Tales from a Scenic Artist and Scholar. Part 938 – The Rome Opera House in Georgia, 1916

Copyright © 2020 by Wendy Waszut-Barrett

A view of Rome, Georgia, posted to RoadRunner.

In 1916, Thomas G. Moses wrote, “I did a drop curtain for Rome, Georgia, and several exteriors.”

The Rome Opera House in Georgia.

On February 8, 1916, the “Atlanta Constitution” reported, “ROME OPERA HOUSE BEING REMODELED.

“Rome, Ga. February 7 – (Special)- The Rome Opera House, which is currently owned by the McClure Ten-Cent company of Atlanta, is being remodeled, and will be opened under the management of H. P. Diggs, a well-known theatrical man, formerly associated with local moving pictures” (page 9).

A view of Rome, Georgia.

Unfortunately, the business venture did not succeed. By November 25, 1916, the “Atlanta Constitution” reported,

“Neglected Bank Roll in Attempt to Start Vaudeville in Rome.

“Rome, Ga., November 24. – (Special) – Ross Conkling, an Atlanta theatrical man, who endeavored to open the Rome Opera House as a vaudeville and motion picture theater here, neglected one important detail necessary to such operation, to-wit, a bank roll. He was given credit by actors, film operators, stagehands, print shops, newspapers, and the like, but the box receipts on the opening night were attached by Mrs. Amanda Gray, one of the vaudeville actors, who declares that he is without funds. An orchestra of seven pieces and five members of a vaudeville company are stranded here” (page 4).

“Rome Opera House” is above the arch. Rome, Georgia.
“Nevin Opera House” is above the arch. Rome, ,Georgia.

Rome Opera House was later renamed the Nevin Opera House. Located at 321 Broad Street, the original structure was built by M. A. Nevin at a cost of $21,000, opening on October 1, 1888.  With a seating capacity of 800-1,000, it hosted a variety of performances until 1915. “Julius Cahn’s Official Theatrical Guide” provides a little more information about the technical specifications in 1908.  The proscenium measured 26 feet wide, but no height was provided. However, the stage to the gridiron was 55 feet, suggesting full travel for the drops. The stage to the fly gallery was 25 feet and the distance from the curtain line to back wall was 32 feet.

The building was destroyed by fire in December 31, 1919.

To be continued…

Author: waszut_barrett@me.com

Wendy Rae Waszut-Barrett, PhD, is an author, artist, and historian, specializing in painted settings for opera houses, vaudeville theaters, social halls, cinemas, and other entertainment venues. For over thirty years, her passion has remained the preservation of theatrical heritage, restoration of historic backdrops, and the training of scenic artists in lost painting techniques. In addition to evaluating, restoring, and replicating historic scenes, Waszut-Barrett also writes about forgotten scenic art techniques and theatre manufacturers. Recent publications include the The Santa Fe Scottish Rite Temple: Freemasonry, Architecture and Theatre (Museum of New Mexico Press, 2018), as well as articles for Theatre Historical Society of America’s Marquee, InitiativeTheatre Museum Berlin’s Die Vierte Wand, and various Masonic publications such as Scottish Rite Journal, Heredom and Plumbline. Dr. Waszut-Barrett is the founder and president of Historic Stage Services, LLC, a company specializing in historic stages and how to make them work for today’s needs. Although her primary focus remains on the past, she continues to work as a contemporary scene designer for theatre and opera.

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