Tales from a Scenic Artist and Scholar. Part 749 – The Aborn Opera Company at McVickers, 1910

In 1910, Thomas G. Moses wrote, “We did an elaborate set for Mme. Butterfly for the Aborn Opera Company at McVicker’s.” The “Gibson City Courier” noted the production’s “special scenery of unusually beautiful design” (6 May 1910, page 6).

Detail from a program featuring the Aborn English Grand Opera Company, 1912

On May 6, 1910, “The Daily Herald” reported, “ ‘Madame Butterfly,’ the most popular of the modern reperatory of operas, will be used by the Aborn Grand Opera Company to inaugurate their season of grand opera in English at McVicker’s Theatre, Chicago, Sunday night, May 8” (Arlington Heights, Illinois, page 9). Other shows that season included “Il Trovatore,” May 15; “Faust,” May 22, and “Aida,” May 29.

The “Daily Herald” also noted, “ Edward Temple, stage manager at the wonderful New York Hippodrome for three years, and for many seasons stage director at the Metropolitan Opera House in New York, has been engaged to stage the grand operas in English, which will be heard at McVicker’s Theatre, beginning Sunday, May 8, with a production of Puccini’s ‘Madame Butterfly” (15 April, 1910, page 5).

The cast included Dora De Fillippe in the title role, with Joseph Sheehan playing the role of Pinkerton. Other performers in the cast included Ethel Dufre Houston, Ottley Cranston and Chevalier N. B. Emanuel.

The “Daily Herald” reported, “There has never been an attraction in Chicago which has received such an enthusiastic praise as has the Aborn Grand Opera Company in its performances of grand opera in English at McVicker’s Theater, Chicago…The critics of Chicago, without exception, have talked of the wonderful orchestra, the complete mise-en-scene, the splendid principals, the adequate scenic production and the excellence of the big chorus employed by the Aborn company.”

Prices for the production in Chicago were the standard 25 cents, 50 cents, and 75 cents with $1 options.

The Aborn Opera Company was active from 1895 until 1922. Founded by Milton and Sargent Aborn in New York City, the company toured extensively across the country. The two brothers began as theater managers in 1885.

To be continued…

Author: waszut_barrett@me.com

Wendy Rae Waszut-Barrett, PhD, is an author, artist, and historian, specializing in painted settings for opera houses, vaudeville theaters, social halls, cinemas, and other entertainment venues. For over thirty years, her passion has remained the preservation of theatrical heritage, restoration of historic backdrops, and the training of scenic artists in lost painting techniques. In addition to evaluating, restoring, and replicating historic scenes, Waszut-Barrett also writes about forgotten scenic art techniques and theatre manufacturers. Recent publications include the The Santa Fe Scottish Rite Temple: Freemasonry, Architecture and Theatre (Museum of New Mexico Press, 2018), as well as articles for Theatre Historical Society of America’s Marquee, InitiativeTheatre Museum Berlin’s Die Vierte Wand, and various Masonic publications such as Scottish Rite Journal, Heredom and Plumbline. Dr. Waszut-Barrett is the founder and president of Historic Stage Services, LLC, a company specializing in historic stages and how to make them work for today’s needs. Although her primary focus remains on the past, she continues to work as a contemporary scene designer for theatre and opera.

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