Tales from a Scenic Artist and Scholar. Part 516 – Palette and Chisel Club, the Camp Tradition Draws Members to Fox Lake

Part 516: Palette and Chisel Club, the Camp Tradition Draws Members to Fox Lake

Palette and Chisel club house in Fox Lake, Illinois

The Palette and Chisel camp at Fox Lake, Illinois, was a scenic retreat for members of to escape the daily grind of Chicago. The town was incorporated on Dec. 15, 1906, and certified by the state on April 3, 1907. Located on the south shore of Pistakee Lake, Nippersink Lake, and Fox Lake, the three connected water bodies formed the Chain O’Lakes system. Early in the 20th century, there were only a few hundred inhabitants who were residents of Fox Lake and lived in the area year round. However, during the summer months the population could reach thousands, as area hotels and cottages filled to their capacity.

Thomas G. Moses first visiting Fox Lake camp in 1907. I discovered an undated copy of a newspaper article about the camp at the Harry Ransom Center; this was during my research visit in 2016. The article was simply titled “The Camp Tradition Draws Members to Fox Lake,” and describes the appeal of the location so well. Here is the article in its entirety

 

“When the green gits in the trees” and the birds begin their annual house-planning campaign, Palette and Chisel Club members naturally experience sundry tugs and nudges which they ascribe to the lure of the camp. That time is now and we bow to its influence.

Andy why has the Club Camp such a hold on the affections of our members? Not, surely, because there are no other places for out door sketching. It is equally convenient for most members to visit the hundreds of other small lakes within easy distance of this city, or the Desplaines and Fox rivers of the Dune Country of northern Indiana. The Forest Preserves, the Chicago river and harbor, our older streets and buildings are even closer at hand.

No, it is not the convenience nor the suitability of the Club Camp that gives it a hold on us. It is the tradition it embodies and makes real.

For three decades a camp in the vicinity of Fox Lake has been a recognized Club institution. The actual location has changed several times. Sometimes it has been close to the water, sometimes near the top of the low hills which surround the lake. The present site was elected by Tom Moses and the late Dave Adam, and their choice was immediately ratified by the erection of a more pretentious camp building that we have ever before aspired to own.

At the time there were no other buildings in the neighborhood. In every direction one could gaze without interference upon nature undefiled. Now, to be sure, many resort cottages more or less adorn the surrounding hills, but they are neither numerous nor close enough to interpret work or pleasure at the Camp.

Those, however, who no longer feel contented to paint on the camp grounds can still make the Camp their headquarters while sketching in the vicinity. There are many desirable scenes within ease walking distance, and no one will deny that it is more inspiring to seek them out in company with fellow workers that to wander alone from some commercial beanery where there is no feeling of companionship or similarity of aims and tastes.

It is, in fact, this very companionship which constitutes the lure of the Camp. It is the companionship which keeps alive the Camp tradition. It stands high among the things which make our Club worth while. Let us all join hands in fostering and profiting by it.

C.H.C.”

To be continued…

Author: waszut_barrett@me.com

Wendy Rae Waszut-Barrett, PhD, is an author, artist, and historian, specializing in painted settings for opera houses, vaudeville theaters, social halls, cinemas, and other entertainment venues. For over thirty years, her passion has remained the preservation of theatrical heritage, restoration of historic backdrops, and the training of scenic artists in lost painting techniques. In addition to evaluating, restoring, and replicating historic scenes, Waszut-Barrett also writes about forgotten scenic art techniques and theatre manufacturers. Recent publications include the The Santa Fe Scottish Rite Temple: Freemasonry, Architecture and Theatre (Museum of New Mexico Press, 2018), as well as articles for Theatre Historical Society of America’s Marquee, InitiativeTheatre Museum Berlin’s Die Vierte Wand, and various Masonic publications such as Scottish Rite Journal, Heredom and Plumbline. Dr. Waszut-Barrett is the founder and president of Historic Stage Services, LLC, a company specializing in historic stages and how to make them work for today’s needs. Although her primary focus remains on the past, she continues to work as a contemporary scene designer for theatre and opera.

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