In 1916, Thomas G. Moses wrote, “June 24th, Mama
and I left Chicago for the east on our summer vacation, stopping at Kingston,
Ont. And Montreal, then White Mountains and Kennebunkport, Me., Boston, New
York City and Trenton, quite a nice trip, all of which I have written in detail
elsewhere. With Stella and the three
girls we arrived home July 29th.
I was soon back in the harness at the studio.” I thought it would be fun to track down some
1916 postcards. Enjoy.
To be continued…
Author: waszut_barrett@me.com
Wendy Rae Waszut-Barrett, PhD, is an author, artist, and historian, specializing in painted settings for opera houses, vaudeville theaters, social halls, cinemas, and other entertainment venues. For over thirty years, her passion has remained the preservation of theatrical heritage, restoration of historic backdrops, and the training of scenic artists in lost painting techniques. In addition to evaluating, restoring, and replicating historic scenes, Waszut-Barrett also writes about forgotten scenic art techniques and theatre manufacturers. Recent publications include the The Santa Fe Scottish Rite Temple: Freemasonry, Architecture and Theatre (Museum of New Mexico Press, 2018), as well as articles for Theatre Historical Society of America’s Marquee, InitiativeTheatre Museum Berlin’s Die Vierte Wand, and various Masonic publications such as Scottish Rite Journal, Heredom and Plumbline. Dr. Waszut-Barrett is the founder and president of Historic Stage Services, LLC, a company specializing in historic stages and how to make them work for today’s needs. Although her primary focus remains on the past, she continues to work as a contemporary scene designer for theatre and opera.
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