Travels of a Scenic Artist and Scholar: CITT, August 16, 2018

 
Jenny Knott and I completed the second day of our scene painting class at CITT. This was one of the most enjoyable classes that I have ever taught. It broke from my standard teaching protocol in a few ways; the class solely focused on techniques without replicating any particular composition. It provided a chance for the students to focus on painting techniques and contrast without getting lost in the details of the composition. It was wonderful to work with such enthusiastic and talented individuals. After final review, went across the street to the Meridian Center for the CITT picnic lunch outside.
 
The stage expo was in the afternoon and ran from 1:30PM to 5:30PM. For this part of the conference, I was stationed at the training and learning centre. My table was “Looking at the Past.” I had brought a variety of trinkets and historical materials that I had gathered during restoration projects over the years. The afternoon flew by as I chatted with a variety of conference attendees, including my table neighbor, Mary Dupuis. Mary’s table was “Repair Your Draperies Without Using Gaffer’s Tape.” The two of us are planning a fun expo project for next year’s conference for the Expo learning lab.
 
Part of the CITT Expo experience is also about collecting Bingo cards; they are later used that evening. We gathered at Kulley’s bar to enjoy dinner, swag bingo and the CITT auction. It is a hysterical event as the evening is a combination of stage jokes, social chatter, and juggling as many bingo cards as possible at once.
 
To be continued…

Author: waszut_barrett@me.com

Wendy Rae Waszut-Barrett, PhD, is an author, artist, and historian, specializing in painted settings for opera houses, vaudeville theaters, social halls, cinemas, and other entertainment venues. For over thirty years, her passion has remained the preservation of theatrical heritage, restoration of historic backdrops, and the training of scenic artists in lost painting techniques. In addition to evaluating, restoring, and replicating historic scenes, Waszut-Barrett also writes about forgotten scenic art techniques and theatre manufacturers. Recent publications include the The Santa Fe Scottish Rite Temple: Freemasonry, Architecture and Theatre (Museum of New Mexico Press, 2018), as well as articles for Theatre Historical Society of America’s Marquee, InitiativeTheatre Museum Berlin’s Die Vierte Wand, and various Masonic publications such as Scottish Rite Journal, Heredom and Plumbline. Dr. Waszut-Barrett is the founder and president of Historic Stage Services, LLC, a company specializing in historic stages and how to make them work for today’s needs. Although her primary focus remains on the past, she continues to work as a contemporary scene designer for theatre and opera.

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