Tales from a Scenic Artist and Scholar. Part 865 – Chicago’s Great Northern Hippodrome Theatre, 1913

Copyright © 2019 by Wendy Waszut-Barrett

In 1913, Thomas G. Moses wrote, “A new set for the Hippodrome, city.” Moses was referring to a cityscape setting for Chicago’s Great Northern Hippodrome Theatre. Later that year he added, “I did a drop curtain for the Great Northern Theatre. A very delicate Italian Landscape.” For such a popular space to see live entertainment, little is known of the actual venue.

Postcard with Great Northern Theatre, date unknown.
Postcard of Great Northern office building with theater next door to Great Northern Hotel.

Here is all that I could track down:

The Great Northern Hippodrome was located in a massive high-rise building at 26 West Jackson, between State and Dearborn Streets. The Great Northern Office and Theatre Company building was designed by D. H. Burnham and Co. in 1896 and adjoined an earlier Great Northern hotel building. Burnham & Root designed the Great Northern Hotel before John W. Root’s passing.

Great Northern Hotel with theater and office building.
Great Northern Hotel with theater and office building.

Opening on Nov. 9, 1896, Great Northern Theatre productions included legitimate theatre, vaudeville, movies, and stock company productions. During February 1910, the Schuberts took over the building, redecorating the theater and renaming it the Lyric Theatre. The theater was again renamed, becoming the Great Northern Hippodrome.

The new theater offered a variety of continuous performances from 11 a.m. until 11 p.m. daily. Advertisements promised, “All that’s great in circus, vaudeville, hippodrome, and novelty features” (Chicago Tribune, 23 May 1913, page 10).

From the “Chicago Tribune,” 28 Dec 1913, page 49
From the “Chicago Tribune,” 5 Oct 1913, page 20
From the “Chicago Tribune,” 13 Oct 1913, page 8
From the “Chicago Tribune,” 23 May 1913, page 10

When Sosman & Landis delivered scenery to the Great Northern Hippodrome in 1913, it was part of a program change, the venue now focused on live entertainment. On July 27, 1913, the  “Chicago Tribune” reported, “The Great Northern Hippodrome, having discontinued motion pictures, is now offering fourteen acts of vaudeville divided into two bills of seven acts” (page 14). Moses’ drop city setting and drop curtain were part of this makeover.

Like many historic venues of the time, the Great Northern Office and Theatre Building were demolished, in 1961 to make room for the Dirksen Federal Building.

To be continued…

Author: waszut_barrett@me.com

Wendy Rae Waszut-Barrett, PhD, is an author, artist, and historian, specializing in painted settings for opera houses, vaudeville theaters, social halls, cinemas, and other entertainment venues. For over thirty years, her passion has remained the preservation of theatrical heritage, restoration of historic backdrops, and the training of scenic artists in lost painting techniques. In addition to evaluating, restoring, and replicating historic scenes, Waszut-Barrett also writes about forgotten scenic art techniques and theatre manufacturers. Recent publications include the The Santa Fe Scottish Rite Temple: Freemasonry, Architecture and Theatre (Museum of New Mexico Press, 2018), as well as articles for Theatre Historical Society of America’s Marquee, InitiativeTheatre Museum Berlin’s Die Vierte Wand, and various Masonic publications such as Scottish Rite Journal, Heredom and Plumbline. Dr. Waszut-Barrett is the founder and president of Historic Stage Services, LLC, a company specializing in historic stages and how to make them work for today’s needs. Although her primary focus remains on the past, she continues to work as a contemporary scene designer for theatre and opera.

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