Tales from a Scenic Artist and Scholar. Part 813 – The Bloomington Scottish Rite and Delmar D. Darrah, 1912

Delmar D. Darrah was a Masonic Johnny Appleseed, sowing the seeds of Freemasonry throughout the State of Illinois during the early twentieth century. Like Bestor G. Brown in the Southern Jurisdiction, Darrah contributed to the rapid membership growth in the Northern Masonic Jurisdiction. He was responsible for organizing and participating in all four Scottish Rite bodies in the Bloomington, Illinois. Darrah was made a 33° Mason in 1909, and an Active Member of the Supreme Council in 1911 and became the Supreme Council Deputy for Illinois by 1932. Like Brown, Darrah was also a mover and shaker in the York Rite, becoming Grand Recorder of the Grand Commandery by the early 1920’s.

Letterhead for Delmar D. Darrah of the Bloomington Scottish Rite.

Both Darrah and Brown were also Grand Masters of their respective states, using their positions of power to actively promote the growth of the Scottish Rite. Being Grand Master for a year provides an incredible opportunity for individuals to push forward any personal agenda. In the case of both Brown and Darrah, these men zeroed in on building up the Scottish Rite. Keep in mind that the expansion of the Scottish Rite is solely dependent upon their success of recruiting Master Masons from Blue Lodges. Darrah became the Grand Master of the Grand Lodge of Illinois from 1910-1911, right before the new Masonic Temple was completed in Bloomington, a structure that included a Scottish Rite stage.

Here is a little background regarding the history of the Scottish Rite in Bloomington, Illinois. In response to the petition of Darrah, the Supreme Council of the Ancient Accepted Scottish Rite of Freemasonry for the Northern Masonic jurisdiction issued dispensation to institute a Lodge of Perfection in the Valley of Bloomington on December 19, 1907. On January 4, 1908, Ill. Amos Pettibone, Deputy for Illinois, instituted the Lodge in Bloomington. The Valley of Bloomington’s first reunion was held in March 1908, with a class that consisted of ninety-two candidates. During the early years, the Scottish Rite met in a fourth-floor lodge room. The Bloomington Scottish Rite grew quickly, and received their charter by September 17, 1908. That same year, dispensations and subsequent charters were also issued for Zerubbabel Council, Princes of Jerusalem, and for Mt. Calvary Chapter of Rose Croix. The Consistory soon followed suite. Darrah became the Scottish Rite Secretary and Director of Work by 1915. He served as the Secretary until 1922, and Director of the Works until 1945. He shaped degree productions and stage work at the Bloomington Scottish Rite.

The cornerstone of the Bloomington Masonic Temple at 302 E. Jefferson Street took place on April 26, 1911. In 1912, the new building opened, complete with stage and scenery. It was such a big deal that a statewide Scottish Rite event was hosted in the new facility. On June 24, 1912,”The Times” reported, “Bloomington, June 24 – Every thirty-third degree Mason in Illinois, it is thought, will attend the state assembly of Scottish Rite bodies, known as the Council of Deliberation, which will be held in Bloomington June 28. This council is the highest degree of Scottish Rite in Illinois. There will be representatives from the lodges in Chicago, East St. Louis, Springfield, Quincy, Peoria, Danville and Freeport. The supreme council is composed of James B. McFatrick, Amos Pettibone and Leroy S. Goddard, all of Chicago; S. O. Spring of Peoria and D. D. Darrah of Bloomington. This will be the first meeting of the council outside of Chicago and is in recognition of Bloomington’s new Masonic temple which was recently dedicated” (Streator, Illinois, page 6). The scenery for the Masonic stage in the building was delivered by Sosman & Landis. Keep in mind that Joseph S. Sosman was extremely active in the Chicago Scottish Rite and the firm was responsible for delivering all of the early scenery to the Chicago Scottish Rite bodies over the years.

The key to the Bloomington’s Scottish Rite success was their elaborate degree productions. On 18 October 1915, “The Pantagraph” reported, “Bloomington Scottish Rite Masons to the number of 200 are to swoop down on Springfield on November 24 in response to an invitation received by Commander-in-Chief Darrah requesting that the local staff confer the Twenty-seventh degree on a class of candidates at that time. A special train is to be chartered for this trip, and it is expected that at least 300 members of the fraternity will make the journey to the Capital City. This degree is one of historic origin and calls for the most elaborate costuming and scenic effects. It requires 110 men for the cast. The consistory purchased special costumes and scenery for this degree some time ago and since then have held numerous rehearsals to perfect the staging of the production” (page 7).

Bloomington’s Masonic Temple on Jefferson Street was the location for the first degree productions in 1912. According to a 1913 annual report, 144 candidates joined 1912. As Scottish Rite membership skyrocketed, the need for a new temple was proposed. In 1917, a new building was proposed, with the purchase of land at East and Mulberry taking place by May 1918. Necessary building contracts were authorized during November 1919, with the building being completed by 1921. The new Scottish Rite Temple was located at the north edge of the Bloomington’s business district, at 110 E. Mulberry Street.  The first Fall Reunion in 1922 included 353 candidates.

To be continued…

Author: waszut_barrett@me.com

Wendy Rae Waszut-Barrett, PhD, is an author, artist, and historian, specializing in painted settings for opera houses, vaudeville theaters, social halls, cinemas, and other entertainment venues. For over thirty years, her passion has remained the preservation of theatrical heritage, restoration of historic backdrops, and the training of scenic artists in lost painting techniques. In addition to evaluating, restoring, and replicating historic scenes, Waszut-Barrett also writes about forgotten scenic art techniques and theatre manufacturers. Recent publications include the The Santa Fe Scottish Rite Temple: Freemasonry, Architecture and Theatre (Museum of New Mexico Press, 2018), as well as articles for Theatre Historical Society of America’s Marquee, InitiativeTheatre Museum Berlin’s Die Vierte Wand, and various Masonic publications such as Scottish Rite Journal, Heredom and Plumbline. Dr. Waszut-Barrett is the founder and president of Historic Stage Services, LLC, a company specializing in historic stages and how to make them work for today’s needs. Although her primary focus remains on the past, she continues to work as a contemporary scene designer for theatre and opera.

2 thoughts on “Tales from a Scenic Artist and Scholar. Part 813 – The Bloomington Scottish Rite and Delmar D. Darrah, 1912”

  1. Thanks for the interesting historical notes of D. D. Farrah & the Bloomington Masonic & Scottish Rite & the Stage & Scenic Historic information.
    It was enjoyable to have been a part of the teams that worked on the stages of several Illinois Scottish Rite Valleys & in the American Passion in Bloomington for more than twenty years. C. E. Bartlett, Neoga,IL

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