Tales from a Scenic Artist and Scholar. Part 528 – Thomas G. Moses, “The Edge of the Wood” at Suydam’s Drug Store

Part 528: Thomas G. Moses, “The Edge of the Wood” at Suydam’s Drug Store

In 1905, Thomas G. Moses exhibited a painting at Suydam’s drug store in Oak Park, Illinois. He would later paint a mural for the same store. The owner, J. D. Suydam, greatly appreciated art and provided numerous opportunities for local artists to exhibit their work. After many years as a druggist, Suydam would change professions in 1911, and become an art dealer.

Advertisement for Suydam’s drug store in 1905. From the “Oak Park Reporter Argus.” 18 Aug 1905, page 4

Suydam’s drug store was located on Oak Park Avenue in Oak Park, a village adjacent to the west side of Chicago. Railways and street cars connected the village to a variety of jobs in Chicago and was a popular place for artists to settle.. Frank Lloyd Wright and his wife moved there in 1889. Moses and Ella purchased their first home in Oak Park during 1893. In 1902, the village incorporated and became a growing hub for many artistic residents.

Moses’ painting exhibited at Suydam’s drug store during the spring of 1905 was titled “The Edge of the Wood.” His painting depicted a view on the historical Bronx River near New York. The “Oak Park Leaves” published an article on Moses’ painting at Suydam’s – “T. G. Moses, Artist. Oak Parker Famous as Designer of Scenic Productions – excels in Forest Pictures.”

Painting by Thomas G. Moses from 1906. Sold at auction during 2012.

Here is the article in its entirety:

“Among the residents of Oak Park who are possibly more famous throughout the country than in their own hometowns Thomas G. Moses of 223 South Euclid avenue, whose fame as a scenic artist and designer of scenic productions is co-extensive with the theatrical world. But Mr. Moses’ art is not confined to commercial lines. He is a lover of art for art’s sake, and his leisure moments after many a hard day’s toil, are devoted to the painting of beautiful forest scenes in oil whose merits entitle him to a prominent place among the woodland painters of the country. His last picture, “The Edge of the Wood,” presents a view on the historical Bronx river, near New York, and has been completed during the last month. It is now on exhibition at Suydam’s drug store on Oak Park Avenue. The painting is a fine representation of Mr. Moses’ art, imbuing the viewer with that spirit of restfulness characteristic of the quiet old woods of the east, with the outside sunshine percolating in through the trees and softening into a gentle glow.

Mr. Moses was born in Liverpool, England. His early life was spent in Sterling, Ill, where he received his first instruction in drawing. When quite young, he took up decorative art with P. M. Almini & Co. of Chicago. The head designer was Louis Malmsha, a famous scenic artist of that time, who became interested in the young man and made him his assistant. This proved to be the making of Moses, as it placed him more in the line of work he wanted, landscape, forest interiors and mountain scenes, schooling him largely to the designing of drop curtains and scenic productions. He is now of the firm Sosman & Landis, the great scenic artists of Chicago. Mr. Moses has traveled quite extensively in this country, has been to California six times to do big scenic productions, such as Booth & Barrett’s Hamlet and Marie Antoinette and Macbeth and Mary Stuart for Modjeska. During the past five years he and his family have resided in New York, where he designed and painted the scenery for the famous Florodora and Silver Slipper. During the summers he sketched the beautiful scenery in the vicinity of Watkin’s Glen, and in the Catskills near Ellenville, N.Y.

Two years ago he was admitted to the famous Salmagundi club of New York City, which has membership of their leading artists and sculptors of New York and many non-residents. He has sketched forest from California, New Mexico, Arizona, Oregon and Washington. But none appeal to him as the woods of the east, more quiet and restful, with the delicate birch and beach; a few oaks and moss covered rocks, with a small brook and plenty of sunshine. His pictures are exhibited in New York twice a year. For several years he painted in the studio of R. M. Shurtleff, the well-known painter of forest interiors, where he has secured valuable assistance” (15 April 1905, page 25).

To be continued…

Author: waszut_barrett@me.com

Wendy Rae Waszut-Barrett, PhD, is an author, artist, and historian, specializing in painted settings for opera houses, vaudeville theaters, social halls, cinemas, and other entertainment venues. For over thirty years, her passion has remained the preservation of theatrical heritage, restoration of historic backdrops, and the training of scenic artists in lost painting techniques. In addition to evaluating, restoring, and replicating historic scenes, Waszut-Barrett also writes about forgotten scenic art techniques and theatre manufacturers. Recent publications include the The Santa Fe Scottish Rite Temple: Freemasonry, Architecture and Theatre (Museum of New Mexico Press, 2018), as well as articles for Theatre Historical Society of America’s Marquee, InitiativeTheatre Museum Berlin’s Die Vierte Wand, and various Masonic publications such as Scottish Rite Journal, Heredom and Plumbline. Dr. Waszut-Barrett is the founder and president of Historic Stage Services, LLC, a company specializing in historic stages and how to make them work for today’s needs. Although her primary focus remains on the past, she continues to work as a contemporary scene designer for theatre and opera.

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