Tales from a Scenic Artist and Scholar. Part 474 – Grand Master Brown in 1903

Part 474: Grand Master Brown in 1903
 
Thomas G. Moses thought very highly of Bestor G. Brown and his contribution to the development of Scottish Rite Degree Productions. He commented in his 1931 memoirs that Brown was one of the three key individuals responsible for its rapid spread throughout the Southern Jurisdiction.
Photograph of Bestor G. Brown, Grand Master of Kansas, from the “Topeka Daily Capital,” 14 February 1904, page 6.
For the past two days, I have explored the life of Bestor G. Brown, his Masonic activities, and the promotion of theatrically staged degree work. While reading numerous newspaper articles published about Brown between 1903 and 1904, I came across a wonderful article in the “Topeka Daily Capital,” on 14 February 1904, page 6. As very little information is available about Brown, I am including this article in its entirety as it provides a wonderful summary of his life up to 1904:
 
“Bestor G. Brown, the present grand master, is one of the most prominent men in the Masonic order. He was born November 22, 1861, at Bluffton, the county seat of Wells county, Indiana, “on the banks of the Wabash.” On his father’s side he is of Scotch ancestry. They were Quakers, and came to this country with the William Penn colony. At the time of settlement at Philadelphia the head of the then generation of the Brown family was a personal friend of William Penn, and the secretary of the colony. His maternal ancestry is German, the immigration thereof having been to Maryland in the early part of the eighteenth century.
 
Bestor G. Brown was educated in the public schools of Topeka, and later attended Washburn college. In 1878, at the age of 16, he was given a position on the Topeka Daily Commonwealth as reporter, subsequently having charge of the city, or local department of that paper. In 1879 he decided to accept his father’s offer of a college education, and entered the University of Michigan; here he remained until 1882, when through the influence of Andrew D. White, then president of Cornell University, and other personal friends in Ithica, he was transferred to Cornell University. In both universities he was prominent in athletics, and held many positions of honor in the student world. He was an active and prominent member of the Psi Upsilon college fraternity, one of the oldest of these organizations.
 
In 1882 his father died, and his return to college was prevented. For a time he had charge of a special department of dramatic and literary matters on the Topeka Capital; later accepted a position with the First National bank of Topeka, with which institution he remained for seven years, progressing from the lowest to the highest clerical position in the bank. He left the bank to engage in a financial business for himself, which proved highly profitable, but met the fate of all such enterprises, in the depression of 1892, resulting in the loss of a comfortable fortune. He then became associated with a large manufacturing concern in Chicago, as its western representative, in which capacity he is now employed.
 
He was very prominently connected with social, dramatic and literary affairs of Topeka; was married in 1885 to Emma J. Kellam, a beautiful, accomplished and extremely popular young lady in Topeka Society. Three years later death severed the union, leaving one child, a girl. Probably no man has ever lived more devoted to Masonry, and had it not been for his untiring efforts, his great intellectual and physical strength, used so generously for the benefit of the cause, Kansas would not hold its present high position in the Masonic world. He is spoken of today as one of the best ritualists in the United States, and his opinion is sought by the most distinguished Masons of the country.”
 
To be continued…

Author: waszut_barrett@me.com

Wendy Rae Waszut-Barrett, PhD, is an author, artist, and historian, specializing in painted settings for opera houses, vaudeville theaters, social halls, cinemas, and other entertainment venues. For over thirty years, her passion has remained the preservation of theatrical heritage, restoration of historic backdrops, and the training of scenic artists in lost painting techniques. In addition to evaluating, restoring, and replicating historic scenes, Waszut-Barrett also writes about forgotten scenic art techniques and theatre manufacturers. Recent publications include the The Santa Fe Scottish Rite Temple: Freemasonry, Architecture and Theatre (Museum of New Mexico Press, 2018), as well as articles for Theatre Historical Society of America’s Marquee, InitiativeTheatre Museum Berlin’s Die Vierte Wand, and various Masonic publications such as Scottish Rite Journal, Heredom and Plumbline. Dr. Waszut-Barrett is the founder and president of Historic Stage Services, LLC, a company specializing in historic stages and how to make them work for today’s needs. Although her primary focus remains on the past, she continues to work as a contemporary scene designer for theatre and opera.

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