Painted details from the Ascension scene at the Scottish Rite in Deadwood, South Dakota.
Painted details from the Ascension scene at the Scottish Rite in Deadwood, South Dakota. Photograph by W. Waszut-Barrett, 2017.Hand supported by bobbinet on Ascension cut drop at the Scottish Rite in Deadwood, South Dakota. Photograph by W. Waszut-Barrett, 2017.Painted details from the Ascension scene at the Scottish Rite in Deadwood, South Dakota. Photograph by W. Waszut-Barrett, 2017.Cut drop and backdrop. Painted details from the Ascension scene at the Scottish Rite in Deadwood, South Dakota. Photograph by W. Waszut-Barrett, 2017.Cut drop detail from the Ascension scene at the Scottish Rite in Deadwood, South Dakota. Photograph by W. Waszut-Barrett, 2017.Painted details from the Ascension scene at the Scottish Rite in Deadwood, South Dakota. View from behind the cut drop. Photograph by W. Waszut-Barrett, 2017.
Author: waszut_barrett@me.com
Wendy Rae Waszut-Barrett, PhD, is an author, artist, and historian, specializing in painted settings for opera houses, vaudeville theaters, social halls, cinemas, and other entertainment venues. For over thirty years, her passion has remained the preservation of theatrical heritage, restoration of historic backdrops, and the training of scenic artists in lost painting techniques. In addition to evaluating, restoring, and replicating historic scenes, Waszut-Barrett also writes about forgotten scenic art techniques and theatre manufacturers. Recent publications include the The Santa Fe Scottish Rite Temple: Freemasonry, Architecture and Theatre (Museum of New Mexico Press, 2018), as well as articles for Theatre Historical Society of America’s Marquee, InitiativeTheatre Museum Berlin’s Die Vierte Wand, and various Masonic publications such as Scottish Rite Journal, Heredom and Plumbline. Dr. Waszut-Barrett is the founder and president of Historic Stage Services, LLC, a company specializing in historic stages and how to make them work for today’s needs. Although her primary focus remains on the past, she continues to work as a contemporary scene designer for theatre and opera.
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