Travels of a Scenic Artist and Scholar: Saying Goodbye to Fort Scott on July 1

Saying Goodbye to Fort Scott on July 1

We left Wamego, Kansas, and headed to meet a friend in Fort Scott. Almost three years ago, I made the fateful trip with the CEO of Masonic Charities, the General Director of the Minnesota Masonic Heritage Center and a local Scottish Rite Mason. At that time, I was the Curatorial Director for all incoming acquisitions for the Minnesota Masonic Heritage Center and I was there to evaluate the Fort Scott Scottish Rite Collection, assessing its condition and determining whether it would survive the removal from its current home and transportation to Minnesota. The whole tale of my involvement with the Fort Scott scenery collection, prompted my writing of the story “Tales of a Scenic Artist and Scholar: Acquiring the Fort Scott Scenery Collection for the Minnesota Masonic Heritage Center.” My story evolved to solely focus on the scenic artist who painted the Fort Scott scenery collection – Thomas Gibbs Moses.

The Scottish Rite building still stands in Fort Scott, Kansas. It is no longer the home of the Scottish Rite, they now meet in Pittsburgh, Kansas
The Fort Scott Scottish Rite theater as it looked in 2015. This was before the building the scenery collection transferred to Minnesota.
The Fort Scott Scottish Rite counterweight system that once controlled the painted scenery by Thomas G. Moses. Photograph from 2015.
A painted detail from the brush of Thomas G. Moses for the Scottish Rite theater in Fort Scott, Kansas. Photograph from 2015 before the collection was moved to Minnesota

My involvement with the Fort Scott scenery ceased after its storage in the custom-made racks that I designed during the fall of 2015. My position was terminated upon the opening of the Minnesota Masonic Center and the museum team, Outhouse Productions (who helped design exhibits at the Minnesota Masonic Heritage Center) attempted to restore the collection with the help of their standard exhibit artist, Kimber Lawler. Sadly, the group had never restored any historic theatre scenery before and used hot melt glue to attach netting to the fragile fabric. They also cut many of the leg drops in half after flame-proofing everything; a death sentence to historic scenery. Furthermore they replaced all of the original wooden battens with pipe pockets, losing much of the personal notes written by Thomas Moses during the original installation.

When I first witnessed the “restored” drops hanging at the Minnesota Masonic Heritage Center, I was devastated to see the wrinkles, shiny surfaces from size that was too strong, and further deterioration after a botched restoration attempt by those who did not understand the proper handling of historic scenery. So, today was my day for a sense of closure and sharing the current status of the drops. It still distresses me that the Fort Scott Masons entrusted me to help preserve their history and I wasn’t ultimately able to help them. To both Fort Scott Masons and many Masons in my home state, the CEO of Masonic Charities identified me as the one who would restore the entire collection. Many Minnesota Masons at Grand Lodge this year still believed that I was part of the scenery restoration, as it was so firmly stated on numerous occasions.

Main Street in Fort Scott, Kansas
Fort Scott National Historic Park
Fort Scott National Historic Park

However, today was the day that I could tell the tale of my dismissal, pass off a copy of my new book, and stop by the Fort Scott Scottish Rite building one more time. After a lovely lunch, a visit to the old fort, and hike along a prairie trail, I am ready to explore anther Scottish Rite collection – Joplin. We made it to Joplin by late afternoon and enjoyed some local barbeque. One more day enjoying the beauty of some Scottish Rite scenery that may still have a future.

Prairie State Park in western Missouri
Prairie State Park in western Missouri

To be continued…

Travels of a Scenic Artist and Scholar: The Salina Scottish Rite Stage, on June 30

The Salina Scottish Rite Stage, on June 30

The Masonic Center with Scottish Rite stage in Salina, Kansas

I am aware of two instances where Masonic buildings with historic stages were not sold, but almost given away. In the case of Fort Scott, the building was “sold” for $1. I learned yesterday that the Salina Masonic Temple was “sold” for $10. In both cases, there was an attempt to preserve the structure and adapt it to a current use for organizations that were not part of the Fraternity.

Exterior of Scottish Rite Building in Fort Scott, Kansas, 2015.
The Scottish Rite stage in Fort Scott, before the scenery collection was transported out of state.

It is easy to feel sympathy for the generations of Masons who poured their hearts, souls and finances into a building and organization that would suddenly evaporate before their eyes. In Fort Scott, all of the contents were sold at an auction for a total of $75,000, liquidating their assets that included a mummy, 200 swords, porcelain dishes, and hundreds of vintage props and costumes. The Fort Scott Scottish Rite has not ceased to exist, but now meets in a small facility in Pittsburgh, Kansas.

What I have started to understand about many of the Scottish Rite buildings is that during times of plenty, the Scottish Rite did not reinvest in their homes, completing the necessary maintenance and repairs. Over time, deferred maintenance took its toll on both the physical structure and the membership. In addition to poor choices in regard to the basic upkeep of the buildings, membership declined and the constant stream of income began to diminish.

At the beginning of the twenty-first century, a new group also rose to power – leading the vision for the future of their edifices – Temple building associations and foundations. In addition to declining membership and structural issues with their facilities, the financial wellbeing was also at risk. The funds necessary to address the deferred maintenance were embezzled. This happened in Salina last year when the treasurer of the Salina Building Foundation was accused of theft and embezzlement from the organization.

I first read about the crime in newspapers while researching Scottish rite theaters that were listed for sale. On May 2, 2017, one Mason commented on Chris Hodapp’s Freemasonry for Dummies blogspot (http://freemasonsfordummies.blogspot.com/2017/05/salina-kansas-masonic-temple-treasurer.html): “Unfortunately, this is much more common that many masons believe. We tend to hide such crimes from public and fraternal view, yet rarely require proper safeguards. I have personally been involved in two similar cases (both of which involved larger amounts of thief).”

Over the past two years, I repeatedly encountered cases of large theft across the country that involved all extensions of Freemasonry – and these were the cases that were discovered and reported in local newspapers; this is likely a small percentage of what is actually happening. The above quote was a standard response by many men, whether in regard to a Grand Lodge, Scottish Rite, DeMolay, Shrine, Masonic Charities or other fraternal group.

As memberships lose the last remaining vestiges of financial security and physical homes, there is anger. The membership is frustrated and many begin to walk away, further depleting the membership ad discouraging those who stay.

The Santa Fe Scottish Rite was in a similar position when one individual rose to power, completely ignored the membership, and placed the building on the market. It took a dedicated group of men who worked tirelessly to get their building back. The common argument that is used by Masonic leadership is that their massive Masonic facility is “too expensive.” Often the need for a skilled marketing director is not employed – a must to bring in the necessary income to pay for all of the deferred maintenance. The future of the building is placed in the hands of a select few who often put their own interests ahead of the membership and the Fraternity. Valuable books and rare artifacts begin to disappear from Masonic libraries and collections before a building is sold. I refer to this as the vultures descending Police reports are not filed as it may portray the organization in a negative light. Members who try to come forward are bullied and threatened.

The Fraternity is at a crossroads and I have to wonder who will be the men who step up and save their heritage, as those dedicated men in Santa Fe.

To be continued…