Copyright © 2019 by Wendy Waszut-Barrett
Sosman & Landis delivered scenery to Detroit’s Temple Theatre in 1908 and 1915. The Temple Theatre was not a Masonic structure, but a performance space constructed by the Benevolent and Protected Order of Elks for both public and private performances (BPOE).
The Elks Temple and Temple Theatre opened on Dec. 23, 1901. The entertainment complex originally hosted the Wonderland Theatre Company and curiosity museum of oddities. John Scott designed he building, with Col. J. M. Wood designing the 1500-seat theater. It was located next door to the Detroit Opera House, on the north side of Monroe Street in the Campus Martius area.
In 1908, the Temple Theatre closed for three weeks during July to complete the renovation of the theater space. The “Detroit Free Press” described the imminent renovation plans in an article in July 2 (page 7):
“The Temple theater will close at the end of the week to permit decorators to transform the interior. The work will take three weeks, artists working in two shifts, night and day. When the theater is thrown open to the public, Monday afternoon, July 27, the many patrons will marvel at the transformation. It is said that the decorations, with carpets, tapestries, drop curtain and incidentals will cost in the neighborhood of $20,000. The entire decorations will be in the Italian Renaissance period, and William Wright company has guaranteed Manager J. H. Moore the richest vaudeville theater interior in this country. The ceilings and cornice work will be in light Italian blue and ivory, this scheme being carried throughout. The proscenium boxes will be draped with rich brocatelle hangings of light blue, with heavy cords and tassels, and fine old Roman gold chairs will replace the mahogany ones now in use. Artists and designers have been at work on the preliminary plans for the last three months, and all that is left now is to complete the actual work. The carpets have been made from a special design by the decorators, and Sosman & Landis, the scene painters of Chicago, are in consultation with the William Wright artists carry out in the new drop curtain, to cost $1,000, the color scheme of the auditorium. The double baize doors, leading from the foyer to the right proscenium boxes will be replaced with Roman gilt and gold plate glass doors, with gold columns. New and beautiful electrical effects will be seen in the ceiling of the foyer. On account of the reopening of the Temple falling the revival of the famous Blue Ribbon meeting in Detroit, the bill of vaudeville for that week will be designated the “Blue Ribbon” bill. It will contain the names of artists, not the least of whom will be Loie Fuller, the celebrated fire dancer. The Temple Theater has not been closed, summer or winter, since it was thrown open to the pubic eight years ago. The many hundreds of patrons who have reserved their seats throughout the seasons will call for them during the week preceding the opening when the regular sale will go into effect.”
The “Detroit Free Press” described the 1908 drop curtain by Sosman & Landis in detail: “Beyond all this the proscenium arch a mass of burnished gold and set within like a picture in its frame is the new drop curtain – a splendid thing the product of Sosman & Landis scenic studios in Chicago. It pictures an old Italian garden, the spirit of the joy-seeking Renaissance caught here in every other part of the theater. Here too the predominating note is blue with only the suggestion of green in the foliage and a hint of old rose in the costumes of the grand dames, which lend the desired touch of life to the stately old garden. It’s all brightly beautiful and happy thought and ideal as a playhouse should be, and proves with subtle insistence that those responsible for it are artists in a very substantial and satisfying sense” (July 26, 1908, page 7).
I recently discovered another article pertaining Sosman & Landis scenery delivered to Detroit’s Temple Theatre in 1915. The new scenery was for the reopening of the redecorated theater on July 19. My fourth-grade German classes and Google translate helped me understand the gist of the German article in “Detroiter Abend-Post.” However, I still needed help and turned to my friend Art de Hoyos. Below is the translation of what was published in “Detroiter Abend-Post” on July 11, 1915 (page 12):
“English stage. Temple Theatre. This popular Vaudeville house will remain closed this week, but next week it will be reopened with new outfitting, and a few years will pass before the theater has to be temporarily closed again. Certain repairs and improvements were urgently needed in the theater room, but they will be completed later this week, so that nothing will stand in the way of reopening on July 19. The American Seating Co. was entrusted with the contract for the delivery and laying of new carpets in the parquet and the so-called ‘mezzanine floor.’ New scenery for the stage will be supplied by the well-known theater company Sosman & Landis Co. Chicago. The Temple Theater will reopen with an exceptionally rich, good program.”
I also found a newspaper advertisement pertaining to the old chairs being removed from the Temple Theater in 1915. The opera chairs were listed for sale in the “Detroit Free Press” on June 6, 1915 (page 30). The listing announced, “Attention, Theatre Managers. THEATRE CHAIRS FOR SALE CHEAP. All parquet and balcony seats now in use in Temple Theatre must be sold to make room for new seats to be installed soon. CHANCE OF A LIFETIME. Inquire Temple Theatre Offices.”
To be continued…
