Tales from a Scenic Artist and Scholar. Part 697 – The Los Angeles Scottish Rite, 1906

Part 697: The Los Angeles Scottish Rite 

On July 10, 1904, the Los Angeles Times announced “Big Masonic Enterprises” were being planned (page 47). They included “a site bought for the Scottish Rite Cathedral,” “ New Masonic Temple to be Part of Plan,” and “Fresh Torture Invented by Mystic Shrine.” I am not even touching on the third part of the article.

The Los Angeles Scottish Rite was planning to build a cathedral estimated at $100,000. The article reported, “The site has been purchased, and the deal closed yesterday.” The site was selected by committee as it was equally accessible from all parts of the city. In conclusion, the article noted, “There will be no business rooms in the building, and every section of the cathedral will be devoted to the exclusive use of the Scottish Rite Masons.”

Plan for the Los Angeles Scottish Rite Cathedral published in the “Los Angeles Times,” 16 April, 1905, page 9

On April 16, 1905, the Los Angeles Times announced,”Ground will soon be broken for a hansome and commosioud Masonic edifice, which promised to be one of the finest of its kind in the West” (page 9). In the article “For the Cathedral of the Scottish Rite,” the plans for the auditorium was described, “60×70 feet and 33 feet high with a stage 32×60 feet” on the first floor. The stage house would be “48 feet high and will be arrangd to permit the production of elaborate scenic effects.” A large balcony surrounding the main auditorium was included in the plans.

The completed Los Angeles Scottish Rite Cathedral, from the “Los Angeles Herald,” 23 July 1905, page 19

A committee of eleven members were selected to have full charge of the arrangements: Perry W. Weidner, Will R. Hervey, Willam D. Stephens, Simon Conradi, W. C. Patterson, Henry Baer, Franklin Jordan, Niles Pease, Otto Sweet, A. W. Skinner and Frank H. Pfaffinger. By this point in the planning, the endeavor was now estimated at $125,000. Hudson and Munsell were the architects.

The Los Angeles Times, published the article “Bedeck for Dedication” on June 1, 1906, (page 23). The newspaper described, “Over the banquet hall is the auditorium, capable of seating nearly 2000. The stage is a marvel, completely appointed and furnished with the finest switchboard in the West. Alongside of the rows of handles that controls the lights is a set of six dimmers with thirty-six switches, making it possible to shade the lights from nothing to the fiercest glare. On one wing is an orderly row of ninety-four weights in their slides show how many drops are hung up in the flies.” This was a description of Brown special system, with the “slides” being the wood arbor frames.

The Los Angeles Scottish Rite auditorium, published in “The Los Angeles Times,” 1 June 1906, page 23
Postcard depicting the Persian palace setting at the Los Angeles Scottish Rite

By July 23, 1905, the Los Angeles Herald further described the theater:

“The auditorium, where all the floor work will be illustrated, is off the foyer and is 62×71 feet in dimensions, extending from north to south, with stage 35×62 feet and a 26-foor proscenium arch, finished in stucco work, The stage is fully equipped with every accessory needful for the elaborate presentation of Scottish Rite work, The auditorium will be finished in mahogany and olive green, tipped with ivory, and will have an elaborate emblematic ceiling. The foyer, connecting with a hall at the south side of the auditorium from front to south and west, connecting with rooms for candidates and other purposes. The candidates’ room is 25×40 feet, the property room 30×48 feet, the storage rooms 18×24 and 18×18 feet. The auditorium balcony will seat 600 people. On the balcony floor is a billiard room 22×28 feet, a card room 16×20 feet, and the lodge room 35×38 fett. All of these rooms will be finished in maple and wainscoted and will be provided with ornamental fireplaces and bookcases.” (page 19).

To be continued…

Author: waszut_barrett@me.com

Wendy Rae Waszut-Barrett, PhD, is an author, artist, and historian, specializing in painted settings for opera houses, vaudeville theaters, social halls, cinemas, and other entertainment venues. For over thirty years, her passion has remained the preservation of theatrical heritage, restoration of historic backdrops, and the training of scenic artists in lost painting techniques. In addition to evaluating, restoring, and replicating historic scenes, Waszut-Barrett also writes about forgotten scenic art techniques and theatre manufacturers. Recent publications include the The Santa Fe Scottish Rite Temple: Freemasonry, Architecture and Theatre (Museum of New Mexico Press, 2018), as well as articles for Theatre Historical Society of America’s Marquee, InitiativeTheatre Museum Berlin’s Die Vierte Wand, and various Masonic publications such as Scottish Rite Journal, Heredom and Plumbline. Dr. Waszut-Barrett is the founder and president of Historic Stage Services, LLC, a company specializing in historic stages and how to make them work for today’s needs. Although her primary focus remains on the past, she continues to work as a contemporary scene designer for theatre and opera.

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