinemas, and other entertainment venues. For over thirty years, her passion has remained the preservation of theatrical heritage, restoration of historic backdrops, and the training of scenic artists in lost painting techniques. In addition to evaluating, restoring, and replicating historic scenes, Waszut-Barrett also writes about forgotten scenic art techniques and theatre manufacturers. Recent publications include the The Santa Fe Scottish Rite Temple: Freemasonry, Architecture and Theatre (Museum of New Mexico Press, 2018), as well as articles for Theatre Historical Society of America’s Marquee, InitiativeTheatre Museum Berlin’s Die Vierte Wand, and various Masonic publications such as Scottish Rite Journal, Heredom and Plumbline. Dr. Waszut-Barrett is the founder and president of Historic Stage Services, LLC, a company specializing in historic stages and how to make them work for today’s needs. Although her primary focus remains on the past, she continues to work as a contemporary scene designer for theatre and opera.

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