Travels of a Scenic Artist and Scholar: The Wheeler Opera House in Aspen, Colorado.

Copyright © 2021 by Wendy Rae Waszut-Barrett

I spent yesterday afternoon in Afton, Colorado, at the Wheeler Opera House. This was a trip instigated by Ziska Childs; a project that took advantage my visit to the Tabor Opera House in Leadville this month. I was fortunate to share my on-site discoveries with Jenny Knott, Michael Powers, Greg Marsters, and Tammy Taber. After an in-depth examination of the Wheeler drop curtain, we suspended it from a downstage line and admired the scenic art from the house.  Shortly after the unveiling, my preliminary findings were presented to the Board of Directors. I am currently in the process of developing an historical analysis, condition report and replacement appraisal for the piece.

The current drop curtain for the Wheeler Opera House was delivered by Tiffin Scenic Studios, Inc. in 1983. It is the same subject matter as the drop curtain first delivered to the Wheeler Opera House when it opened in 1889. The original drop curtain for the Wheeler Opera House was painted by Henry E. Burcky, a scenic artist for the Tabor Opera House in Leadville and Tabor Grand Opera House in Denver. Prior to relocating west, Burcky was also a scenic artist at Hooley’s Theatre in Chicago and also painted for the Cincinnati Opera Festival in 1881. I have written about him quite a bit in the past. On March 26, 1889, the Aspen Times interviewed Manager Weill of the Wheeler Opera House who described the new drop curtain as “a representation of the Brooklyn Bridge painted by Burke [of the Chicago Opera House] from sketches obtained in this city and is one of the best pieces of work of the kind I have ever seen.”

That same year that Burcky worked for the Wheeler Opera House, he also painted a drop curtain for DeRemer’s Opera House in Pueblo, Colorado.

Burcky first came onto my radar while researching a set of painted cut wings at Tabor Opera House in Leadville, Colorado, c. 1890. From 1884-1890 Burcky painted scenes for Tabor’s opera houses in both Leadville and Denver. During this time, Burcky and master mechanic J. C. Alexander renovated numerous Colorado stages for the Silver Circuit, their projects included those in Aspen, Leadville, and Pueblo. 

The extant drop curtain at the Wheeler Opera House by Tiffin Studios is either a painted replica of the original drop curtain, or one inspired by Burcky’s work.  I am currently on a quest to track down the history for this particular piece.

Painted detail. Drop curtain Wheeler Opera House, Aspen, Colorado. c. 1983
Tiffin Scenic Studios, Inc.
Drop curtain Wheeler Opera House, Aspen, Colorado. c. 1983
Tiffin Scenic Studios, Inc.
Painted detail. Drop curtain Wheeler Opera House, Aspen, Colorado. c. 1983
Tiffin Scenic Studios, Inc.
Painted detail. Drop curtain Wheeler Opera House, Aspen, Colorado. c. 1983
Tiffin Scenic Studios, Inc.
Painted detail. Drop curtain Wheeler Opera House, Aspen, Colorado. c. 1983
Tiffin Scenic Studios, Inc.
Painted detail. Drop curtain Wheeler Opera House, Aspen, Colorado. c. 1983
Tiffin Scenic Studios, Inc.
Painted detail. Drop curtain Wheeler Opera House, Aspen, Colorado. c. 1983
Tiffin Scenic Studios, Inc.
Painted detail. Drop curtain Wheeler Opera House, Aspen, Colorado. c. 1983
Tiffin Scenic Studios, Inc.
Painted detail. Drop curtain Wheeler Opera House, Aspen, Colorado. c. 1983
Tiffin Scenic Studios, Inc.

To be continued…

Author: waszut_barrett@me.com

Wendy Rae Waszut-Barrett, PhD, is an author, artist, and historian, specializing in painted settings for opera houses, vaudeville theaters, social halls, cinemas, and other entertainment venues. For over thirty years, her passion has remained the preservation of theatrical heritage, restoration of historic backdrops, and the training of scenic artists in lost painting techniques. In addition to evaluating, restoring, and replicating historic scenes, Waszut-Barrett also writes about forgotten scenic art techniques and theatre manufacturers. Recent publications include the The Santa Fe Scottish Rite Temple: Freemasonry, Architecture and Theatre (Museum of New Mexico Press, 2018), as well as articles for Theatre Historical Society of America’s Marquee, InitiativeTheatre Museum Berlin’s Die Vierte Wand, and various Masonic publications such as Scottish Rite Journal, Heredom and Plumbline. Dr. Waszut-Barrett is the founder and president of Historic Stage Services, LLC, a company specializing in historic stages and how to make them work for today’s needs. Although her primary focus remains on the past, she continues to work as a contemporary scene designer for theatre and opera.

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