Month: April 2022

Copyright © 2022 by Wendy Waszut-Barrett

Perry Lester Landis was the son Perry Landis, Sosman & Landis co-founder. When Joseph S. Sosman passed away in 1915, Sosman & Landis stockholders elected Thomas G. Moses president, Arthur Sosman vice-president, and P. Lester Landis secretary and treasurer.

Perry Landis Sr. met Joseph Sosman in 1875. The two became fast friends and traveling companions. In 1879, they moved to Chicago and opened up a scenic studio on Clark Street. Perry was the first to marry in 1881. His bride was Nora Fessler, and the two celebrated the birth of Viola Elizabeth Landis in 1884 and P. Lester Landis in 1892. The year that Lester was born, the Landis family moved from Chicago to Evanston, Illinois. Lester grew to adulthood along the shores of Lake Michigan, with Chicago only a short train ride to the south. Despite the financial success of the Landis family in the 1890s, tragedy soon followed. Lester’s father became gravely ill around the turn-of-the-twentieth-century, forcing him to withdraw from almost all business responsibilities at Sosman & Landis and the American Reflector and Lighting Co. The 1900 US Federal Census listed that the Landis household was located at 1235 Judson Ave. in Evanston and included: Perry, Nora, Viola, Lester, Katharine Landis (Perry’s mother), Ada Fessler (Nora’s sister), and two servants.

In 1905, both Perry Landis Sr. and his daughter, Viola Landis, passed away; their deaths were only six months apart.

On June 11, 1905, the “Chicago Tribune” reported, “Miss Viola Elizabeth Landis, daughter of Perry Landis of Evanston, died yesterday in Colorado Springs, Colo., where she had gone for her health. Her father and mother were with her at the time of death. She recently was graduated from the Evanston High school” (page 6).

On Dec. 13, 1905, the “Chicago Tribune” published Perry Landis” obituary: “Perry Landis, Evanston, died yesterday at his residence, 515 Dempster street, following a long illness. He was born in Clifty, Ind., in 1850, and came to Chicago when 17 years old. He was well-known among artists of the United States. A widow and one son, Lester Landis, survive. Interment will be at Graceland this afternoon” (page 5). On Dec. 16, 1905, “The Evanston News” added “[Perry] had been a sufferer from nervous prostration for more than three years…Perry Landis was born at Clifty, Indiana, in 1848, He married Miss Nora Fessler, Jan. 13, at Shelbyville, Indiana, and their home was in Chicago from that time until coming to Evanston eleven years ago…Besides the widow, the decedent leaves one son, Lester Landis, Miss Viola Landis, the only daughter in the family, dies last June in Colorado.”

Both Perry and his daughter were buried in a family plot at Graceland Cemetery, purchased by Joseph S. Sosman that year.

In between his sister’s passing and his father’s passing, Lester turned twelve years old. He would spend the next decade with his mother, attending school in Evanston and then entering the family business. His passion, however, remained automobiles. Lester and his mother remained at 515 Dempster in Evanston until 1910 when they moved to 931 Judson. The family home remained on Judson until 1939. The 1910 US Federal Census listed Nora Landis’ household at 931 Judson included her 17-yrs.-old son, P. Lester, her sister 45-yrs.old sister, A. G. Fessler, and a servant.

In 1912 and 1913, the Evanston City Directory listed Lester Landis as a student, still living at home with his mother. During this time he began buying and selling a series of cars.  Although I am uncertain as to when Lester started at Sosman & Landis, he was elected as the firm’s secretary and treasurer in 1915. He likely entered the scenic profession at this time. In 1915, Thomas G. Moses wrote, “I received a wire from Sosman requesting me to return at once, as he was going away for a trip in his car.  He returned July 24^th in bad shape and died August 7^th.  On the 10^th, a stockholders meeting was called and I was elected president of the Sosman and Landis Company.  Arthur Sosman was elected vice-president and P. Lester Landis, secretary and treasurer.”

By the end of the 1915, Moses wrote, “I hope within a year that Lester will get into the office work so I will not have much of that to do.” Lester was slow to take on the company reigns; likely a result of his recent marriage to actress Jessie Medbury (1896-1972). The young couple was married on June 7, 1915. This was just prior to Sosman’s passing and Lester’s advancement to vice-president at Sosman & Landis on August 10. Thos. G. Moses and P. L. Landis were soon running the firm. One of their more notable projects was the Strand Theater in Indianapolis, Indiana. On Jan. 15, 1916, “The Indianapolis News” Sosman & Landis placed an announcement, supporting the opening of the Strand, a new photoplay theatre at Capitol Ave. and Washington St.  They were one of many sponsors to celebrate the opening announcing that their firm “designed, built and painted the beautiful stage settings.” Thos. G. Moses was listed as President and Designer, with P. L. Landis as Secretary and Treasurer.

In addition to managing work, Lester was settling into married life with an intelligent, vibrant and attractive actress. Jessie was the daughter of symphonic musician, Paul B. Medbury (b. 1869), and Ella Gill (b. 1869). Over the years, her father had also worked as an actor, while her mother rented out rooms in the Ellis Park neighborhood. Later in life, Jessie described that she had a “hankering for the stage since childhood.” In a 1961 interview for “Stars and Stripes Newsletter” Jessie later explained, “When other children were playing with their dolls, I would be playing theater. I do remember I used to put on little shows in the backyard.”

She was very fortunate as doors opening up for this aspiring performer. An article published in the “Evanston Review” in 1926 summarized Jessie’s early training and stage career. It reported, “Miss Landis won a scholarship in the Chicago Musical college, where she studied voice, dramatic art, and instrumental music. Graduating from that institution she embarked for New York and was placed in charge of William Wade Hinshaw for voice training, and M. V. Hinshaw and Hamilton Coleman for dramatic art and stagecraft. However, the urge for real dramatic work was not to be denied her and immediately upon her return home she allied herself with the Evanston Stock company, then under the direction of Harry Minturn and playing what is now the New Evanston theater” (11 Nov 1926).  It was while performing with the Evanston Stock Company, that Jessie met Lester Landis. 

So, consider the circumstances…a young actress is on the brink of a successful career, she marries into a very wealthy and well-connected family, with close ties to the entertainment industry. It seems like a dream, until married life sets in and she immediately becomes a mother. This is a period of time when married women left careers and raising children signaled the end of professional ambitions.

In Jessie’s 1954 autobiography, “You Won’t Be So Pretty (But You’ll Know More),” she described her son’s early years and the collapse of Sosman & Landis. Of her son’s birth, Jessie wrote, “And when it was over – the pains had stopped. My eyes were shut tight when I heard the piercing cry of a baby – my baby! Medbury (for my father), Perry (for Lester’s), Landis was bathed, dressed, wrapped in a lovely blanket and put in my arms. It was a beautiful day. From my bed I could see the syringa bushes in the garden in full bloom. Life for me at that moment was perfect and complete.” I had to look up syringa bushes; they are lilacs.

Meddie was born with down’s syndrome, and the Landis family began to grapple with their future obligations and options.

Jessie wrote, “Meddie was a beautiful baby and almost too good to believe. He seldom cried. During the first two years of his life everything went wrong in the Landis home. The business from which they derived their incomes began to fail and it was disclosed for many years the dividends had been paid out of capital. Lester tried to nurse it back, but he knew nothing about the business and it was all pretty hopeless. The family had never had to economize and couldn’t believe that it was necessary to do so now.

‘It will turn out right somehow,’ Mother Landis would say and they continued to live as they had always lived.

I, who had known the ups and downs of fortune, seemed to be the only one to worry.”

Shortly after giving birth, Jessie was asked to play to the role of “Miss Phoebe” in the Evanston Country Club’s play, “Quality Street.” She accepted, and immediately returned to acting and directing. Years later, newspaper articles would repeat the following story, “Miss Landis began her theatrical career as an Evanston amateur when she played the Country club productions under the direction of Blanch Bannister Arnd. She later appeared in a stock company at what is now the Valencia theater and there won the attention of Joseph Schildkraut, who engaged her for the touring company of ‘The Highwayman.’” An article published in the “Evanston Review” detailed that “she interpreted plays, and Joseph Schildkraut chanced to be in the audience one night. He engaged her to play the flirtatious countess in ‘The Highwayman.’ Same story, with a few variations from one newspaper to the next. The point is that her career began to take off, and no one could contain her, or convince her to stay home and raise a child. Understandably so, she had a rare gift and amazing drive.

As Jessie’s career began to soar, her husband’s career began to fail. This dynamic was accentuated by the struggle of raising a newborn. It is one thing to marry a young, beautiful, talented and aspiring performer. That is the thing that dreams are made of. It is something else to watch you wife take center stage while your own career fails.  Lester Landis was in a financial free-fall; trying to rescue a company with minimal experience. He must have felt extremely inadequate as he watched his father’s business empire crumble before his eyes. All the while, his wife was spending an increasing amount of time away from own and gaining much well-deserved recognition. His mother was left to raise their child; Nora represented their sole support network.

Thomas G. Moses remained at Sosman & Landis until the fall of 1918. He simply could not overcome the loss of Sosman, nor successfully manage the firm.  In 1916, Arthur Sosman stepped down as vice-president, with his mother, May P. Sosman, briefly taking on the role. The Sosman heirs (two stepsons) had their own concerns and ambitions, none of which really involved managing a scenic studio. Both Arthur and Fred Sosman were interesting in the theatrical management and performance aspect of vaudeville, not necessarily the back stage work. This left Thomas G. Moses and Lester Landis on their own to bail out a sinking ship. In the end company sales rapidly declined, likely the result of an inexperienced sales team.

Moses could not effectively manage both sales and manufacturing on his own. Lester Landis’ WWI Draft Registration card, dated June 5, 1917, listed his occupation as “manufacturer of stage scenery” and his employer as Sosman & Landis Company, 417 So. Clinton St., Chicago. At the time, his physical was described as medium height, medium build, brown eyes and brown hair.  With America’s entry into WWI, Sosman & Landis struggled to secure work, and soon began accepting government contracts. This work was not promptly paid, ultimately contributing to the firm’s dire financial straits. In 1918, Moses wrote: “Lester Landis went to New York and finally got a settlement with Law for our government work.  It has cost us a good bit to get it settled.”

Moses even traveled with Landis, in hopes of landing more work. My guess is that this was a last ditch effort to help train Landis in sales.  That summer, Moses wrote, “July 2nd, Lester, his wife and myself started for Battle Creek by the way of South Bend in his auto.  We had a delightful trip, spending the 4th of July in South Bend and coming away with a $1,200.00 contract.” Despite Moses’ loyalty to the Landis family and his friendship with Lester, Moses could not stay at the failing firm.

By the fall of 1918, Moses wrote, “September 1st, I resigned as President of the Sosman and Landis Company which severs my connection with the firm after thirty-eight years of service…The Sosman and Landis Company have only done $85,000.00 worth of work for the past year.  We should have done about $116,000.00 worth to make money.”

It was also around this time that Jessie returned to full-time work in Chicago, leaving Meddie in the care of her in-laws. Jessie became head of the Dramatic Art and Production Department of Hinshaw Conservatory. Keep in mind, that in 1919, Jessie was 23 yrs. old; this says quite a bit about her ambition and skill set.  The Hinshaw Conservatory was located at the southwest corner of Wabash Ave. and Jackson Blvd in Chicago, a short train ride south of Evanston. Built in 1917, the new Kimball Hall building was a sixteen-stories structure with 500-seat auditorium.  William Wade Hinshaw was the director of the school, with J. A. Hinshaw as the Manager.

Previously, Hinshaw sang with the Henry W. Savage Grand Opera Company as the leading baritone for three seasons (1899-1901). Interestingly, Hinshaw sang for Savage during the same time that Thomas G. Moses worked as the company’s scenic designer/artist. After Hinshaw left Savage’s employ he relocated to Chicago to establish his conservatory.

From 1919 to 1921, Jessie Royce Landis was listed as working at was listed in the Chicago Directory as one of many employees at “Wab 8335, 910 Kimball Hall Building;” this was the address for the Hinshaw Conservatory of Music & Dramatic Art. Other Hinshaw employees who worked at the building included John Arno Hinshaw; Marvin V. Hinshaw (voice and dramatic art); Mabel Lewis Howatt (elocution); M. McFarland Marino; G. Magnus Schutz (music teacher); Edna Whitmore (music teacher); Laurinda Bredshall (music teacher); Ralph Ginsburg (music teacher); and G. Flynn.

The 1920 US Federal Census listed the couple still living at the home of Nora Landis on 931 Judson in Evanston. Her household included Lester P. (27 yrs.), Jessie R. (23 yrs.), Medbury (3 ½ yrs.), A. Gertrude Fessler (56 yrs.) and servant Alice Sulser (32 yrs.). Lester’s occupation was listed as a “president” in the “scenic artists” industry. Landis remained at the firm as his wife continued to excel as both an actress and director. In 1921, she became a director for the North Shore Players in Evanston. At this same time, Jessie began working as a reader and dramatic coach, part of the Radio Broadcasting news program (KDKA, KYW, WJZ and WGY Westinghouse and General Electric Broadcasting). During the spring on 1922, she was listed as a radio reader for “If You Would Love Me” and many other short stories at the Westinghouse Station, KYW, Chicago, Illinois (“New York Times,” 24 April, 1922, page 27).

By 1922 Jessie established her own firm, known as Landis Studio. From 1922 to 1925, the Chicago Directory listed Jessie Royce Landis’ work address 1525 in the Kimball Building. Her employees included Albertine Nelson (music teacher) and Hilma Franz. This was really a turning point for Jessie After a series of charitable performances, she begins working as an actor and director for the North Shore Players. On March 17, “The Lake Shore Players” published “Seeks Candidates For Tryouts in 3 Plays” (page 1). The article reported, “Mrs. Jessie Royce Landis, who recently has assumed an active interest in the North Shore Players and who gave special readings at the performance a few weeks ago, is to do the ‘casting’ for the forthcoming plays. Mrs. Landis is well known to north shore playgoers for her stellar work in ‘Daddy Long Legs,’ ‘Tangle’ and other important theatrical productions of the past years. She is a leader in dramatics and the North Shore Players are considered to be very fortunate in having claim upon at least a portion of her time.”

Between 1922 and 1923 “The Lake Shore News” published a series of placed by Jessie Royce Landis for her Studio of Dramatic Art. Her ad noted, “Instruction may be had in Evanston as well as Chicago” (page 17). She was still placing the same advertisement in a variety of local paper the following year, including the “Evanston Lake Shore News” (13 April 1923, page 7).

In addition, to teaching, acting, and directing, Jessie began to write. On April 22, 1922, “The Lake Shore News” published an article written by Jessie Royce Landis entitled “Wherein is Defined Amateur Dramatist” (page 4). 

She wrote, “Deep in the heart of almost every individual lies an inborn conviction that a great artistic spirit seeks expression. Nearly every one of us at some time or the other has secretly felt the urge of expressing big thoughts through the medium of printer’s ink. The painter’s palette or the mummer’s art. Almost any man thinks that he could add some touch of improvement to almost any play that he ever witnessed. It is so easy to sit back comfortably and critically watch a story unfold and suggest where here and there the plot might be twisted and turned a bit.

Someone has said that almost everybody has carefully hidden away in some pigeon hole, nook or corner a play, poem or dramatic sketch with which he hopes some time to startle and amazed and appreciative world.

The psychology of all this is probably what makes amateur theatricals as unusually known the dreariest form of indoor sport.

Most folks start by coxed, persuaded, cajoled, and coerced into their first amateur dramatic appearance. It usually requires the ‘hook’ to stop their adventures.

Nothing is so interesting to watch as they progress of the average staid, dignified man of affairs hesitatingly accept and stumblingly repeating his first few lines in his first amateur appearance until he blossoms forth in the full regalia and panoplied gladiator fondly imagining himself an imposing, impressive reincarnation of another Booth.

Of course, all of these performances are given before friends, relatives or loving enemies, so all is congratulation, all is fulsome praise, and it is only the outsider or stranger that can fully appreciate in all its excruciating agony the wonderful and typical amateur performance.

Everybody imagines that if they just had a few hours someday all by themselves with plenty of paper they could write a perfectly wonderful story or play, while others fondly hug the illusion that the mere donning of a character costume miraculously clothes them in the ability to tread the boards.

They fail to understand that they can hardly acquire in a few short weeks of usually quite equally amateurish direction and rehearsal even the least inkling of an art that requires a lifetime of study in its perfection. That is probably why the word ‘amateur’ as applied to dramatics is the term that usually brings forth, at best, the quiet smile of amused tolerance. Perhaps the greatest compliment that any group of such players have received from the audience is the remark, ‘Pretty good for a bunch of amateurs.’

Yet no one ever thinks of the word ‘amateur’ as applied to a baseball organization as indicating in the least degree a lack of first class ability and skill. Practically all football is amateur football and no better football is played. Nobody feels inclined to make excuses for an amateur golf champion or tennis player. The word ‘amateur’ receives in these fields its true meaning; the doing or accomplishment for love of the thing done.

So I have many times longed for a word that might truthfully and fairly designate meritorious theatrical productions apart from purely commercial enterprise.

I have in mind a group of earnest, capable and talented people in our own community who best express my idea of what ‘Amateur theatricals really should mean.’

The North Shore Players are not in the accepted theatrical sense amateurs. All have had stage careers. In that respect we would call them professionals. They never attempted anything beyond their own capacity to express, or beyond the limits of possible stagecraft where the productions are given. They are amateurs in the highest sense, carrying on the work not for personal gain, but for the pure love of the thing. Their performances easily rank with high grade commercial attempts.”

On April 28, 1922, the “Evanston Lake Shore News” reported, “Before her marriage Mrs. Landis appeared on the professional stage with large road and stock companies in plays such as ‘Get Rich Quick Wallingford,’ ‘The Blindness of Virtue,’ etc. In moving pictures she played opposite Francis X. Bushman for some time. Of late, Mrs. Landis has only been doing semi-professional work and has appeared in the following plays on the North Shore: ‘Quality Street,’ ‘The Two Sisters,’ ‘Fourteen,’ ‘Tea for Three,’ ‘Daddy Long Legs,’ and ‘Tangle.’ For three years Mrs. Landis was head of the Dramatic Art and Production Department of Hinshaw Conservatory and now maintains her own studio in the Kimball Building – Landis Studio” (page 8).

”The North Shore Players include in their organization, Robert Andrews, who has made a special study of scenery at the Academy of Fine Arts and the Hickox Studios.”

On Feb. 2, 1923, the “Evanston Lake Shore News” reported, “The North Shore Players have been exceptionally fortunate in securing the services of Jessie Royce Landis as director for the season. Under her capable supervision, the North Shore Players have always been successful, and the fact that Mrs. Landis is directing their coming performance, it is felt, assures success”  (page 1). On June 1, 1923, Jessie Landis was pictured in the Evanston Lake Shore News (page 6). She played the title role in “St John Irvine’s “Jane Clegg” by the North Shore Players at Kuppenheimer Memorial Hall in the New Trier high school auditorium. It was given under the auspices of the benefit of the Winnetka Post, American Legion.  The article reported, “The part of ‘Jane Clegg’ is to be portrayed by Jessie Royce Landis, who has been in charge of all the direction of the North Shore Players’ productions for the past two seasons, and whom all these youthful dramatist declare, is due all the credit for the success of their numerous ventures. Mrs. Landis has appeared on the professional stage in a number of important productions, and since her marriage has been doing only semi—professional work as sell as giving instruction in dramatic art.” (page 6).

Meanwhile at Sosman & Landis, Lester continued to work as a salesman at Sosman & Landis. Moses was again working at the firm, on contract.

In 1922 Moses wrote, “…got a train for Davenport, Iowa. Some fine daylight ride.   Met Lester Landis and we set our model up for the new Scottish Rite Bodies.  No chance to close for some time.” The firm continued to lose work to their competitors, as they frequently were outbid.  This, combined with a decline in the demand for painted scenery, contributed to the firm’s rapid decline. In  1923, plans were implemented to liquidate all Sosman & Landis assets, closing its doors for good.  Moses saw an opportunity and partnered with Fred Megan, former salesman at the Kansas City Scenic Co., to purchase the name. They hoped to open a new iteration of Sosman & Landis, and succeeded early in 1924. In 1925, Moses wrote, “On Sunday, [Fred] Megan and Lester Landis drove out to see me, as Fred had just returned home from a trip.  We tried to induce Lester to come with us, but he wanted too much salary.”

I wonder if Lester was simply not interested, and priced himself out of the picture.  His wife’s career was soaring, and their marriage began to faulter. An article entitled “Jessie Royce Landis is Leading Lady with Otis Skinner at Blackstone” was published in “The Evanston Review” on Nov. 11, 1926. The article described her training and career up to her landing the role of the countess in “The Highwayman.” Then it continued, “After that she appeared in John Golden’s ‘Wages for Wives’ and ‘Seventh Heaven,’ also as a member of ‘The Werewolf’. Vaudeville also claimed Miss Landis for a time. She appeared opposite Jacob Ben Ami, in the second act of ‘Sampson and Delilah’ at the Palace theater. After this she played in Detroit, Mich., in Adolph Klauber’s ‘Wings of Chance,’ in which Jessie Bonstelle saw her, and when Miss Bonstelle decided to produce ‘Little Women’ she engaged Miss Landis for the part of Jo, in which this young actress scored so heavily that she was listed to play leading parts only with the Bonstelle Stock company during all of last summer, after having secured her release from A. H. Woods with whom she had signed a contract previously. Miss Landis is now appearing in the role of Flora Brazier, in Mr. Skinner’s present vehicle ‘The Honor of the Family,’ and although the part is of an unsympathetic nature, she nevertheless revels in it because it gives her an opportunity to display all human emotions.” “The Honor of the Family” at the Booth Theatre was Jessie’s Broadway debut in 1926 . The production was immediately followed with a tour, featuring her in the same role. After completing the tour, she returned to New York and would land one role after another, including the role of Princess Katherine in the 1928 production of “The Command Performance.”  In all, Jessie would perform in 35 Broadway productions between 1926 and 1964.

Unfortunately, joy and sorrow often go hand in hand.  The year that Jessie performed in “The Command Performance” her 11 yrs. old son passed away from influenza. Meddie Landis died on March 17, 1928. At the time, he was living in Indianapolis at an institution (2259 N. Alabama).

Purportedly, Lester and Jessie greatly disagreed on how they should raise a child with special needs. Lester wanted Jessie to stay at home and care for their son, whereas Jessie believed that he should live at an institution specifically created for those with Down syndrome. Unfortunately, this was a period in American history when the majority of individuals with Down syndrome were kept in inhumane institutions.  First of all, here is a link to the Down Syndrome Human and Civil Rights Timeline: https://www.globaldownsyndrome.org/about-down-syndrome/history-of-down-syndrome/down-syndrome-human-and-civil-rights-timeline/

I am going to provide a little context to place how inhumanely the world looked at special needs individuals…

In the 1920s, some of the United States were passing laws to sterilize certain individuals without consent; those perceived as “feebleminded,” insane, depressed, mentally handicapped, epileptic, and some others who simple suffered from various addictions (alcohol and drug abuse). In 1927, the Supreme Court case, Buck vs. Bell ruled that it was not a violation of constitutional rights of disabled people to forcibly sterilize them against their will. Even in “Mein Kampf,” Adolph Hitler cited U.S. eugenics laws and ideology, writing, “I have studied with great interest the laws of several American states concerning prevention of reproduction by people whose progeny would, in all probability, be of no value or be injurious to the racial stock.”

Meddie was considered by some to be “of no value.”  Therefore, It is understandable why any parent, such as Lester, might hesitate to send their child to any institution, especially one that was far away from home. So what were the options without a network of support for parents with a Down syndrome child? In all reality, someone had to stay at home as a primary caretaker. If neither parent was willing to do this, nor a close family member, the options were very limited. Family members were customarily sent away and placed institutions for a variety of reasons, often perceived as inconveniences.

There were risks in sending Meddie to an institution, but most children with Down syndrome were not allowed to attend public schools and confined to a private residence. In the Landis household, there remained the question as to WHO was going to raise a special needs child. Within a patriarchal structure, the responsibility fell to Jessie. Yet she a career that was taking off, and arguably much more successfully than her husband by 1922.  

Their differing opinions about Meddie caused a fissure that ultimately divided their lives and ended their marriage in divorce. After Meddie’s death, Jessie threw herself into her art and succeeded. Meanwhile, Lester just tried to survive, going from ones sales position to another. Throughout the 1920s he remained in the theatre industry, staying with the scenic trade.

By 1927, Lester secured a position as the head of the scenery and drapery department at the National Theatre Supply Company.

An article about P. L. Landis was published in the “National Pink Sheet” on June 27, 1927 (page 2). Here is the article in its entirety:

“New Scenery and Drape Department Formed.

Distributing Entire Output of Midwest’s Finest Scenic Studio, National is Now in Position to Render Unusually Efficient Service.

-P. L. Landis Placed in Charge.

The idea of specialization throughout its various departments has been further augmented by the National Theatre Supply Company in recent formation of another new department which will have under its direct supervision all matters in connection with the distribution of stage scenery, house draperies and floor coverings for theatres in the Central States.

This department has been placed under the directions of Mr. P. L. Landis, a specialist in stage technique and with headquarters in the general offices of the Company in Chicago, he will cooperate with an assist all National branch managers and their salesmen in rendering a scenic service to exhibitors, unusual in both the extent of preliminary service and quality of finished products.

Mr. Landis is quite well known to the trade, having been a member of the original Sosman & Landis Company of Chicago. With 12 years of experience in all branches of scenery production and stagecraft, he is particularly fitted to head the new department.

Arrangement have been made to distribute the entire output of the Wm. Lemle, Inc. Studios, located in Chicago. This company, with one of the finest and best equipped studios in existence, and in charge of Wm. Lemle, also an associate of Mr. Landis in the original Sosman & Landis studios, will produce all of the stage curtains, both fabric and painted, house draperies and novelty stage settings of every description for the new scenic department of National’s Midwest Division.

Similar departments are already in operation in the Southern Division, under the direction of Joe Shear, located at the National district offices in Atlanta, Ga., and in the West Coast Division, under A. M. Larsen of the National Interior Decorating Department in Seattle, Wash. Another scenic department is now being formed for the Eastern Division and will be announced shortly by officials of the district in New York City.

The scenic, drapery, floor covering and interior decorating departments represent one of the final steps toward perfecting the National One-Contract Equipment Plan, which has already achieved nation-wide popularity. These departments will function in connection with the National Engineering Department.

It is now possible for the builder of a new theatre, or the exhibitor who wishes to improve the efficiency of his present theatre to avail himself of a complete technical service for the preliminary plans, and finally to group his entire needs into one contract. Thus simplifying the process of selection, establishing one single source of responsibility, minimizing the possibility of errors and greatly facilitating the problem of financing.”

Lester  continued to live with his mother at 931 Judson in Evanston throughout the 1920s and 1930s. From 1920 until 1925, Lester was listed as a manager. His 1926 listing changed to salesman, a position that he continued for the remained of his career, despite shifting industries. The 1931 Evanston City Directory listed his wife as Jessie R. and his employment as “theatrical supplies, Chicago.” Two years later, Lester’s wife was still listed as Jessie R. Landis.

In 1935, Lester Landis was listed a s a salesman for North Shore Buick Co., but he was still living with his mother in Evanston. His life dramatically changed. It was not as if he suddenly decided to sell cars. Since 1913, P. L. Landis had been buying, selling, and trading a variety of vehicles.  In 1913, he placed the following advertisement in the “Chicago Tribune”:

SACRIFACE – 1914 PAIGE EQUIPPED WITH spare tire. Gray & Davis starting and lighting system, shock absorbers, etc., run less than 2,700 miles. Owner. P. L. Landis, Phone Evanston  1698.” In 1915 he placed a similar ad in the “Chicago Tribune” on Aug. 1, 1915: SACRIFACE – 1912 5 PASSENGER SELDON, fully equipped and ready for immediate driving; just overhauled. Must have money inside of 24 hours. Call Evanston  1698. P. L. Landis.” By 1921, his advertisements in the “Chicago Tribune” carried bold and larger fonts: “Auto Credits for Sale. NEW CAR. WILL SACRIFICE DEPOSIT ON ANY MODEL ELGIN 6. P. L. Landis Ph. Evanston 1698.”

When Lester left the theater business in the mid-1930s, he returned to his first love – cars.

Both Lester Landis and Jessie Royce Landis remarried in 1937.

Lester’s second wife, Elsie C. Karger. The two were married on September 27, 1937, in Galesburg, Kalamazoo, Michigan. This date various, however, and some records suggest Oct. 4, 1937, as their wedding date.  This was the same year that Jessie Royce Landis married her second husband Rex Smith, editor, writer, and playwright. Their marriage only lasted until 1944 when the couple was divorced. Jessie married her third husband, Maj. Gen. J. F. R. Seitz in 1954, but never changed her name.

Elsie Cammille Karger (b. 1901) was the eldest of three children born to George Harrison “Harry” Harper (1874-1969) and Jennie Elizabeth Quinn (1879-1964). Born in Fairfield, Illinois, Elsie grew up in St. Louis, Missouri. Elsie married her first husband, Oliver J. Karger, on Nov. 9, 1920, in Marion County, Indiana, but the two returned to raise a family in St. Louis, Missouri. They celebrated the birth of one child,  Jacqueline Karger, in 1923. When Elsie married Lester, she was 35 yrs. old, with a 14 yrs. old daughter.

Lester and Elsie Landis were last listed as living with Nora Landis in the Evanston Directory in 1939. The two were living in Indianapolis when Lester’s mother passed away in 1942. On March 26, 1942, “The Evanston Review” published “Mrs. Nora Landis, widow of Perry Landis, and an Evanston resident for 50 years, died Wednesday of last week at her home, 914 Crain Street, following an illness of several months. The later Mr. Landis was formerly in the theatre scenery business in Chicago, as a member of the firm Sosman & Landis. Mrs. Landis was a former member of the Women’s Club and was a member of the First Church of Christ, Scientist. She is survived by a son, Perry L. Landis of Indianapolis, and a sister, Miss Ada G. Fessler, with whom she lived. Funeral services were held Friday afternoon at Hebblethwaite Funeral Chapel. Burial was in Graceland Cemetery.”  Mother’s obit – His mother, Nora Landis, March. 18, 1942, at her home, 914 Crain Street, Evanston, Ill., wife of the later Perry Landis, mother of Perry L. Landis, sister of Ada G. Fessler; service 2 p.m. Friday at chapel, 1567 Maple av, Evanston, Interment Graceland” (Chicago tribune, 19 March 1942, page 26).

Jessie Royce Landis’ last performance in Chicago was during 1945 when she appeared in the Theater guild production of Shakespeare’s “The Winter’s Tale.” Newspaper accounts report that after this performance when went onto Hollywood and made several movies, including “It Happens Every Spring,” “My Foolish Heart” and “Mother Didn’t Tell Me” (“Evanston Review, 30 March 1950). In 1950, she was heralded for her London performance of Somerset Maugham’s “Larger Than Life.”

During this time, Lester and Elsie Landis moved from Indianapolis, Indiana, to O’Fallon, Illinois, and then to Belleville, Illinois. In 1950 Lester Landis was listed in the Belleville Illinois Directory as “dept mgr. Herman G. Wangelin Inc (used car lot) rRD 1 O’Fallon”  The company was located at 500 E. Main Street in Belleville, established by I. H. Wangelin of 221 Abend and A. H. Wangelin of 1117 Olive St.). In 1951, P. L. Landis was again placing advertisements,; this time in the “Belleville Daily Advocate.” On July 3, 1951, he advertised, “CLEAN ’41 DODGE SEDAN. $495. Fluid drive, radio and heater. Private owner. P. L. Landis. 600 East Main St. Phone 2740.”        

Lester remained an automobile salesman until his passing in 1955.

Landis passed away on August 17, 1955, in Belleville, Illinois. On August 20, 1955, the “Chicago Tribune” published his obituary (page 35):

“Landis – Perry Lester Landis, formerly Evanston, Aug 17, 1955, at Belleville, Ill. Husband of Elsie Landis, father of Mrs. Jacqueline Schultz. Resting at chapel 1567 Maple avenue. Evanston after 10 a.m. Sunday where services will be held at 2 p.m. Interment Graceland.”

Lester’s passing also made Evanston news in 1955:

“Perry Lester Landis, 62, of Belleville, formerly of 931 Judson avenue, died Wednesday of last week in St. Elizabeth’s hospital in Belleville A long-time Evanstonian. Mr. Landis, an automobile salesman moved to Belleville four years ago. He formerly lived in O’Fallon. Surviving are his wife, Elsie, and stepdaughter, Jacqueline (Mrs. Charles) Schultz of Columbia, Ill. He was preceded in death by a son, Medbury P. Services were conducted Monday afternoon at the Hebblethwaite chapel by the Rev. Fred E. Luchs, minister of the First Congregational Church, with interment in Graceland Cemetery.

Both of Lester’s wives long outlived him.

Jessie continued to work in both film and live theater, with her last role being Muriel Chadwick in “Roar Like a Dove” (May 21, 1964-June 6, 1964).  Here is the link to her listing in the Internet Broadway Database: https://www.ibdb.com/broadway-cast-staff/jessie-royce-landis-15358 Today, she is primarily remembered for her film performances in “To Catch a Thief,” “The Swan,” “North by Northwest,” “Goodbye Again” and “Critic’s Choice.” Much has been written about her film career, but little of her early marriage to Landis. She passed away in 1972 at 76 yrs. old, although newspapers erroneously cited her age as 67. As she matured, Jessie’s birth year shifted from 1896 to 1904, a common practice for women performers at the time.

Jessie Royce Landis’ obituary was published in the “New York Times” on Feb. 3, 1972. I am going to include it, as it provides a little background for the rest of Lester Landis’ tale.

“DANBURY, Conn., Feb. 2—Jessie Royce Landis, the actress, died this evening in Danbury Hospital at the age of 67.

She leaves her husband, Maj. Gen. J.F.R. Seitz, to whom she was married in Teheran in 1956 when he was in command of the United States Military Mission” with the Iranian Army. That couple made their home in Ridgefield.

A graveside service will be held in Branchville on Sunday at 2:30 P.M.

Just Back From Hollywood

Miss Landis had just returned from making a film in Hollywood when she was taken ill.

An international star, she appeared over the years on the New York and London stage and in other capitals throughout the world. She also appeared in many films and on television and even found time to write her autobiography, “You Won’t Be So Pretty,” in 1954.

In London, she received an award for the best performance of the year (1950) in “Larger Than Life,” a dramatization of Somerset Maugham’s novel, “Theatre.”

Miss Landis had a run of full year (1951–52) in the musical, “And So to Bed,” in London. In this play she sang the prima donna role.

Among the New York plays in which she starred were “Solid South,” “Merrily We Roll Along,” “Love From a Stranger,” “Richard II,” “Sing Me No Lullaby,” “I Knock at the Door” and “Roar Like a Dove.”

For the Theater Guild she starred in “Love’s Old Sweet Song” and “Papa Is All,” among others.

In ‘Kiss and Tell’ 2½ Years

Miss Landis’s longest run in New York was in “Kiss and Tell,” which was on the boards for two and a half years in the early forties.

Her film credits included “To Catch a Thief,” “The Swan,” “North by Northwest,” “Goodbye Again” and “Critic’s Choice.”

Miss Landis was born in Chicago on Nov. 25, 1904. She made her stage debut at the Playhouse there in 1924, as the Young Countess in “The Highwayman.”

Her first appearance in New York, following a stock engagement in Detroit, was in 1926, at the Booth Theater as Flora Brazier in a revival of “The Honor of the Family.” This was followed by a tour in the same part and then came a succession of New York engagements.

She succeeded Estelle Winwood as Fern Andrews in “The Furies,” and her reputation as a dramatic actress grew steadily.

In rapid succession Miss Landis played Princess Katherine in “The Command Performance,” in 1928; Satire in “Young Alexander” in 1929, Caroline Goodwin in “Stripped,” the same year; Cydalise Waring in “Damn Your Honor” later in 1929 and Leila Mae in “Solid South” the next year.

There were many other plays, among them “Colonel Satan,” two revivals of “Peter Ibbetson,” “Marriage for Three,” Jo in a revival of “Little Women,” “Domino,” “Before Morning,” “Hard Boiled Angel,” “The Dark Tower,” “The Old Maid,” “Substitute for Murder,” “Pre-Honeymoon,” Noel Coward’s “Tonight at 8:30,” “Dame Nature” and “Where There’s Will.”

Lester’s second wife Elsie lived another 33 yrs. after his passing. Her obituary was published on June 4, 1988, in “the Indianapolis News”:

“Graveside services for Elsie Harper Landis, 87, Indianapolis, will be at 3 p.m. Monday in St. Paul Evangelical Cemetery, Columbia, Ill. There will be no calling. Flanner & Buschanan Fall Creek Mortuary is handling the arrangements. The widow of Perry Landis, she died Friday. Survivors – sister Dorothy Webb; three grandchildren” (page 12).

To be continued…

Copyright © 2022 by Wendy Waszut-Barrett

Joseph S. Sosman tried to interest both of his stepsons in the scenic studio business during the 1890s and early 1900s. Neither was interested in a backstage career. They wanted to shine on stage. Today I focus on the life and career of Sosman’s youngest stepson, Frederic P. Sosman.

There were two Fred Sosman’s who worked at Sosman & Landis: Frederick H. Sosman, Sr. (1866-1941), Joseph Sosman’s nephew, and Frederic P. Sosman (1882-1946), Joseph Sosman’s stepson. Here is the link to my post about the nephew – Frederick H. Sosman: https://drypigment.net2022/03/26/sosman-landis-shaping-the-landscape-of-american-theatre-employee-no-84-fred-h-sosman-sr/

On April 16, 1890, Joseph Sosman married divorcee May Pinney Jones (1858-1947). Jones was previously married to Benjamin Hodge Jones, who deserted her and the boys in 1886. Joe Sosman adopted his two stepsons in 1890. At the time, Arthur Benjamin Jones (1878-1929) was twelve years old and his brother and Frederick Pinney Jones (1882-1946) was eight years old. The boys’ names also changed at this point, becoming Arthur Burton Sosman and Frederic Pinney Sosman.  It was less of an issue for Frederick, as only the “k” was dropped from his first name; effectively erasing his connection to his paternal grandfather Frederick N. Jones.

Over the years, Joseph S. Sosman repeatedly employed the two boys, but they were more interested in the performance than any technical theatre project. Fred. H. Sosman became a vaudeville performer, and was primarily known for his comedic performances and singing. He was fortunate to be born into a wealthy family, one that could afford to nurture his musical interests at an early age. Like his older brother, Fred as also able to attend a variety of events specifically planned for children of well-to-do Chicagoans. For example, on Dec. 27, 1895, “The Chicago Chronicle” listed both F. P. Sosman and his brother on the guest list for Children’s Night at the Illinois Club (page 12). The article detailed, “Children of all ages from little toddlers in kilts to the boys and girls with their first evening dress flocked to the Illinois Club yesterday afternoon and evening, on the occasion of the annual children’s party.”  From 9 p.m. until 11p.m. the older boys and girls were given exclusive use of the dancing hall.”

By the time Fred was 22 yrs. old, he married his first wife. On Dec. 18, 1904, the “Chicago Tribune” announced, “Mr. and Mrs. Joseph S. Sosman announce the marriage of their son, Mr. Frederic P. Sosman, to Miss Elzie Holbrook in St. Paul” (page 25). Their marriage was registered in Minnesota, noting a marriage date of Nov. 3, 1904, in St. Paul. Later newspaper accounts purported that their marriage was very short-lived, purportedly lasting only eight months. It may have been his theatrical career that terminated the relationship. In the beginning, Sosman travelled quite a bit from one town to the next. He performed a solo act and was part of a touring line-up. On April 4, 1908, the “Los Angeles Herald,” announced that Sosman was performing at the Orpheum in Los Angeles. On  May 29, 1908, he was part of amateur night at Chutes Theatre in San Francisco. His time on the road ended about 1908, when he returned to Chicago and began working at a wholesale millinery company during the day. At night, he performed at the Olympic theater and a handful of other Chicago venues. On July 19, 1908, the “Chicago Examiner” reported that “Fred Sosman, a Chicago singer and impersonator” was performing at the Olympic Theatre (page 3).  I have yet to locate the name of the millinery firm he was working for about this time, and wonder if it was another business entity founded and subsidized by his stepfather, or Sosman & Landis.

In 1909, Sosman performed at the Majestic Theatre and was billed as “a Chicago boy who has made a name for himself as a singer” (“Arlington Heights,” 5 Nov. 1909, page 5). He primarily played in ballrooms and other dining establishments. By 1910, Sosman was part of the entertainment at the Café Savoy, located on Harrison and Wabash (Chicago Examiner 27 March 1910, page 52).

When he was 30 yrs. old, Sosman married his second wife. Their wedding made theatrical news. On Tuesday, May 7, 1912, the “Chicago Examiner” reported, “Jest Hurries Up a Wedding. Back to Stage for Funds.” The article continued, “Mrs. Frederick P. Sosman, until last Saturday Miss Evelyn Leckie. Forty friends of Mr. and Mrs. Frederick P. Sosman – they were married unexpectedly last Saturday – assembled last night in the Willard Theater, Calumet avenue and Fifty-first street, and gave the bridegroom a rousing reception when he reappeared behind the footlights, in a determined effort to furnish a flat for his bride in a hurry.

Mrs. Sosman formerly was Miss Evelyn Leckie of 4512 Racine avenue. Her husband was a vaudeville performer, but two years ago gave up the stage to engage in business.

Meeting a year ago, the couple announced their engagement, several months since, at the marriage of Miss Harrier Gorman, daughter of James Gorman, vice-president of the Rock Island Railroad, to D. A. Hack. Their friends believed the wedding was to take place in June, but last Saturday afternoon the two attended a luncheon at the Hotel La Salle, and then one of the guests rallied them on deferring the ceremony Mr. Sosman left the table, saying he would return shortly.

He did – with a marriage license. Half an hour later after the luncheon party was assembled before a South Side clergyman as a wedding party, and then came dinner, at which Mr. ad Mrs. Sosman were guests of honor. Meanwhile Mr. Sosman was doing some quick thinking. His plans for June wedding had included the furnishing of a dainty little flat at 4645 Hazel avenue, for which he had signed a lease. The hasty marriage rendered ready cash imperative, so he hied himself to a theatrical manager and quickly got a two weeks’ booking at local theaters at his old profession – character singing. Last night was his opening. During the day he attends to his business with a wholesale millinery concern and for two weeks he will tread the boards. Friends last night sought to encourage both Mr. Sosman and the management of the theater.

This is Mr. Sosman’s second matrimonial venture. Three years ago, he married a St. Paul girl, and they were divorced eight months later” (Vol. 10, no. 118, page 5).

Later that summer, Sosman’s performance at the Lincoln Theatre in Chicago was announced in the June issue of the “Clipper” (page 12). His performance was assisted by Clay Coolidge. Sosman continued to sporadically perform at a variety of establishments for the next few years. By 1913, he was performing with “professional dancers” at the Moraine’s open air cabaret in Highland Park (Highland Park Press, 14 Aug 1913, page 12). This, like many others, was a short engagement, and nothing that prompted rave reviews.

In 1914, Sosman was billed as “King of the Cabaret.” On June 9, 1914, the “Detroit Free Press” reported, “With a whole flock of new ‘Broadway Hits,” Fred Sosman, justly styled ‘King of the Cabaret” comes to Edelweiss for a limited summer engagement. Many vaudeville devotees will recall Mr. Sosman as a Keith headliner, for it was not so long ago that Sosman adorned the boards along with Bert Williams and other celebrities. Fred Sosman has the ability which folks along New York’s ‘Big White Lane’ term the ‘Speed ‘em Up Stuff.” You can’t keep from shuffling your feet when Sosman is working. Mr. Sosman’s entertainment does not consist of coarse comedy. His fun is of the clear, sparkling kind – in short, the work of an artist. The  ‘King of Cabaret’ handles dialect work as cleverly as straightaway stuff and, during his Edelweiss stay will feature some humorous talking songs.” Speed became his hallmark for the next decade. His performing career eventually began to take off by 1915, putting a little more spending money in Sosman’s pockets. On Jan. 26, 1915, the “Chicago Examiner” listed Fred P. Sosman, 803 Wilson Avenue, as the owner of three Hupmobiles (page 18). Sosman’s automobiles offered other performance opportunities too. On May 17, 1915, Sosman was mentioned as part of a prank in the “Chicago Examiner.” The article reported, “Actors Stage Auto Drama in Street. Several performers at the Wilson Avenue Theater, near Broadway staged a little drama on the street last night. Mrs. Frederick Allen, appearing at the theater, walked in front of an automobile driven by Fred Sosman, 803 Wilson avenue. Allen, when he saw his wife struck, seized Sosman and started to beat him, but ceased when he found Mrs. Allen was uninjured”  (page 25). I wonder how badly Sosman was injured before he was able to explain everything was a prank.

As with most vaudeville acts, newspaper reviews were not always kind, some considered his performance mediocre at best. On August 27, 1915, he was mentioned in the “Stage Jottings” section of the “Daily Tribune” in Terre Haute, Indiana: “Fred Sosman has a couple of very good songs which he reserves for the finish of his otherwise so-so act.” It may have been the critic, or the timing, but it was a difficult period for Sosman. Two weeks prior to this performance, his stepfather passed away in Lake Bluff, Illinois. The death of Joseph S. Sosman meant that everyone put their own lives on hold to manage the estate and assume certain business responsabilties. Until his passing, no one truly understood the financial balls that Joe Sosman had continued to juggle over the years. Initially, Fred’s older brother was appointed vice-president of Sosman & Landis. However, their mother, May P. Sosman, assumed the role by 1916. During this time, Thomas G. Moses was elected president of the firm, a position he occupied until 1918. In 1915, Moses wrote, “It is very strange to me that I had never given this change of the business a thought.  I had never thought of Sosman dying.”

By fall of 1916, Fred left Chicago, temporarily relocating to Detroit. On October 22, 1916, the “Chicago Examiner” reported, Mrs. Frederic P. Sosman and son, Frederic Jr., departed yesterday for Detroit to join Mr. Sosman, They will pass the Winter in Detroit in their new home, 1601 West Grand boulevard” (page 23). It was about this time that Sosman began touring in earnest again, and soon found a partner.

Sosman’s WWI draft registration card listed him as tall, slender with brown eyes and dark brown hair.  At the time he was an actor with the Western Vaudeville Managers Association, with a permanent residence at 4540 Clarendon Chicago. In 1917, Sosman partnered with Gladys Sloan. Sloan was a musical prodigy. She first studied music in Centralia, Illinois, but in 1916, temporarily relocated south to St. Louis, Missouri, where she continued post-graduate classes at the Beethoven Conservatory of Music (Centralia Evening Sentinel, 8 July 1916, page 3). By the fall of 1916, Sloan was performing at the Winter Garden in Chicago (“Chicago Examiner, 5 Nov. 1916, page 95). The next year, she had partnered with Sosman and the two performed at the Empire room in the Grand Pacific Hote, located on Jackson Boulevard and Clark St.  (“Chicago Examiner, 18 Sept 1917, page 3).

An advertisement placed in the “Chicago Examiner” on Oct. 15, 1917, reported that they were performing “old and new songs” in the Empire Room, stating, “Here our guests can enjoy dinner of supreme quality, and an entertainment of the Highest order in an environment of quiet elegance. They continued to perform at the Empire Room, billing Fred Sosman at “king of the entertainers” and Gladys Sloan as “the girl with the personality” (“Chicago Examiner, 20 Jan 1918, page 33). By the end of the year, Sosman & Sloan appeared at the Bismarck Garden. On Dec. 9, 1917, the “Chicago Examiner” reported, “Fred Sosman & Gladys Sloan in a varied program of new song ‘hits’ and old time favorites will begin an engagement at the Marigold room Monday night. Mr. Sosman wins his audience at every performance. Miss Sloan is noted for her beautiful soprano voice, attractive personality and artistic gowns” (page 46). Sloan was even pictured in the “Chicago Examiner” on Dec. 16. 1917. It was captioned, “A Marigold Merrymaker.” The caption below Sloan’s picture explained that Sloan was one of the attractions at the North Side Garden, “which forgets name of Bismarck.” The newly named Marigold Garden was described as “the Bismarck under its new name,” and announced, “Fred Sosman and Gladys Sloan share hoors with Muriel De Forrest, the latter introducing several new dancing specialties” (page 44).

By the end of the 1919, Sosman & Sloan performed a new act – “Down Nonsense Lane.” Their tour that winter included stops at both the Columbia Theatre in Davenport and the Palace Theatre in Rock Island.  On Dec. 20, 1919, the “Rock Island Argus” reported, “’Down Nonsense Lane,’ which is the offering of Fred Sosman and Gladys Sloan, is a neat singing and character act that will no doubt be one of the hits on the new bill”  (page 8). Other reviews for their act at the Palace Theatre reported, “Fred Sosman and Gladys Sloan have a rapid fire line of chatter, shot through with some classical tomfoolery” (Rock Island Argus, 22 Dec. 1919, page 5).

Sosman & Sloan were still performing “Down Nonsense Lane” in the spring of 1920, appearing at the Empress Theatre in Decatur (Decatur Daily Review, 17 March 1920, page 5).  Sosman continued to perform on his own too. Later that year, Fred Sosman was advertised as “a lively boy with good shape and good clothes, and he, too, has a personality.”

Meanwhile, Sosman was still married on paper. The 1920 US Federal Census Report listed Evelyn and Fred Sosman as part of the William Leckie household – this was Evelyn’s father. At the time, members of the household included: William Leckie (64 yrs.), Anna Leckie (60 yrs.), Evelyn Sosman (31 yrs.), Frederick Sosman (36 yrs.) and Frederick Sosman Jr. (4), William was working as a bank teller, with Frederic P. Sosman listed as a vaudeville actor.

Sosman continued to tour with Sloan until 1923. In 1921, Sosman and Sloan were crossing the country, performing “Just Us” to vaudeville audiences as part of the B. F. Keith circuit. (Lowell Sun 3 Jan 1921, page 26).  That spring they played in theaters that spanned from Lowell, Massachusetts to Helena, Montana. At some point, Sosman left his wife, became blind, and remarried, but it was not to Sloan.

They two performed together until the spring of 1923. On Jan. 5, 1923, the “Ogden Standard Examiner” reported, “Between Dances” is the title of the diverting offering of Fred Sosman & Gladys Sloan, in which a lovers’ violent quarrel is aired to the delight of the entire crowd, Before the affair is over, however, the quarrel is amicably settled and in fact forgotten in the midst of some appealing songs” (page 10).  On Feb. 10.1923, “The Commercial Appeal” in Memphis, Tennessee, reported, “Miss Gladys Sloan, charming and vivacious song and patter star of Pantages circuit, and Mr. Fred Sosman, her partner, life and otherwise, featured the splendid concert. Their song and monolgue numbers were thoroughly enjoyable” (page 4).

On Feb 21, the “Indianapolis Star” reported:

“In Between Dances,” a comedy act presented at the Lyric this week by Fred Sosman & Gladys Sloan, is a combination of repartee and songs. Mr. Sosman and Miss Sloan recently entered vaudeville after extended engagements at the Moulin Rouge and Café DeParnee, New York, and the Marigold Gardens, Chicago. Miss Sloan was formerly engaged in concert work. Mr. Sosman is the son of Sosman of the famous firm of scenic artists Sosman & Landis. For several years he specialized in landscape painting, and has been awarded prizes for his work at exhibits in New York, Chicago and London.”

The advertisement for Sosman & Sloan that I have located is from March 18, 1923, in the “Detroit Free Press” (page 64). They were performing at the Chas. H. Miles Theatre.

His relationship with Sloan ended during the spring of 1923. By fall, Gladys Sloan & Co. was performing at Loew’s Delancey Street Theater in Nashville (“The Tennessean, 11 Sept. 1923, page 8). It was about this time, that Sosman briefly retired from the stage and met his third wife, Zelma. She convinced him to return to acting, despite his disability.

On Nov. 3, 1924, “The Indianapolis Star” reported, “’I’m sure there could be no objection to that,” is the assertation of Fred Sosman when he offers his skit which was written by Aaron Hoffman, the author of ‘Welcome Stranger’” (page 3).

On Nov. 9, 1924, “The Star Press” of Muncie, Indiana, mentioned Sosman’s new vaudeville act. The article reported, “When  you want anything done it is a good plan to  go to an expert. That is what Fred Sosman, the irresistible comedian did when looking for a new vaudeville vehicle. Fred wanted a new act, so after careful deliberation he applied to Aaron Hoffman, author of :Friendly Enemies” and “Welcome Stranger.” Mr. Hoffman’s effort for Fred Sosman has been called, “I’m sure there could be no objections to that” and is said to be one pf the cleverest monologues being used in vaudeville. Mr. Sosman also renders a couple of comedy songs that are said to be on par with the spoken lines” (page 15). His new act was entitled, “Songs and Chatter.” Written by Dolph Singer and Harry Von Tilzer, authors of many song hits and vaudeville skits.

On Nov. 24, 1924, the Lima News (Ohio) reported, “It is heralded as one of the cleverest monologues being used in vaudeville today. Sosman also renders a couple of comedy songs that are said to be on par with the spoken lines” (page 7).

He continued to perform solo. On Oct. 25, 1925, “The Indianapolis Star” reported that Sosman was performing at the Palace Theatre: “Fred Sosman is the eccentric comedian who, in black face, chatters and sings” (page 45).

By 1926, the Sosman’s moved East, settling in Montclar, New Jersey. Sosman’s health continued to fail, prompting his wife Zelma to open a tea room at 49 Park Manor to supplement their income. The last newspaper advertisements that I have located for Sosman’s vaudeville act are from  1927. On Jan. 28, 1927, Sosman performed at the Grand Opera House in Webster Groves, Missouri. He was still performing “Songs and Chatter.” An article in the “News-Times” reported, “‘Songs and Chatter’ is the title of the vehicle of Fred Sosman, and irresistible comedian, and the offering is said to be one of the cleverest monologues in vaudeville. Sosman also sings several screamingly funny numbers written especially for him by Dolf Singer and Harry Von Tilzer” (page 3).

By the spring of 1929, Fred and Zelma Sosman were living in Montclair, New Jersey. On April 20, 1929, the “Montclair Times” announced a dinner party hosted by Mr. and Mrs. Frederic P. Sosman of 49 Park St.”  (page 1). Mrs. Frederic P. Sosman hosted a birthday lunch and bridge party a few weeks later. However, Sosman was listed as a bling theatrical actor in the 1930 US Federal Census. In 1930,The Sosman household included Frederick P. Sosman (42 yrs.) Zelma W. Sosman (34 yrs.), Iris W. L. Sosman (44 yrs.), and Bonnie Ferie (22 yrs.). Ferie was listed as a roomer and actress. Fred listed that he married at the age of 37, suggesting that he and Zelma married in 1923, the same year his eyesight failed and his vaudeville act with Sloan ended.  

Interestingly, the 1929 Aurora Illinois Directory listed Evelyn Sosman as the widow of F. P. Sosman, now residing at 437 N. Highland Ave. Fred didn’t die, he just remarried. I find it fascinating that this was the same thing Fred’s mother did when his own birth father deserted them in 1886; mother May had declared herself a widow. Keep in mind that it was often more respectable to explain you were a widow, than deserted or divorced.

By the end of 1930, the Sosman’s closed their tea room in Montclair and temporarily headed south to Zelma’s home in Atlanta, Georgia. On Dec. 13, 1930, “The Montclair Times” announced, “Park Manor at 49 Park street, which for the past four years has been conducted by Mrs. Zelma Sosman, closed yesterday. Mr. and Mrs. Sosman, and the latter’s sister, Mrs. Iris Lewis, are motoring to Atlanta Ga., where they will make their new home” (page 19).

I was a bit shocked when I first encountered the 1930 census listing for Sosman as a “blind theatrical actor,” wondering what exactly happened; specifically, how he lost his sight and managed to keep performing. Although his performance career ended in the 1930s, I was able to locate Sosman in WWI draft records, realizing that he eventually returned to Chicago. In 1942, Sosman’s WWII draft registration described him as 6’-2” tall, with brown hair, gray eyes, and light complexion. He was listed as Blind – non ambulatory paralysis. He wrote that the person who would always know where he was  Mrs. Zelma Sosman 800 Buena Ave. Chicago. He passed away four years later at the age of sixty years old.

On Nov. 30, 1946, the “Chicago Tribune” reported, “Frederic P. Sosman, 60, former vaudeville monologist and character singer, died yesterday in a sanitarium in Lake Zurich, Lake country. He is survived by his widow, Zelma; a son, Frederic Jr. and his mother, May. Services will be held at 10 a.m. Monday in the chapel at 5501 N. Ashland av.” (page 20). On Dec. 1, 1946, the “Chicago Tribune” published his obituary:

“SOSMAN – Frederic Pinney Sosman, Sr., of 800 Buena avenue, Nov. 29, 1946, beloved husband of Zelma Sosman, fond father of Frederic P. Jr., dear son of May P. Sosman. At chapel, 5501 N. Ashland avenue, where services will be held Monday, Dec. 2, at 10 a.m.. Interment Graceland.” (page 79).

It was not until I started to track down the life of his third wife, Zelma, that the story of Sosman’s life from 1923 to 1946 years came to light. I am going to include the entire article about Zelma Sosman, as I find her life both fascinating and inspiring. The article was written by Jean Tyson and entitled “Aunt Zel,” published in “The Atlanta Constitution” on April 28, 1974 (page 117). The caption above her picture read, “She can’t find time to complain; life is beautiful.”

The article continued:

“Zelma Sosman is too busy enjoying life to complain about anything – even the fact she has difficulty seeing.

“I have done everything I ever wanted to do,” Aunt Zel, as she prefers to be called, said. “I have gone everywhere, and I tell you kid, I have had a good time, and I’m still having a good time.

“I would be an ungrateful old woman if I sat here and complained about anything. I haven’t missed a thing. Of course I have gone through reverses, illnesses and things like this, but I can’t complain. I don’t know a woman who has more love and friends.

Aunt Zel began her life 82 years ago May 8, in Atlanta. She grew up on her grandfather’s, Dr. Joseph Hollingsworth, farm of 100 acres.

“The farm was at Highland and Virginia – that was out of the city. I watched them pave Ponce de Leon. I still have scars on my knees,” she said pulling up her long purple dress far enough to show them, “from falling on my bicycle on that pavement.”

The years in between her growing up in Atlanta, and her return in 1957, were filled with travel. She first married a doctor in Birmingham, Ala., which ended in divorce.

She followed this with marriage to Gene Dumont, a silent movie film actor. After Dumont’s death, she married Fred Sosman, who told jokes, stories and sand in every Vaudeville house in the United States.

“When I left the doctor, I went to Chicago and got a job on a newspaper called the Women’s Press. It was a William Jennings Bryant paper (printed no liquor ads). I had never worked a day in my life, but I started out selling subscriptions to the paper over the telephone. Then I became circulation manager and started writing a fashion notes column called Mademoiselle Chica. I wasn’t a fashion columnist, just wrote fashion notes.

She went to California and met Dumont at a baseball game.

“My brother was on the stage. He had to change his name because Grandfather wouldn’t have liked it. He wanted me and my sister, Iris, to come out. So we went just because we had never been to California.

“We were at a baseball game and Fatty Arbuckle was in the box next to us. This man sitting there kept blowing smoke over me. Finally he leaned over and said, “Is this smoke bothering you?” I said, “Oh, goodness no, I’m enjoying it.”

“He wanted to know if he could join me and my sister and I said yes. The next day he came and took us for a ride and we were thrilled.

“He wanted to marry me, but I said I didn’t want to marry him, because if I did something would happen to our relationship. I left and returned to Chicago, and told him not to call. But he did call and said he was going on location for a movie and wanted me there. I went back to California and married him. “We had a grand time, and everything was so exciting, but he died, and I returned to Chicago again.

“I met Fred Sosman through his sister-in-law. We worked together in the same department store. Fred had left the stage because he had become blind.

“I didn’t see any reason why he shouldn’t be on stage. He was a very handsome and talented man, and you would never know he was blind.

“His audience didn’t even know it. I put a little raised fringe on a rug and it was placed at the footlights. When Fred got to this, he knew he was in the right place.

“You could eat a meal with him and never know he was blind. In a restaurant, he would be carrying on a conversation with you and all the time you could see his hands going over the eating utensils. He was learning which fork and which spoon was where. When the meal came, he would pick up the proper utensil and eat, never making a mistake.

“We traveled the vaudeville circuit about ten years. One year I played piano accompaniment for him, but it made me too nervous and I had to give it up.

“We were in Montclair, N. J. when I saw the handwriting on the wall. I knew Fred was sick and we would have to leave the road. So I decided to open a tea room – that was something I knew we could do. I made pies and cakes and did most of the cooking. We didn’t have a customer for a month, and finally one day a group of businessmen came.

“The depression followed, and we returned to Chicago. I had 25 cents when we got there, so we moved in with Fred’s mother.

“One knight I was talking with a sweet dear friend and I said if I have $600 I could go into business. She told me if she had $600 I could have it, but she didn’t. Soon after this conversation her husband was killed and she collected some insurance,. She loaned me $600.

“I found a house with 13 rooms which I rented for $200 a month and turned it into a boarding house. I didn’t have any furniture for it.

I went to a local store and sold items to boarding house, hotels and such. The man there wanted to know how much I could pay down on all the stuff, and I told him $200. He let me have over $6,000 worth of items for only $200 down. I rented rooms for $10 a week, and nobody in my boarding house was a problem.”

She gave up the house and rented a second one with 32 rooms. After a time, she bought a house with 13 rooms and then one with 15 rooms.

“This last one is torn down now,” Aunt Zel said,” and has a 35 story building there.

“I went into the boarding house business because I didn’t know what else I could do, and stay home and take care of Fred.

“The opera stars at that time used to come and visit us at the house – people like Tagliavinia and Carlo Costelleni. My niece was studying at the National Conservatory of Music and she met the stars through her voice teacher.

“My sister Iris and I were never separated except during the years Fred and I were on the road. When Fred died in 1946, we continued to run the boarding house.

“In 1957, Iris was wanting to move back to Atlanta so we did. We had a little house here and one night we were sitting around and talking about how quiet the house was.

“We both had the same idea – take in boarders. We rented to some nice young men who stayed with us for several years.

Aunt Zel’s sister died five years after returning to Atlanta. So she moved to the Palmer house, the 17^th floor which she calls the penthouse. Here she lives in her own apartment overlooking the city. Her niece, Iris White, looks in on her.

“Aunt Zel suffered a minor stroke last year, which temporarily put an end to her jogging up and down the halls of her apartment building.

“I have started doing slow jogging again. I don’t guess you can call it jogging because I don’t lift my feet high enough. I’s more like a slow run.

“I was thinking about streaking out to the elevator to meet you today, but you got here a little early.

“People say teen-agers today are vulgar and I don’t believe it. I don’t believe the teen-agers are half as sex crazed as they were 50 years ago.

“You know I still hear from the boys and girls who lived in my boarding houses. They are all over the world now and have families of their own, but they still keep in touch with me.

“I sure have had a full life – still having it. I still love to go places and I go. You know life is just beautiful, I can’t find a thing to complain about.”

To be continued…

Copyright © 2022 by Wendy Waszut-Barrett

Sosman & Landis stockholders held a meeting after Joseph S. Sosman passed away in 1915. On Aug. 10, they elected Thomas G. Moses as president and Sosman’s stepson, Arthur B. Sosman as vice-president.  Perry Landis’s son, P. Lester Landis, was elected secretary and treasurer. Although Sosman repeatedly tried to interest both of his step son’s in the scenery business, it didn’t stick. Their interests were in performance and not production

Arthur Benjamin Jones was born on September 30, 1878. He was the eldest of two sons born to Benjamin Hodge Jones and Maria “May” Hazard Pinney. His younger brother, Frederick Pinney Jones was born 3 ½ years later on Feb. 22, 1882. The two boys spent much of their early childhood in a series of  Chicago hotels and boarding houses, all managed by their maternal grandfather, Elijah S. Pinney.

By 1885, the extended Jones family was living at the Farwell House in Chicago, another hotel owned by Pinney. For a short period of time, their B. N. Jones was listed as the manager. However, Jones work at the Farwell House did not last for long. May P. Jones was listed as a widow in the 1886 Chicago Directory, likely the easiest explanation when her husband disappeared. She filed for divorce two years later, citing desertion.  This must have been an incredible difficult time for the boys. When their father left, Arthur was only eight years old.  Four years passed before his mother remarried in 1890. Of the event, then Sosman & Landis employee, Thomas G. Moses, wrote, “Found Sosman married very quietly.” Moses had just returned to the Chicago studios after a seven-month absence. The marriage seemed to be more of an arrangement than a great love affair.

The couple was married on April 16, 1890. Sosman likely met May P. Jones and her sons at the Farwell House, where he lodged for two years. After marrying, Sosman adopted both Arthur and Frederick. Their names changed after the adoption, effectively erasing all ties to the Jones family. Arthur’s name went from Arthur Benjamin Jones to Arthur Burton Sosman. Little is known of the next five years as Arthur grew to adulthood.  However, his graduation from Marquette School was listed in “The Inter Ocean” on June 29, 1895 (page 6). That winter, Arthur and his little brother attended the Illinois Club’s Christmas Ball. Each were listed as guests in an article published in the “Chicago Tribune” on Dec. 27, 1895 (page 7).

Arthur made the newspaper a few times in the late 1890s as he continued his education. On March 28, 1897. Mr. A. B. Sosman was listed as a guest at an informal party for the Sigma Delta club, N. 389 Adams Street. He was again a guest at a Sigma Delta “stag” reception at the club rooms at 389 West Adams to enjoy lunch and a musical program (“Chicago Chronicle,” 19 Sept 1897, page 36). On August 16, 1896, his arrival at the Sosman summer home in Lake Bluff was published in “The Chicago Chronicle,” (page 26).

By 1900, Sosman was 21 yrs. old and living on his own.  The US Federal Census that year listed A. B. Sosman’s address as 235 Ashland Ave. in Chicago. He was one of many boarders in a private hotel. At the time he was working as a clerk, possibly at the Sosman & Landis studio. By the following year, he moved south to St. Louis, Missouri. On Aug 18, 1901, the “Chicago Tribune” reported, “Arthur Sosman of St. Louis, eldest son of Mr. and Mrs. Joseph Sosman, is visiting his parents.” (page 37). In the “Lake Bluff” section. Interestingly, Sosman was not listed in the St. Louis directory in 1901 or 1902. I have yet to locate him in a city directory before 1911.

If he was working as a Sosman & Landis salesman, he could have been associated with the firm’s regional branches in  Chicago, Kansas City, New York, or Detroit. Interestingly, it was in Detroit that he met and married his future wife, Maude Noble Doherty (b. 1880). On July 12, 1906, the “Detroit Free Press” published that a marriage license was granted to Arthur Burton Sosman, 27, Chicago, and Maude Noble Doherty, 26, Detroit” (page 6).

The couple was married on July 14, 1906, in Detroit. At the time, Sosman was listed a salesman on the marriage license. My gut instinct says that he was working at Sosman & Landis in Detroit. Maude’s parents were listed as William Doberts and Elizabeth Barnes. The wedding ceremony was witnessed by John J. and Mary J. Bather of Detroit. The young couple spent their honeymoon at the Sosman summer home, Fairlawn, in Lake Bluff, Illinois. On August 15, 1906, “The Inter Ocean” reported, “Mrs. Joseph Sands Sosman, 513 Washington boulevard, has sent out more than 200 invitations for a lawn fete on Friday afternoon at her summer home in Lake Bluff. The fete is given in honor of her daughter-in-law, Mrs. Arthur B. Sosman, a bride of a month, who, with her husband arrived yesterday from Dayton, Ohio. Among those assisting the hostess will be Mrs. Frank Talbot, Mrs. F. R. McMullin, Mrs. Emmons Cobb, Mrs. James McCrea, Mrs. Frederick Duffy, Mrs. William Kriedler, Mrs. John Peterson, Mrs. W. Holman, Mrs. Harry Backus, and Mrs. Charles Benson. The young women presiding at the tables, which will be spread under a large marquee on the lawn, will be Miss Estella Tunnison, Miss Romaine Wets, Miss Edith Sexton, and Miss Fanny Prentiss” (page 6). On August 17, 1906, “The Chicago Tribune” reported, “Mrs. Joseph Sosman of Lake Bluff will give a lawn fete this afternoon from 3 to 6 o’clock to which 200 friends along the north shore have been invited, The affair is in honor of Mrs. Arthur B. Sosman, a bride of a month, who, with Mr. Sosman, a son of Mr. and Mrs. Joseph Sosman, is here on a visit to the last Monday” (page 9).

Purportedly the young couple settled in New York for the next few years. Again. They were not listed in any city directories, which is so very odd. However, the couple made news again in 1909. On June 30, 1909, the “Inter Ocean” included a portrait of Mrs. J. S. Sosman, announcing her upcoming travel plans (page 7). The caption stated, “Mrs. Joseph Sands Sosman. 513 Washington boulevard. Left Chicago yesterday for an extended visit to her son and daughter, Mrs. and Mrs. Arthur Sosman of New York, who spent their honeymoon at the Sosman summer home at Lake Bluff two seasons ago where they were introduced at a memorable lawn fete the week following their marriage.”

By the fall of 1909, Arthur and his bride headed west to Great Falls, Montana. On Nov. 4, 1909, “The Great Falls Tribune” announced the arrival of A. B. Sosman and wife, Chicago” at the Hotel Fair (Montana, page 9). At the time, Sosman was working as a publicity agent. By 1910, the US Federal Census listed the two living at 33 East Granite Street in Butte, Montana, with Sosman listed as a salesman. Shortly after Sosman’s arrival to Butter, however, he tried his hand at managing a theater. Interestingly, a decade earlier, his step father had established a theatrical management firm, known as Sosman, Landis & Hunt.

On March 7, 1911, “The Butte Daily Post” reported “A. B. Sosman Succeeds Gardner at Empire. Joseph Gardner, for the past several months manager of the New Empire theater, since its transfer to the Montana Amusement company, has resigned his position and gone to Lewiston in the interest of the company, for the purpose of opening a new theatorium in the budding eastern Montana city. Mr. Gardner has wide experience in the theatrical world, having owned numerous theaters of his own in the east. At the age of 15 years he gained his knowledge first as a shifter of scenery and by gradual stages to his present position with the company, who control 12 theaters in the state. Mr. Gardner left Sunday night to take up the work and all his employees and the many friends he made while in Bitte wish him plenty of luck and a pleasant trip, Mr. Gardner is succeeded by A. B. Sosman, the well-known publicity agent. (page 10).

On March 8, 1911, “The Butte Miner” reported, “Empire Manager. A. B. Sosman, a former publicity agent of this city, is now manager of the New Empire theater, succeeding Joseph Gardner, who recently resigned to manage a new theater the Montana Amusement company has opened in Lewistown. Mr. Sosman has for a number of years been prominent in theatrical circles, During his stay in Butte he has made many sincere friends, who have only the best wishes for his success in his new venture” (page 3).

Sosman soon began performing his own vaudeville act, and was billed as a Song Storiest, or Songologist in regional papers. He was repeated mentioned in local news.

Here are a few of the articles and advertisements about Sosman’s performances:

On March 9, 1911, “The Butte Miner” reported, “A. B. Sosman. The songologist, has another character song, which will be illustrated with beautiful slides” (page 3).

On March 10, 1911, “The Butte Miner” reported, “Art Sosman, the song storiest, singing “Down by the Old Mill Stream,” a pictoral comedy, Bioscope hit and Selig feature, completed a bill of decided

On March 12, 1911, “The Butte Miner” included an advertisement form the Empire Theatre, with A. B. Sosman, Songologist in a new character song” (page 17).

On March 12, 1911, “The Anaconda Standard” advertised “A. B. Sosman, Songologist in a new character song. Three Photoplays. Bioscope feature.”

On March 13, 1911, “The Butte Miner” reported, “Louise Dresser’s hit, ‘Pat O’Hare,’ is the vehicle with which A. B. Sosman the clever character song man is increasing in his popularity.

On March 14, 1911, A. B. Sosman appeared in various Butte ads as a songologist (The Anaconda Standard, page 9).

On March 19, 1911, “The Butte Miner” included a portrait of A. B. Sosman with the caption, “A. B. Sosman, the song storiest, who is making a decided hit at the Empire theater with his character songs” (page 16).

On March 24, 1911, “The Butte Miner” reported, “Mickey Flynn Making Debut at New Empire, An incidental feature of A. B. Sosman’s blizzard song, “Winter” is the hit of the New Empire’s bill of high class offerings which opened yesterday, even if it not the headliner. The music of the song is reminiscent of an icy blast from the Arctic, but when the snow begins to fall it makes one feel Jack Frost is there in person. The song last night, in the vernacular of the profession, was a riot. It certainly ‘knocked ‘em off the seats.” (page 3).

On April 2, 1911, “The Butte Miner” reported, “A. B., the song storiest, has a new march song this week. It is ‘Dixie Gray,’ a stirring song of the southland (page 17).

On April 6, 1911, “The Butte Daily Post” reported, “A. B. Sosman the premiere of all character songsters, has a brand new song with which he will undoubtedly score” (page 7)

On April 9, 1911, the “Anaconda Standard” included an advertisement at the Empire Theatre with featured acts “Besides Photoplays of Sheriff and Art Sosman in the Heidelberg Guide”  (page 32).

On April 24, 1911, “The Butte Daily Post” reported, Mrs. John Waldo of Detroit, Mich., is the guest of A. B. Sosman. She will spend a month in Butte and will then go to the coast, to look after some business there” (page 3).

On April 25, “The Butte Daily post” reported, “A. B. Sosman in a unique act of his own manufacture; Mr. Flynn, the live cartoonist.” (page 7). That same day, the “Butte Miner” referred to him as “Art Sosman, the Shakespearean student and actor” (page 3).

On April 28, an ad placed by Sosman in “The Butte Miner” stated:

“Just a Minute. I want to tell YOU and every patron of vaudeville in Butte about the big Pantages act I will import direct from Chicago every week, as an added feature to the regular bill of top-liners the New Empire will offer. I have an idea.  That everyone doesn’t appreciate just what this extra feature every week will mean as an entertainer. It means just two high priced headliners instead of one, as formerly, supported by three other meritorious acts; it means a rich, delectable dessert for a vaudeville feast. The feature will open with the Sunday change. See if it isn’t just what you’ve been waiting for. A. B. Sosman Manager New Empire Theater” (page 3).

On May 14, 1911, the “Anaconda Standard” included an ad for “Art Sosman, the Song Storiest with a New Song Hit and Character Impersonation Up to Date” (page 34). On May 28, 1911, the “Anaconda Standard” reported, “Steamboat Bill” is the name of a song-story rt Sosman will narrate. It is appropriately pictured and a genuine hit. The three photoplays are brand-new ones and afford a somewhat different and refined feature. They are interspersed with other numbers on the bill in such a manner that diversifies the whole offering nicely.” (page 9).

On April 30, 1911, the “Anaconda Standard” reported, “Art Sosman has a regular sensation up his sleeve with which to inaugurate the new added feature. It’s going to be a flirtatious song story, introducing a startling situation. The three photoplays will be late Bioscope features. As usual amateurs will furnish entertainment in connection with the regular bill on Tuesday night” (page 9).

Sosman’s life as a performer, however, was short-lived, as both Arthur and Maude Sosman returned to Chicago in 1912. Mrs. May P. Sosman brought them home. On Feb. 6, 1912, “The Billings Weekly Gazette” reported, “Babcock Manager Resigns. A. B. Sosman has resigned his position as manager of the Babcock theater and left last night with Mrs. Sosman for Chicago. Mr. Sosman will be succeeded by Frank Rowe an experienced theatrical man who was with the ‘Talk of New York’ company as advance as advance agent until recently”  (page 6).

By 1913, Arthur B. Sosman was listed in the “Chicago Directory” as a solicitor, living at 1057 Leland Ave. I believed that he returned to help out the family business, and soon returned to work as a salesman. By 1914, Sosman was listed as a salesman in the Chicago Directory, working as 509, 606 S. Michigan Ave. He was again living at home with his parents, his address listed as Margate terrace. Arthur continued to work as a salesman in 1915, listing his employers address as N. Clark, and living at 1321 Sunnyside Ave.

Upon Joseph S. Sosman’s passing, Moses was elected president of the firm, with Sosman’s eldest son Arthur becoming vice-president. In 1915, Moses wrote, “It is very strange to me that I had never given this change of the business a thought.  I had never thought of Sosman dying.” Although Arthur was elected as vice-president, he didn’t last long at Sosman & Landis. The following year, his mother filled the role as vice-president.

On March 17, 1916, the “Chicago Tribune” included an article entitled, “Strung Dictagraph Wires.” The article continued:

“You know that Leslie alienation suit?” inquired the voice. “Well, one man had an apartment next door to the Leslie flat. Somebody broke a hole through the wall and strung dictograph wires. He was in there with another named White, He rented a flat from a family named Sosman on the Beacon street side. Now, then, Mr. Leslie and his wife occupied the third floor of the flat on the Sunnyside avenue side of the apartment building. Arthur Sosman leases the third floor flat next door. The peep hole was found in the wall between the two flats. J. A. Weiss, the janitor of the building was able to give some information. The Sosmans subleased their flat furnished about five months ago to a man named White,” said Weiss. “There was another man in the flat with him. They were in there about two months and left about three months ago. When they left Mrs. Sosman returned and she complained there was a hole in the wall. I went up there, and on the Sosman side, about seven feet up in the front hall was a holed six inches square. It was only about as big as your fingertip on the Leslie side – just big enough for a dictograph wire. “I can’t tell you anything,” said Mrs. Sosman.

In 1917, the Chicago Directory listed Arthur B. Sosman as the manager of Arthur B. Sosman Co., at 206, 29 E. Madison. That same year he was also mentioned as an agent for the Pathé Film Corporation. On April 25, 1917, “The Daily Chronicle” of De Kalb, Illinois, reported, “Negotiations between Harold Blass and his parents – and the Pathe Film corporation toward the advent of the Dixon lad into the film world, which have been progressing for some time, were practically consummated Thursday afternoon when the company’s offer, made through A B. Sosman, agent for the Pathe firm, was accepted. Within a short time Harold will be summoned to the head offices of the company in Chicago where C. E. Seeley, one of the directors of the company, will pass judgement and then – as Mr. Sosman says, there is no doubt the boy will be accepted – he will be sent to one of the Pathe studios in California to receive instruction preparatory to playing opposite “Baby Marie Osborner,” the Pathe child star. During his period of training he will receive a salary of not less than $40 per week and when he has progressed sufficiently to take up his regular work before the camera his salary will be roughly $250 weekly. He will be accompanied to California by his brother Leo. Harold is one of the most popular boys in Dixon and a host of friends will unite in congratulating him on his opportunity. It is probable he will be sent to Balboa studio in San Diego for training” (page 4).

That summer, Sosman was again mentioned in a very odd article about a movie theatre fountain. On July 19, 1917, the “Chicago Examiner” reported, “‘Fountain’ is Trysting Place. Movie Show Engagements Made for Examiner Booth; Annabelle Whitford to Sing.” The article continued, The Examiner booth. All dressed up with piano and the largest internal fountain in captivity, according to A. B. Sosman, who put it there, was company place for a lot of people last night. Miss Marguerite Calyton, hostess of the day, was fairly swamped with eager requests for her picture autographed, given with the examiner’s compliments…(page 130.

Sosman remained in Chicago, where he registered for the WWI draft on Sept. 12, 1918. His registration card listed that he was living at 841 Eastwood Ave., Chicago, and working as a salesman of store fixtures at the Palay-Jennings Co. Sosman’s physical appearance was described as medium height and build, brown hair and blue eyes.

By 1920, both Arthur and Maude were working. That year Arthur was employed as a salesman and Maude as a saleswoman at a suit house. I have yet to uncover any other information about the couple in the 1920s.

Arthur Died on Oct. 9, 1929 and was buried at Graceland Cemetery in Chicago. He was only 51 years old.

To be continued…

Copyright © 2022 by Wendy Waszut-Barrett

Joseph Sosman (1846-1915) and Perry Landis (1848-1905) met in 1875 and partnered by 1876.  In 1879 they established a scenic studio in Chicago, Illinois, with Sosman living downtown and Landis settling in nearby Evanston. Over the years, they were involved in a variety of business endeavors that spanned from lighting to theatrical management. They were partners in both life and death, sharing a family grave plot, with wives and children nearby. It is difficult to determine the depth of their relationship, but they had certainly complemented one another. Perry was the first to marry at the age of thirty-three in 1881. Sosman remained a bachelor for almost another decade, marrying a divorced woman with two children in 1890. Before marriage, Sosman channeled much of his passion into both his partnership and friendship with Landis.

Sosman turned forty-four-years old the year that he married May Jones and adopted Frederick and Arthur.  In one fail swoop he acquired an instant family, gaining access to social circles previously unavailable for single gentlemen.  I like to think that Sosman found love late in life, and in turn, offered a second chance at love for May.  I find May P. Sosman absolutely fascinating. In many ways she was the perfect domestic partner for Sosman, a very strong and determined manager of charitable events, households, and men. In looking at all of the obstacles that she overcame, my guess is she was a force to be reckoned with in her day.

I am including May P. Sosman with the Sosman & Landis employees as she was appointed vice-president of the firm in the years following her husband’s passing. Her involvement with his business, however, began years earlier. In 1899 Cincinnati’s “Commercial Tribune” may the following observation about Mrs. Sosman:

“Mrs. Sosman is the wife of the senior partner in the firm of Sosman & Landis (scenic painters and makers of reflectors), which controls the lease of the Pike. She is a handsome woman, with a strong business temperament, and has familiarized herself enough with her husband’s extensive business to be of considerable assistance to him” (page 11). It was extremely unusual for publications to comment on the contributions of wives at this time. The fact that a major metropolitan newspaper credited May as having “a strong business temperament” and being of “considerable assistance” meant she understood the scenic studio and lighting business.

Maria “May” Hazard Pinney was born in Chicago in 1858. She was the daughter of Elijah S. Pinney (1831-1920) and Mary Hazard (1827-1893). As an infant and young child, May and her mother were shuffled from one home to another. It appears that they kept the home fires burning, while Elijah sought any available work. The 1860 US Federal Census listed 3-yrs.-old Maria and her mother, Mary, living in a multi-family complex in Marion County, Illinois. Elijah was not included in the census report that year; he was likely on the road or working in a nearby town. From 1861 to 1862, Elijah was working in Chicago, listed as a messenger for the American Merchant’s Union Express Co. I am uncertain as to exactly when Mary and Maria joined him, but they were likely in town by 1862. That year Elijah moved from 183 Third Ave. to 218 Edina Place. The move may have been prompted by their expanding family. In 1863, the Pinney’s celebrated the birth of their second daughter, Blanche Pinney. In 1865 the Pinney family moved again, this time to 227 Ohio in Chicago.

From 1869 to 1870, Pinney was working for American Merchant’s Union Express Company and living at 51 Madison. The census that year listed Mr. Pinney as a railroad brakeman, likely in the employ of American Merchant’s Union Express Co. Interestingly, the 1870 Chicago Directory listed his wife, Mrs. E. S. Pinney, as running a boarding house at the same address, 51 Madison.  It would be ironic if her husband’s rise to fame in the Chicago Hotel Industry began with her running their first boarding house. Late in life Elijah S. Pinney was considered to be the “dean of Chicago hoteldom.”

As many in Chicago, the Pinneys relocated again after the Great Fire of 1871. In 1872, they set up house at 170 W. Jackson. It was about this time that Pinney began owning and operating hotels and boarding houses. From 1874 to 1875 Pinney was listed at the proprietor of the St. Denis Hotel, located at 109 West Madison. He also became involved with the management of the new Revere House on N. Clark Street. Partnering with Thomas L. Case to establish the management firm of Pinney & Case. In 1876 they were located on the southeast corner of Michigan Ave. on N. Clark; this was the same location as the Revere House. Eventually, Pinney was listed as the sole proprietor for the venue, managing it until 1884 when he moved onto another venue.

Those staying at the Revere House were primarily clerks, cashiers, bookkeepers, salesmen, and traveling agents. When the hotel closed in 1888, “The New York Times” described the Revere House as “one of the largest hotels on the north side” (2 August 1888, page 3). However, there were earlier establishments named the Revere House too. Before the great fire, an earlier Revere House was located on the southeast corner of Clark and Kinzie streets.  The one built after the fire was constructed one-half block further north from its previous location, adjoining it to the [Cyrus H.] McCormick building block. The address for the Revere House in 1880 was listed as 52-60 N. Clark Street.

It was at the Revere House that Pinney’s eldest daughter caught the eye Benjamin “Bennie” Hodge Jones (1850-1926). Jones happened to be lodging at the Revere House in 1876 and working as a clerk. Jones grew up in Buffalo, New York, but moved to Chicago in 1875. One of seven children born to well-known shipbuilder Frederick Nelson Jones and Cordelia Augusta Hodge, he came from wealth. Both of his parents were descendants of prominent North American families. The following was published about his mother in the Hodge Genealogy of North American Family History: 

“Cordelia Augusta Hodge. Born Sept. 25, 1818; married, June 15, 1843, Frederick N. Jones, born May 24, 1819, and died March 23, 1883; son of Augustus and Saba (Murdock) Jones of Black Rover, Ohio (1820). Mr. Jones for a number of years was a captain on the lakes and then became a ship builder at Buffalo. He has a fine residence in Buffalo, on Delaware avenue, where he resided for many years. He was successful in business and had a high reputation as a vessel-builder. He was a deacon of the church for many years and subsequently became an elder. Mrs. Jones was loved and revered by a large circle of acquaintances. When the writer last saw her, in 1896, she was nearly fourscore years of age; she converses with vigor and marked intelligence, presenting the type of a dame that writers sometimes seem to think they lived only in “ye olden times” (page 150). Mrs. Jones died Feb. 24, 1898, at Redwood City, California. Here is the link to the entry: (https://www.ancestry.com/discoveryui-content/view/3109003:61157)

The Jones family’s home on 874 Delaware Ave. was described years later in the “Buffalo Times.” It was mentioned in a 1911 article as part of a series about the early inhabitants of Buffalo. The March 8 article reported that in 1855 Capt. F. N. Jones moved into a 22-room, 11-bedroom, mansion on Delaware Ave. (page 11).  At the time, the estate was called “Thornbush,” on account of the row of thorn trees lining the driveway on one side, and Osage orange bushes on the other. Five acres of grounds boasted hundreds of cherry, pear, and apple trees. There were smoke houses, an icehouse, wine cellar, food cellars and larders, each overflowing throughout the year. Benjamin Jones came from a very well-off family, enjoying a life of privilege. All of the Jones children seem to have married well and lived in relative comfort.

As a young adult, Jones worked for the family business. He was listed in the “Buffalo Directory” as a cashier for five years, from 1868 until 1873, before advancing to bookkeeper in 1874. In other words, he worked for his father until the age of twenty-four. All the while, he remained living in the family mansion. Although he was included in the 1875 New York State Census, Jones headed west late that summer. He was included int 1875 Chicago Directory as a bookkeeper for E. L. Hedstrom & Co., residing at 365 West Harrison. In 1876, Jones continued work as a bookkeeper, but secured new lodging at the southeast corner of North Clark and Michigan. This was the location of the Revere House, managed by E. S. Pinney. By the spring of 1877 Jones working as an agent for the National Publishing Company and engaged to Miss May Pinney.

The young couple’s engagement and wedding made Chicago news. I am going to include a series of articles concerning their wedding, as it provides some socio-economic context for the young couple as they began married life together. At the time of their wedding, the groom was 27 yrs. old, and the bride was 20 yrs. old. It was the quintessential Victorian wedding ceremony and reception.

The two were engaged during the spring of 1877. On May 27, 1877, the “Chicago Tribune” announced, “Miss Pinney, daughter of the proprietor of the Revere House, is expected to be married sometime in the fall to B. F. Jones, Esq., of this city, agent for the National Publishing Company” (page 11).

Their wedding was quite the societal event. On Sept. 23, 1877, the “Chicago Tribune” announced, “Miss Maria Pinney, daughter of E. S. Pinney, proprietor of the Revere House, will be married to Mr. B. H. Jones, of Buffalo, to-morrow evening at half-past six o’clock, at the Centenary Church. Reception at the Revere House” (page 12).

On Sept. 25, 1877, the “Chicago Tribune” reported:

“The marriage of Mr. B. H. Jones and Miss Maria Pinney last evening was a brilliant affair, and the wedding, owning to the great number of friends and acquaintances of the bride’s parents, was a very large one. The ceremony took place at the Centenary Church, West Monroe street, at half-past 6-oclock, and fully an hour before the event the building was completely filled, and the street in front was likewise crowded with eager and curious people. The Rev. S. H. Adams officiated. A reception was given in the spacious parlors of the Revere House in the evening, which was very largely attended. Mr. and Mrs. Jones took an evening train for the East, where they purpose to visit for a week, and returning, will be at home at the Revere House Wednesday afternoons and evenings in November” (page 8).

A very lengthy description of the ceremony and reception was published in “The Inter Ocean” on Sept. 25, 1877 (page 8). I took me some the time to transcribe this article, but it really gives a glimpse into the upper-class weddings during the 1870s. The descriptions of the ceremonial music, wedding attire, hairstyles and gifts are quite delightful.

Here is the article in its entirety:

“A Happy Day.

The nuptials of Miss M. H. Pinney and Mr. B. H Jones.

A wedding and an anniversary.

The Revere House was last evening a scene of festivity, the occasion being the silver wedding of the genial hist and hostess, Mr. and Mrs. E. S. Pinney, and the wedding of their eldest daughter, Miss Maria H. Pinney, to Mr. B. H. Jones, of this city.

The ceremony of uniting the younger couple took place at the Centenary Methodist Episcopal Church and was performed by the Rev. S. H. Adams the pastor. The evening was one that had long been looked forward to by the society of young people and the vast auditorium was accordingly crowded to almost overflowing. The church had been appropriately decorated for the occasion. The chancel was filled with growing plants, and the front of the organ bore in floral letters the words: Sept. 24. J.-P. 1877.”

Shortly before 7 o’clock the bridal party entered and marched up the aisle of the strains of the ‘Lohengrin Wedding March.” The ushers, Messrs. W. H. Lane and J. F. Brine, led the way. They were followed by the groom attendants, Messrs. Len C. Jones, of Buffalo, a brother of the groom. Alexander Buchanan, of this city; Willard W. Hodges, of Buffalo, and F. T. Bliss, of Morris, Ill. They, in turn, were followed by the bride’s attendants, Miss Nellie Osborne, of Racine; Miss Georgie Smith, of Buffalo; Miss Blanche Pinney, sister of the bride, and Miss Carrie E. Jones, of Buffalo. The groom then entered with Mrs. Pinney, the bride’s mother, and Mr. Pinner led the bride. Messrs. Archie Hutchinson and J. J.  Augustine brought up the rear.

The ceremony was soon over. The young couple were pronounced husband and wife, and the procession filed out of the church to the measures of Mendelssohn’s wedding march. Then the audience dispersed.

The reception was afterward held at the Revere House by the newly wedded pair and the pair who thus celebrated the twenty-fifth anniversary of marriage. It was attended only by the relatives and intimate friends of the parties and was altogether very pleasant and brilliant affair. The parlors were elegantly decorated with flowers, the artistic work of H. H. Stevens, manager of the Oak Park greenhouse. The gasoliers were hung with a perfect wealth of smilax, varied with rosebuds and balls of roses. The wedding pair stood underneath a bridal bell of balsams and carnations, from which depended on festoons of smilax. The bride held in her hand a bouquet of tube roses and stepthons. The walls were hung with the initials of the young couple who celebrated their silver wedding, wrought in pinks and carnations, and fringed with green leaves.

The toilets were in keeping with the parlors. The bride wore a combination costume of cream silk and satin, princess style, with demi-sleeves trimmed with duchess lace and flowers at wrist and elbow. The skirt was trimmed with perpendicular bands of satin and grosgrain silk, and the edges garnished with clusters of orange blossoms, tub-roses, sweet-briar leaves, rose leaves, lilies of the valley, and silver bells. Her hair was dressed with French twist, puffs, and bound with bridal veil of tulle. She wore diamond ear-drops, the gift of the grooms.

Miss Blanche Pinney, sister of the bride, wore a dress of white tarlatan, with corsage waist of white silk, trimmed with scarlet rosebuds; hair in low chatelaine braid, decorated with natural flowers.
Miss Carrie E. Jones was attired in a dress of white silk, with overdress of tarlatan; high corsage waist; trimmings of lace and natural flowers.

Miss Nellie Osbourne, a blonde, wore a white tarlatan, with high corsage waist of white silk, demi-sleeves; hair dressed high and decorated with forget-me-nots of palest blue.

Miss Georgia Smith wore a white tarlatan made over a dress of white silk; pearl ornaments.

Mrs. Pinney, the mother of the bride, wore a heavy black grosgrain, richly trimmed with point lace; jewels of pearl and black onyx.

Among those present were Mr. and Mrs. E. S. Pinney, father and mother of the bride; Mr. and Mrs. H. N. Pinney, grandparents of the bride; Mr. Milton Pinney, of Ottumwa; Mr. F. L. Jones, of Buffalo, father of the groom; Mr. Frederick Jones, Jr., brother of the groom; Mr. and Mrs. David Gould, Mr. and Mrs. R. J. Morse, Mr. and Mrs. J. J. Brown, Mr. nd Mrs. Watson, Mr. and Mrs. Thomas J. Slattery, Mr. and Mrs. Charles Hitchcock, Mr. and Mrs. T. F. Briss, Mr. and Mrs. Whitman, Mr. and Mrs. W. B. Telfair, Mrs. Mason; Mr. Lem Ellsworth and daughter, of Milwaukee; Mr. and Mrs. George P. Sexton, Dr. and Mrs. Wilson, Mrs. W. W. Bishop, Mr. and Mrs. W. C. Dow, Mr. and Mrs. Dwight Johnson, Mrs. Patterson, Mr. and Mrs. Palmer Mackey, Dr. and Mrs. J. O. Price, Mr. and Mrs. Horatio Lewis, Mrs. G. W. Turner, Vandalia; the Rev. S. H. Adams; Messrs. C. R. Beasely, H. W. Knight, David H. Kennedy, Judge Wolcott, A. D. Turner, Judge Wilkinson, Carrie Hutchinson, Virginia Butler, Addie Brown, Nellie Butler, Lib. M. Knight, Hattie L. Knight, Mary Hitchcock, Minnie Holt, Minneapolis, Minn., Ida Lewis, Hyde Park; Kate Emmons, Mason Fisk, Martha Peters and others.

Among the gifts to the young and old couples were a pair of toilet chandeliers from Mr. and Mrs. Hitchcock; silver candlesticks, from Miss Georgie Smith; baskets of flowers, from Mr. and Mrs. H. M. Brown and Henry C. Dolph; silver soup and fruit ladles, from Mrs. William Hodge and Charles J. Hodge; silver cream ladle, from Mrs. B. P. Mackey and Miss Martha Peters; case of silver forks and spoons, from Mr. and Mrs. F. N. Jones, the parents of the groom; silver sugar and cream spoons, from Miss Lewis, of Atchison, Kan., aunt of the bride; carving-knife, fork and steel from Mr. and Mrs. A. J. Hoole; silver fruit spoon from Mr. and Mrs. Whitman; silver and crystal pickle castor, from Mrs. G. W. Turner; silver card receiver, from Mr. and Mrs. T. F. Bliss; silver pie knife, from Mr. and Mrs. Albert Jones; a bronze from Miss Carrie Jones; a bronze card table from M. F. and Len C. Jones; pictures from Mr. and Mrs. W. C. Hodge; and easel from F. N. Jones; silver-headed cane for E. S. Pinney from John R. Daley and W. H. Carson; bronze clock and side ornaments, Mr. F. L. Case; bronze statuette, Mr. Morris Butler, of Buffalo, N. Y.; air of bronze vases, Mrs. Nellie F. Osborne; travelling clock, Mrs. L. Giffith; silver berry spoon, Mr. Frank T. Bliss; silver cake knife, Mr. J. W. Kimball; silver card receiver, Mrs. and Mrs. J. J. Brown; unique silver jewel box, Miss Winnie Kimball; silver card case, Mr. Charles W. Besly; silver beery spoon, Mr. and Mrs. B. Palmer Mackey; card receiver, Kate Emmons; handsome bouquet of natural flowers, Mr. A. J. Buchanan; card receiver, D. W. Bakers; Guizot’s “History of France” in six volumes, bound in calf from Messrs. J. F. Brine, A. C. Hutchinson, W. H. Lane and J. J. Augustine; a fine engraving from “Fritz;” superb pair of solitaire diamond ear-rings from the father to the mother of the bride. About 10 o’clock Mr. and Mrs. Jones took leave of their friends and departed ono a wedding tour through the East. They will return to the city in about a month” (page 8).

So you can see, this was quite a big deal, and not the standard average wedding for the masses. Keep in mind that the majority of brides at this time simply wore a nice dress that could be re-used for special occasions.

On Nov. 4, 1877, the “Chicago Tribune” announced, “Mr. and Mrs. B. H. Jones (nee Pinney), have returned from their wedding trip and will be pleased to see their friends Wednesday, afternoons and evenings in November, at the Revere house” (page 16). Everything was going according to plan, as the newlyweds filled societal expectations, playing their parts. On Dec. 30, 1877, the “Chicago Tribune” published a list of ladies wishing to receive callers on New Year’s Day. The Revere House, detailed, “Mrs. B. H. Jones, nee Pinney, assisted by her sister, Miss Blanche Pinney, and Miss Nellie Osbourne, of Racine” (page 7).

A year later, the young couple celebrated the birth of their first child. On September 30, 1878, Arthur Benjamin Jones was born. At the time, Jones was still working as an agent, working at 99 Dearborn, and boarding at the Revere House. His brother, Frederick N. Jones Jr. was also boarding at the Revere House during this time, working as a bookkeeper. Mr. and Mrs. B. H. Jones continued to live at the Revere House for the next few years with Jones trying his hand at a variety of business endeavors; none stuck for long. Meanwhile in Buffalo, the Jones’ family home on Delaware avenue was sold to George Van Vleck. In 1878, Capt. F. N. Jones moved to No. 44 Hodge Avenue. I don’t know if the move was prompted by increased age, decreased income, or a combination of both. By now, however, the Jones children were scattered across the country and doing quite well for themselves. I don’t know if the same was true for Benjamin Hodge Jones. To all appearances, he was moving forward with his career, but his life soon spiraled out of control. I have to wonder if it was gold fever.

Jones became interested in mining and ventured west. He settled in Leadville, Colorado, establishing the firm B. H. Jones & Co. Of all the places, Leadville surprised me, as I am very familiar with the town at that time. In 1879, Horace A. W. Tabor built the Tabor Opera House. Jones would have arrived into this bustling community by rail; a town flooded with mining wealth. The mining possibilities in Colorado made headlines across the country, especially in Chicago newspapers.

B. H. Jones was listed twice in the 1880 U S Federal Census. He was included as part of the Pinney Household at the Revere House, listed as the son-in-law of E. S. Pinney and working as a miner.  What I found interesting, is that when the census in Chicago was taken, Arthur Jones (1 yrs. old) was listed as the son of Blanche Pinney, May’s 18 yrs. old sister. This was likely an error, but Blanch and Arthur were listed quite far apart from the other Pinneys. It does makes me wonder, but maybe she was caring for her nephew that day and census taker assumed the little boy was her own. The other option is unmarried mother, with married sister raising the child.

B. H. Jones was listed a second time in the 1880 US Federal census as a “miner broker” in Leadville.  Benjamin H. Jones was also listed in the 1880 Leadville Directory, living and working at 141 West 2^nd St. This was really a sketchy part of town and near to a local brothel (inside info. provided by Tammy Taber). B. H. Jones & Co. advertised as miners and dealers in mining property. W. D. Crofoot and T. Page were also associated with the firm. By the way, they were 1 ½ blocks away from the Tabor Opera House. Small world.

B. H. Jones didn’t stay in Leadville for long and was back in Chicago by 1881. During his absence, Mrs. B. F. Jones continued to list calling hours in the newspaper, receiving company alongside Miss Blanche Pinney, Miss Nellie Osbourne and Miss May Watson. In Chicago, Jones entered a new profession. On March 22, 1881, The “Chicago Tribune” announced that B. F. Jones was appointed town clerk for the 12^th ward of Chicago (page 6). He was again listed as a bookkeeper in the 1882, Chicago Directory, now working at 95 Dearborn and living at 24 Maple. On Feb. 22, 1882, Benjamin H. Jones and Mary H. Pinney were listed as the birth parents of Frederick P. Jones. Little is known of Jones’ activities or whereabouts during this time.

Jones’ father, Frederick N. Jones Sr., passed away in Buffalo on March 23, 1883. I have yet to locate any information about Jones’ returning home for his father’s funeral, or if he had already deserted his wife and children.

The marriage of Benjamin to May did not survive. On Jan. 6, 1888, the “Chicago Tribune” listed “Maria H. Jones vs. Benjamin H. Jones, Bill for divorce for desertion. W. W. Gurley, soir” as a new suit in the Superior court” (page 9). On July 4, 1888, the “Chicago Tribune” published the divorce: “Maria H. Jones from Benjamin H. Jones; decree, divorce” (page 9). That year, a Benjamin H. Jones was listed as a clerk in the Chicago Directory, working as 91 State and living at 77 S. Morgan.

Jones purportedly married again in Chicago. An article entitled “Buffalo of the Olden Time,” was published in the “Buffalo Times” in 1911. Written by Grace Carew Sheldon, the March 8 installment mentioned the family of Frederick N. Jones. Sheldon wrote, “Benjamin Hodge (Ben) Jones married Josephine Roberts of Chicago, Illinois in 1892, and is now living in San Francisco, California.” Additional information was added by a Jones descendant, posted at www.findagrave.com: “Benjamin married his second wife Josephine (Josie) Roberts in 1892. They were living on Haight Street in San Francisco when the 1906 earthquake struck, knocking them both out of bed. Our family has letters written by Benjamin in the aftermath of the earthquake which are historically very interesting.” Although the 1905 San Francisco Directory lists a William H. Jones living at 629 Haight in San Francisco, I have yet to locate any listing Benjamin H. Jones, B. H. Jones or Josephine Jones.  However, there was a Josephine Roberts living in Chicago in 1892. This was also the same year that her mother (Dorothea Roberts) died on Aug. 1. I have yet to locate any wedding records, newspaper announcements, or census reports. They may have just moved west and lived together. Regardless, Jones lived in California for quite some time. He passed away on Jan. 22, 1926, in Los Angeles, California. He was buried at Calvary Cemetery in East Los Angeles the next day. Jones’ mother, Cordelia A. Jones, also passed away in California in 1898, after traveling west to improve her health that winter.

May met her second husband at another one of her father’s properties. After leaving the Revere House in 1884, Pinney went on to manage the Farwell House, located at 164-166 S. Halsted. By the way, in 1885, Farwell House made newspapers for its new fire escape. On March 19, 1884, the “Inter Ocean” included an article about C. Baker’s fire escape (page 9). This was Chauncy D. Baker, another Sosman & Landis employee. The article reported, “A sensible fire escape was exhibited from the Farewell Block yesterday, which is in many ways meritorious, and must soon come into use by owners of large public buildings where many persons are employed, and in hotels and colleges throughout the country. The invention is the result of Chicago ingenuity, and is secured to Mr. C. Baker by letters patent…The cost is but $200, and one escape is sufficient for one building, unless it is unusually large…The escape may be seen in operation any day at the Farewell Block, on Adams street, and any time, and information had of H. Burgheim, at No. 279 South Clark street.” 279 S. Clark was the original Sosman & Landis studio address.

In 1885, E. S. Pinney listed as the proprietor of the Farwell House, with B. H. Jones listed as the manager. Jones’ role as manager was short-lived, however, and by the next year he was gone. Interestingly, in the 1887 Chicago Directory, May P. Jones was listed as a widow. I think the “widow” may have been used as an explanation for absent husband. During this same time, Joseph S. Sosman began lodging at the Farwell House. The year after, she filed for divorce.

Prior to lodging at the Farwell House, Sosman rented and apartment at 155 Sangamon; this was a boarding house near the Sosman & Landis studio on N. Clark Street. In 1886, Sosman & Landis built a new studio on S. Clinton Street. The Farwell House was located on Halsted. Halsted ran parallel to Clinton Street and was only three blocks west of the studio: a short four-minute walk. The two streets are now divided by an interstate highway. Sosman most certainly met May at the Farwell house, about the same time that her husband left. Sosman remained at the Farwell house for at least two years.

In 1889, Sosman moved to the Tremont House, a venue managed by Pinney’s old business partner Thomas L. Case. For geographical context, the Tremont House was located on LaSalle. Cases’ business offices were listed as 24, 232 LaSalle. This move might have been in preparation for their impending nuptials, or simply had to do with the fact Pinney was planning to lease his next hotel, the Hotel Lafayette.

May married Sosman in the spring of 1890, four years after Sosman first moved to the Farwell House. Their marriage license was published in the “Chicago Tribune” on April 15, 1890 (page 3). Of the marriage, Thomas G. Moses wrote, “Found Sosman married very quietly. “

Sosman immediately adopted the two boys and May attempted to erase all familial connection with their birthfather and the Jones family. Her sons’ birth names were even changed: Arthur Benjamin Jones became Arthur Burton Sosman, and Frederick was now spelled with the “k” – Frederic Pinney Jones. What I cannot find is any records that verify that the decision was a legal name change. Sosman’s will still used the birth names for his two stepsons.

Meanwhile, May’s father continued to gain ground in the hotel industry. By 1890, Pinney was listed as proprietor of the Hotel Lafayette, located at 111 W. Madison in Chicago. Interestingly, Sosman placed a want ad for his father-in-law the next year. On April 26, 1891, the “Chicago Tribune” published the following ad:

“FOR SALE – The furniture and fixtures of the Hotel Lafayette, corner Desplaines and Madison sts.; includes fine bar and fixtures; must be sold by Wednesday, April 29. J. S. Sosman, 236 South Clinton St.” This is about the same that time that Sosman and Landis began investing in a variety of other business ventures and properties.

In addition to expanding their scenery and theatrical supply busines, each began to diversify their investments. Throughout the 1890s, Sosman and Landis were instrumental in establishing the American Reflector and Lighting Co. They also founded the theatrical management firm of Sosman, Landis & Hunt with David H. Hunt. Over the next few years, Sosman placed more want ads, including one in the “Chicago Tribune” on Feb 24, 1894 (page 15). His advertisement announced: “FOR SALE – the Lease and fixtures of Morton House, Hamond, Ind.; only hotel in town of 15,000 inhabitants; a good chance for a live party. Inquire on premises or of J. S. Sosman 236 S. Clinton st., Chicago.”

Although Sosman was an incredibly successful businessman in his own right, May provided something that could not be bought – social access. At that time, being married and having children gave legitimacy to Sosman’s business empire. By his mid-40s, Sosman really needed a wife and children for various social inroads. In many instances, wives of wealthy husbands functioned as patronesses for charitable benefits. May helped Sosman make necessary business connections, providing avenues to various events; something otherwise impossible for a single gentleman at that time. Keep in mind that many charitable events had grand themes, necessitating extravagant decor and painted illusion. These fundraisers represented big business opportunities for many manufacturing firms, especially scenic studios. Wealthy wives planned the large-scale events, carefully selecting designers and other necessary artisans for the work. Sosman & Landis began to land one contract after another for various social galas by the 1890s. I have written about many of these grand social spectacles in the past. May helped market her husband’s business in a way that no other employee could. In other words, her suggestions and recommendations happened over tea or at other intimate gatherings.

Immediately after their marriage, Mr. and Mrs. Sosman set up house at 576 Congress Street and began to entertain. They hosted a variety of social events and other gatherings for charitable organizations. They even secured a summer home, strategically located in a popular lake area to host events in the summer. Like many other wealthy Chicagoans, the summer season was spent relaxing in the cool shade near a body of water. They initially purchased property in Green Lake, Wisconsin. On August 9, 1891, “Chicago Tribune” published, “Mr. and Mrs. Joseph S. Sosman and family, No. 570 West Congress street, are spending the month of August at the Oakwood, at Green Lake, Wis.” (page 30).  On Jan. 31, 1892, “The Inter Ocean” reported, “Mrs. Joseph S. Sosman entertained the Green Lake Progressive Euchre Club Thursday evening at her residence, No. 570 West Congress avenue. The club is composed of young people who spend their summers at Green Lake. Those present were Mrs. and Mrs. Will Pullman, Mr. and Mrs. Cady Jordan, Mr. and Mrs. John Westen, Mr. and Mrs. James Miller, Mrs. and Mrs. Berg, the Misses Eldridge, Pinkerton, Fick, Peacock, marks, Messrs. White, Dewes, Hamline, Robert Stewart, Jack Stewart, Peacock and Prindiville” (page 18).  But Green Lake was quite far away, approximately 180 miles northwest from downtown Chicago.

By the summer of 1892, they purchased a much closer summer home in Lake Bluff, Illinois. For geographical context, Lake Bluff is about thirty miles north of Chicago, along the shores of Lake Michigan. Their timing could not have been better. In the years leading up to the Columbian Exposition, high society planned large public events for the upcoming year. People came from all over the world for the World’s Fair in Chicago in 1893; nearby lodging was at a premium. On April 30, 1893, the “Chicago Tribune” published, “For Rent – For the Summer – Nicely furnished cottage at Lake Bluff, Ill; very desirable location. Address J. S. Sosman 236 S. Clinton st., Chicago” (page 21).

For the next two decades, the Sosman’s entertained family, friends, and potential clients at their lake home. Notices were posted in the “Chicago tribune,” published by those who could afford to escape for weeks on end, exchanging the blistering confines of downtown Chicago for cool lakeshore breezes. For example, on July 26, 1897, the “Chicago Tribune” announced “Mr. and Mrs. Joseph S. Sosman and family, 570 West Congress street, are at their summer home at Lake Bluff” (page 12). These announcements provided friends and associates with opportunities to call. Furthermore, the “Chicago Tribune” listed news from vacation communities each summer.  On June 16, 1901, the “Chicago Tribune” the “Lake Bluff” section announced, “The Country Club gave an enjoyable party at its clubhouse on Saturday night. Mr. and Mrs. J. S. Sosman of Chicago are out for the season. They have recently enlarged their grounds by the purchase of additional land” (page 47). In the end, they would own several lost in the north section of Lake Bluff. The Sosman’s home in Lake Bluff was christened Fairlawn.

On June 21, 1903, the “Chicago Tribune” reported in the “Lake Bluff” section: “Among the families now at cottages for the summer are the following: J. W. Bridgeman, H. E. Alexander, F. W. Bowen. Stephen T. Mather, Henry Miner, J. S. Sosman, A. L. Merrill and William C. Reynolds of Chicago and H. C. Tunison of Jacksonville.

Mrs. Sosman also purchased property on her own, indicating a substantial amount of financial independence. On October 24, 1906, the “Waukegan News Sun” or Waukegan, Illinois, listed the following real estate transfer:

Anna E. Shellabarger and hus. to May P. Sosman, lots 6 and 7, block 29, Lake Bluff. Warranty deed, $1,250.” The information was furnished by the Lake County Title and Trust Co., guaranteed by the Masonic Temple building, Waukegan, Ill. (page 2).

On June 4, 1909, both “The Inter Ocean” and “Chicago Tribune” announced, “Mr. and Mrs. Joseph S. Sosman, 513 Washington boulevard, have opened their home, Fairlawn, at Lake Bluff, (on the north shore) for the season” (page 6). Sosman passed away at Lake Bluff on August 6, 1915. May retained the home for four years after her husband’s passing, not selling the property until 1919.

The Sosmans continued to make societal news. On Jan. 28, 1894, “The Inter Ocean” reported, “Mrs. Joseph S. Sosman of No. 570 West Congress street, threw open her pretty and artistic home Friday afternoon in the interest of ‘sweet charity.’ It was given in aid of the philanthropic work of the West End Woman’s Club, and was in the form of a Japanese tea, carried out to the minutest detail. The house was thronged during the receiving hours, hundreds of ladies, prominent in social and charitable circles, being present. The club members assisting Mrs. Sosman were Mesdames C. K. G. Billings, W. H. Wells, and H. M. Scott. Tea was poured by the Misses Franc Reece, Edith Bingham, Evelyn Brooks, Florence Mitchell, Leila Hulbert, Belle Pinkerton, and Jessie Hulbert” (page 26). 

On Nov. 3, 1894, the “Chicago Tribune” announced, “The children of the Home for the Friendless were given entertainment yesterday afternoon at the Masonic Temple Roof Garden by Mrs. Joseph S. Sosman, one of the Board women of the home. Busses and carriages were furnished the little ones to take them to and from the Temple and the affair, which was intended as a Thanksgiving treat, which was a thoroughly enjoyable one (page 6). In 1894, Sosman & Landis leased and managed the Masonic Temple Roof Garden, featuring two electric scenic theaters.

In addition to charitable events, the Sosman’s also participated in a variety of Masonic activities. Since moving to Chicago, Sosman had been heavily invested in Freemasonry. Sosman & Landis also specialized in producing fraternal scenery for a variety of Masonic orders. By 1892, Sosman & Landis placed advertisements in Masonic publications across the country. For example, an 1892 in “American Mason” magazine stated, “We make a specialty of Scenery for Illustrating the Different Degrees in Masonry.” Mr. and Mrs. Sosman were repeatedly mentioned for their organization and participation in large-scale fraternal events, such as the Knight Templar’s Charity ball and Queen Esther’s Reception (No. 41, O.E.S) in 1895.

May was also featured in The Etiquette of Today: a Complete Guide to Correct Manners, and Social Customs in Use Among Edicated and Refined People of America by Marshall Everett, publishedin 1902.

That same year, the interior of the Sosman’s Home was included in Beautiful Homes and Social Customs of America.

On June 30, 1909, the “Inter Ocean” included a portrait of Mrs. J. S. Sosman, announcing her upcoming travel plans (page 7). The caption stated, “Mrs. Joseph Sands Sosman. 513 Washington boulevard. Left Chicago yesterday for an extended visit to her son and daughter, Mrs. and Mrs. Arthur Sosman of New York, who spent their honeymoon at the Sosman summer home at Lake Bluff two seasons ago where they were introduced at a memorable lawn fete the week following their marriage.”

By 1909, Sosman was nearing retirement and he began redirecting his focus on his family. He was nearing a twentieth wedding anniversary and began spending more time with his wife.   There were no longer children to consider. Their son Arthur had married in 1906 and was currently living in New York. Arthur would go onto be a composer and musical performer in the west. Frederic also became a performer and was well-known for his vaudeville act.

In the final years of their marriage, the Sosman’s travelled quite a bit; their time spent away increasing with each trip. In 1910, the Sosman’s traveled abroad.  On May 22, 1910, the “Philadelphia Inquirer” reported, Mr. and Mrs. J. S. Sosman arrived at the Hotel Waldorf in London May 21, 1910” (page 2). They went on a grand tour with Sosman sending postcards back to Thomas G. Moses and the studio staff.  On Feb. 6, 1911, the “Chicago Tribune” announced, “Mr. and Mrs. J. S. Sosman, 1628 Washington boulevard, will leave Thursday for Southern California where they will remain for several months” (page 12). By 1913, the Sosmans listed their permanent residence in Lake Bluff. In 1914 and 1915 they lived at 906 Margate Terrace in Chicago, with Arthur; then May moved again.

I really believe that Sosman began to emotionally let go of many business endeavors several years before his passing. It started when Landis became ill and stepped away from his responsibilities. This loss prompted Sosman to hire Moses and appoint him vice-president of the firm. When Moses returned to the studio he was placed in charge of all design, construction, painting and installation. In many ways, he replaced Sosman in the studio while Sosman covered many of Landis’ duties. It is possibly that Sosman’s heart went out of the game after his best friend and business partner died in 1905. The decade to follow seems to be one long goodbye. Sosman increasingly delegated his tasks, passing along all of his work-related responsibilities to others, especially Moses and David H. Hunt. Then Hunt abandoned him to establish New York Studios in New York by 1910.

There was no one to carry on Sosman’s business legacy from his immediate family. Over the years, Sosman repeatedly tried to interest his sons in the scenic trade, but their passions remained elsewhere. Each worked for the firm in various capacities, but nothing stuck. By the way, I am writing their biographies next. In the end, there was no immediate Sosman family member to pick to the reigns when he stepped away – only May.  But May was only temporary and had no interest in taking over the business. Maybe it didn’t matter in the end, as he had already made his fortune and was living comfortably.  His finances were well diversified; the income from multiple investments funding both travel and retirement plans.  Regardless, Sosman’s absence at the studio was acutely felt by his employees and the business ran rudderless. Without Sosman actively taking his lead at the helm, infighting began and sidetracked many projects. Moses was the only one left who kept fighting to keep Sosman & Landis afloat, and even he had to briefly step away by 1918.

Upon Joseph S. Sosman’s passing, Moses was elected president of the firm, with Sosman’s eldest son Arthur becoming vice-president. In 1915, Moses wrote, “It is very strange to me that I had never given this change of the business a thought.  I had never thought of Sosman dying.” Although Arthur was elected as vice-president, he did not last long at Sosman & Landis. In 1916, Moses wrote, “October 10^th I was re-elected president of the company, Mrs. Sosman vice president and Lester Landis secretary and treasurer.  October 6^th, Lillian presented her husband with a pair of twins, boy and girl.”

Behind the scenes, May remained steadfast to her men, both living and dead. She continued to plug along until the family estate was settled, temporarily assuming her husband’s role at the American Reflector & Lighting Co. too. Meanwhile, May systematically began to liquidate the family assets and contemplate the future. All the while, she cared for her aging father, even throwing him an 89th birthday party on Feb. 26, 1920.

On Feb. 7, 1920, the National Hotel Reporter (page 1) announced, “Pinney – Mr. E. S. Pinney, dean of Chicago hotel men, will celebrate his 89^th birthday on Thursday February 26, at which time his daughter, Mrs. J. S. Sosman, will give a small birthday party for her father. Mr. Pinney, who returned from active business ten or fifteen years ago, was formerly the proprietor of the Revere House on North Clark street, when it was a reputable hotel and conducted in the most exemplary manner. Prior to his occupancy of the Revere House, Mr. Pinney for many years conducted the hotel at the northeast corner of West Jackson and South Halsted streets, then known as the Farwell House, then owned by Hon. Charles B. Farwell, United States Senator from Illinois. When the Hotel Men’s Mutual Benefit Association was organized in Chicago, January 17, 1879, its first board of officers consisted mainly of hotel clerks. In fact, the only proprietor on the board of directors was Mr. Pinney. That was more than four decades ago – to be exact 41 years – and it is a matter of remarkable record that Mr. Pinney has continued to serve unremittingly and uninterruptedly as a director of this great fraternal organization – the original hotel association of the United States – for this entire period. He was, for several years chairman of the board and had scarcely missed a single meeting during the entire forty-one years. Truly a wonderful, and, indeed, a most commendable record.”  Her father passed away four months later.

Pinney’s1920 obituary sheds a little light on his career and the status of the Pinney family in Chicago. Born in East Windsor, Connecticut, he traveled west from New York to Illinois in the 1850s where he married and started a family. 

On June 19, 1920, “The National Hotel Reporter” reported:

“Elijah S. Pinney, dean of Chicago hoteldom and for forty-one years a member of the board of directors of the Hotel Mens’ Mutual Benefit Association of the United States and Canada, dies at the James C. King Home for aged men, East Garfield boulevard, Chicago, yesterday at one o’clock p.m. from double pneumonia, after an illness of only a few days.

Mr. Pinney was for years the proprietor of the Farwell House at Jackson boulevard and Halsted street, removing thence to the north side, where he became proprietor of the Revere House on North Clark street, which he conducted successfully for many years.

He retired from business several years ago and has since lived a comfortable life in the King home, which has proven a haven of rest for so many aged men.

Mr. Pinney’s wife died many years ago and he is survived by one daughter, Mrs. J. S. Sosman, who has been devoted to him since her mother’s death and with whom he resided for many summers at Mrs. Sosman’s summer at Lake Bluff, Ill.

When the Hotel Mens’ Mutual Benefit Association was organized in Chicago forty-one years ago, Mr. Pinney was one of the few hotel proprietors to become a charter member. He was elected a director at the first meeting and has served continuously ever since in that capacity, He was devoted to the affairs of the association and was naturally very proud of his long connection with it.

A man of extreme geniality devoted to his family and friends, generous hearted and deservedly popular, Mr. Pinney lived to a ripe old age, having celebrated his 89^th birthday on February 26^th, last.

Funeral services under the auspices of the Masonic fraternity, of which he had been a long member, will be held on Monday next at Graceland Cemetery, at an hour to be announced in the regular death notices of the Sunday issue of the Chicago Tribune” (page 1).

The year her father passed, May P. Sosman lived at 946 Ainslie in Chicago. The 1920 US Federal Census listed her as head of the household, living with two widows and a domestic servant. Her household included Edna Myrers (52 yrs.), Glory D. Ladd (32 yrs.), and Carrie Pearson (27 yrs. old servant). Edna was a saleswoman of bonds and Glory was a secretary at a Publishing firm. I find May’s relationship with Edna fascinating.

Edna remained in Sosman’s home, becoming her close companion for the next two decades. The two remained extremely close until Edna’s passing in 1943. The 1940 US Federal Census even listed Edna as May’s partner, with Edna head of household. I have to wonder if Sosman was the silent business partner who provided funding for Edna. At the time of Edna’s death, Sosman wrote and published her obituary in the “Chicago Tribune.”  published in the “Chicago Tribune.” On Sept. 7, 1943, Edna’s obituary announcement read:

“MYRER– Edna S. Myrer, Sept. 5, 1943, formerly of 935 Leland avenue, Chicago, dear friend of Mrs. J. S. Sosman. Interment California” (page 26).

In the end, May lived with Edna almost as long as her second husband. I was curious to discover more about Edna Myers.

Edna Sarah Miller was born on May 16, 1865, in Lunenburg, Nova Scotia, Canada, she was the youngest daughter of George Edward Miller (1823-1872) and Sara Sophia Miller (1825-1913). One of seven children born to the couple, her siblings were George Edward Miller Jr. (1850-1912), Capt. William Miller (1852-1927), Capt. Samuel Miller (1854-1927), David Casper Miller (1856-1938), Robert Miller (1860-1860) and Gabriel Miller (1860-1860).

For geographical context, Lunenburg is about 60 miles southwest of Halifax, along the coast. Dutch Reform Church records list that Miller was christened in Lunenburg on June 5, 1865. Canadian Census reports confirm that the Millers were living in Lunenburg in 1871. This was the year before her father passed away at sea. He died on Jan. 13, 1872, at sea. A decade later, Edna Miller was still living with her mother and three brothers: Samuel, Casper and Daniel. She remained in Lunenburg until she married Edward Davidson Myrer (1852-1901) on Aug. 17, 1886, and moved to the United States.

Edward Myrer emigrated to the U. S. as a young man in 1869, settling in Massachusetts and naturalized in 1874. After marrying Miller in 1886, Edna remained in Canada for two years, until 1888. She then traveled to California, living with her husband near San Francisco in Pacheco, California. Edna never relinquished her Canadian citizenship but spent the rest of her life in the US. In California her husband was employed not only as a carpenter, but also as a police officer. In 1888, the Myrers relocated ninety miles northwest and were living in Yuba, California.  They eventually returned to the San Francisco area where Edward Myrer passed away on April 1, 1901. The 1901-1903 San Francisco Directory listed Edna S. Myrer as a widow, residing at 808 Eddy. Doors began to open for Myrer as a widow, and she began a career as a successful businesswoman.

Sometime between 1903 and 1907, Myrer journeyed east to Virginia. She likely left after the 1906 San Francisco earthquake and fire.  By 1907, she was listed as the secretary and treasurer for the newly incorporated United States Automatic Loom Attachment Co. in Lynchburg, Virginia.  The 1909 and 1910 Lynchburg Directories list Mrs. Edna S. Myrer as the secretary and treasurer of the United States Automatic Loom Attachment Co., located at 718 Commerce, with C. L. T. Fisher as president of the firm. The 1910 US Federal Census also listed Myrer as a 41-yrs.-old widow, working as a secretary in the cotton twine industry. At the time, she was living with the Karber family. The head of the household was Kant H. Carber, a 47 yrs. old machinist. Also, in the looms industry. Here’s where it gets a little interesting….

It appears that Myrer had a knack for both business and sales. By 1913, she moved to Chicago and soon became involved with another business venture,  selling stock for Universal Wheel Co. She posted advertisements in papers throughout Wisconsin and Indiana. On August 5, 1913, the “Kenosha News” of Kenosha, Wisconsin, published the following advertisement: “FOR SALE at a sacrifice – 200 shares of Universal Wheel stock at $2.50 per share; address Mrs. E. S. Myrer, 1238 LaSalle avenue, Chicago” (page 7). Myrer also placed adds throughout Indiana, including “The Fort Wayne Sentinel” that year. Although she listed her LaSalle address, Myrer was not listed in the Chicago Directory for 1913. In 1914, only one Myrer appears in the directory – Walter Henry Myrer, a clerk at 547 W. Jackson and living at 2106 Grace.  It is not until 1915, that Mrs. E. S. Myrer is briefly listed in the Chicago Directory, living at 529 Fullerton Parkway. By 1916, only W. H. Myrer is again listed as a clerk again.

In 1916, Elijah S. Pinney sold May P. Sosman his lot 3, block 29, at Lake Bluff for $1. (“Libertyville Independent, May 12, 1918, page 2). I think that Myrer and Sosman began living together in the wake of Joseph Sosman’s death.

Interestingly, neither Mrs. Sosman nor Mrs. Myrer were listed in the 1917 directory. I wonder if they relocated to Lake Bluff for a short time. Mrs. Sosman sold the estate in 1919. On June 5, 1919, the “Liberty Independent” of Liberty, Illinois, published the sale:

“In Lake Bluff: John Griffith bought 6 lots on N side Center Ave., between Sheridan Rd. and Simpson Ave., from May P. Sosman for indicated $3,000” (page 11).

In 1920, Mrs. Sosman was again living in Chicago. Myrer continued to work in the Chicago area. The 1920 US Federal Census reported that Myrer was living with Mrs. Sosman at 946 Ainslie, selling bonds. It is about this time that Mrs. Sosman fades from print and Myrer makes a splash in the papers.

By 1922 Myrer embarked on a new business venture. She was very good at securing skilled labor for her employers.

 On April 25, 1922, the “Chicago Tribune” posted the following advertisement placed by Myrer:

“Four high grade women who have good command of the English language; such women, if active, can earn $100 per week or more; capable managers will assist and instruct you; out proposition unquestionable; bankers know us. E. S. Meyer Room 310 Willoughby Bldg. S. W. Cor. Madison and Michigan av.” (page 30).

By 1925, Myrer became involved with real estate, especially vacation properties. It really reminds me of the entire time-share industry and aggressive marketing approach. On March 16, 1925, Mrs. Myrer posted the following want ad in the “Chicago Tribune” (page 29):

“SALESLADIES.

Get into the resort branch of the real estate business and make some real money. We are building the Atlantic City of the west and need a few more experienced ladies to follow live leads due to our advertising campaign. Season just starting. Apply Mrs. Myrer. Room 701, 179 W. Washington-st.”

By that summer Myrer was representing C. A. Blair & Co. They were a firm that specialized in real estate, rentals, loans, and insurance. They were located in the Otis Building at 10 S. La Salle Street in Chicago and advertised that real estate exchanges were a specialty. The firm placed advertisements in a variety in publications, including “The Sentinel,” a Jewish periodical.

In 1925, C. A. Blair & Co. was planning developments along the Dixie Highway between Kissimmee and Melbourne in Florida. Their marketing campaign even included $100 cash prizes for the best name submitted for their lake development on Lake Tohopekaliga (“St. Cloud Tribune, Vol. 17, No. 32, 2 April 1925, page 10). They advertised that in addition to the extensive lake frontage a picturesque ‘Venice Development’ of canals was to be built through the property. Interesting way a rebranding swamp land. The firm was simultaneously trying to locate companies to dredge their land.

On July 24, 1925, the “Chicago Tribune” published the following:

“FLORIDA SALESWOMEN WANTED.

Experienced and inexperienced, who can command the respect of the public. Must have a good command of the English language and be well groomed, to prepare themselves for work in Florida this coming winter with a high-class orientation they can be proud of. Call Rm. 349 10 S. La Salle-st. Ask for Mrs. Kemp or Mrs. Myrer” (page 28).

Myrer was working with Johanna Kemp.

On July 30, 1925, the “Chicago Tribune” reported, “Saleswomen. “A Venetian Home in the Heart of Florida.” Prepare yourselves for selling in this beautiful spot this coming winter. Women who have initiative, and who would like to connect themselves with a high-class organization or property can make this connection at the following address. Must be well groomed and have good command of the English language. No misrepresentation is needed or allowed. The undersigned are capable to instruct you and will give you every co-operation. Call R. 349. 10 S. La Salle-st. Ask for Mrs. Kemp or Mrs. Myrer” (page 30). On September 22, 1925, a similar advertisement was posted in the “Chicago Tribune” (page 40)

“A HIGH TYPE OF WOMAN WHO DESIRES TO MAKE REAL MONEY.

Can make such a connection at the following address. Reports from Chicago people who have seen our property in Florida, show we have the most desirable property in the entire state. Our references in Chicago will surprise you. If you wish to go to Florida for the winter months, Orlando will be your destination. The undersigned are capable of giving you every co-operation. Ask for Mrs. Kemp or Mrs. Myrer. Room 349, 10 S. La Salle-st. C. A. Blair & Co.”

On Oct. 25, 1925, another advertisement specified, “The Clyde A. Blair Organization, which is doing business in a high-class way and selling property on the most beautiful lake in Florida and on the only complete East and West Coast to Gulf Highway south of Orlando.” This ad stated, “Ask for Mrs. Kemp, Room 349, 10 La Salle-st.”

Kemp and Myrer spent the remainder of 1925 in Florida, managing the Orlando office of C. A. Blair & Co., Inc. of Kissimmee, Florida. The firm was now advertised as owners and developers of Lago Vista and Tolga Manor. On Nov. 1, 1925, “The Orlando Sentinel” published a full-page advertisement for the new development of Lago Vista.  The ad included the following statement: “Announces the formal opening of their Orlando Office at 223 South Orange Ave. to-morrow, Monday evening, November 2^nd at 8P.M. Good music will be provided, and the public is invited to attend and get acquainted. The office is in charge of Mrs. Myrer and Mrs. Kemp.” On Nov. 2, 1925, the “The Orlando Sentinel” reported, The Orlando office is in charge of Mrs. Myrer and Mrs. Kemp.1,500 lots had already been sold in Tolga Manor and Lago Vista since August, and a bright future is now assured for this new enterprise. There is a total of 4,200 acres with six miles of waterfront, and four miles of Dixie Highway having twenty miles of property facing lagoons. The well for the business section has been completed, flowing 1,000 feet per minute. The Spanish portals near the entrance are nearing completion, and much other construction work is underway” (page 14).

By 1926, Myrer was back in Chicago and working solo. On June 8, 1926, she placed the following want ad in the “Chicago Tribune” –

“WOMEN.

To women who want to earn big money without delay I offer such an opportunity and will co-operate with those who qualify; no canvassing, no soliciting; must be over 21 years. Call on Mrs. Myrer, Suite 1212 105 W. Monroe-st., after 10 a.m.” (page 42). Myers remained a saleslady throughout the late 1920s.

On Oct. 31, 1928, Canadian Immigration Records reported that saleslady Edna S. Myrer arrived in the Port of Sarnia, Ontario, intending to do business with the World Fiber Co in Toronto. In the manifest, Myrer listed her religious affiliation as Christian Science and Mrs. Sosman of Chicago, Illinois, as her nearest relative, defining her relationship as “friend.” At the time of entering Canada, Myrer had $500 cash in her possession.

That same year, Mrs. Sosman also did some travel. On April 22, 1928, the “Chicago Tribune” reported, “Mrs. May P. Sosman of 923 Lafayette parkway has recently returned from a two month’s visit with her son and his family in New Jersey (page 108).”

Arthur Sosman was sick and passed away on Oct. 29, 1929.

The 1930 US Federal Census report listed that both Mrs. Sosman and Mrs. Myrer lived at 923 Lafayette Parkway. Myrer was listed as a lodger, with Sosman head of household. Each widowed, Myrer listed her occupation as a saleslady in “general” industry. Meanwhile, Mrs. Sosman listed her occupation as “practitioner” in the “Christian Science” industry. The 1930 Chicago Telephone Directory listed Mrs. Joe Sosman living at 923 Lafayette Parkway. Myrer was not listed in the directory at this time.

Edna Myrer passed away in Chicago on Sept. 5, 1943, at the age of 64 yrs. old. She is listed in the Cook County, Illinois, Death Index. She was buried on Sept. 8, 1943, at the Acacia Park Cemetery in Norwood Park, Illinois.  At the time of her passing. Edna’s spouse was listed as Johanna.

Three years later, Mrs. Sosman buried her youngest son, Frederic, On Dec 1, 1946, the “Chicago Tribune” published his obituary:

“SOSMAN- Frederic Pinny Sosman Sr., of 800 Buena avenue, Nov. 29, 1946, beloved husband of Zelma Sosman, fond father of Frederic P. Jr., dear son of May P. Sosman. At chapel, 5501 N. Ashland avenue, where services will be held Monday, Dec. 2, at 10 a.m. Interment Graceland” (page 79).

Mrs. May P. Sosman passed away less than three months later on Feb. 15, 1947. She was 89 yrs. old and had buried all of her loved ones, with no one else to care for at the time of her passing.

To be continued…

Copyright © 2022 by Wendy Waszut-Barrett

In 1902, Thomas G. Moses wrote, “Walter C. Hartson and Arthur Barr joined our forces and our work kept on increasing.  We now had an office in the Broadway Theatre Building, a bookkeeper and an office boy, with a very swell uniform.  We were getting very classy. We were also starting a big payroll.”

In 1900, Moses left Sosman & Landis to strike out on his own. In New York, Moses partnered with Will Hamilton to establish Moses & Hamilton. By 1902, they secured the paint room at the 14^th Street Theatre, subsequently increasing their paint frames to six on total. Although their partnership was short lived, it was extremely successful. When Moses returned to Sosman & Landis in 1904, several scenic artists accompanied him, including Barr. Barr only remained in Chicago for a very brief period of time before continuing west. By 1905, he was associated with San Francisco’s Tivoli Opera house and working with Oscar L. Fest.

In California, Barr’s live began to unravel.

When Moses first encountered Barr in New York, he was full of artistic potential, with a beautiful wife and young daughter in tow. A decade later, he died unknown in Louisville, Kentucky. This is such a tragic tale, and I have yet to understand what really happened between 1902 and 1912.

Arthur Leo Barr was born on Feb. 18, 1878, and grew up in Pittsburgh, Pennsylvania. He was the youngest son of John C. Barr (1837-18889) and Sarah A. Toner (1841-1941).  His father was a prominent attorney and newspaper man, listed as a printer in 1880. US Federal Census. That year the Barr children included: Mary (b. 1867), Anna (b. 1869), Maud (b. 1873), J. Carroll (b. 1873), J. Toner (b. 1876), and Arthur (b. 1878). The family affectionately nicknamed Arthur “Tookie.” There is actually a picture of him in paint clothes posted to ancestry.com.

Little is known of Arthur’s childhood, but his father passed away in 1889; he was only eleven years old at the time. By 1896, Arthur was listed as a sign painter in Pittsburgh, living at “McCully, n St. Clair.” That was the same residence of his brother Carroll Barr. His brother J. Toner was also living nearby, at McCully, near Mellon. At the time, Carroll was working as a civil engineer and J. Toner as a draughtsman.

As with most scenic artists at the time, Arthur traveled quite a bit for work, going from one project to another. The photograph referenced above shows that at one tome he worked in St. Louis, Missouri, too. Barr married Annie Rose Bradley (b. 1877) in Mahoning, Ohio on Jan. 13, 1889. Annie was also from Pittsburgh, the daughter Michael Bradley and Margaret Ducker (Dufour in some records). Between 1898 and 1900, the young couple moved to New York.

Over the new few years, the two celebrated the birth of two daughters, Georgeanna and Maude. 

Only Georgeanna survived to adulthood. She was born in New York on March 15, 1900. Her birth certificate listed that her father was employed as a scenic artist that year. In 1900, the Barr family was living in Manhattan at 566 7^th Avenue, alongside other painters, actresses, property men and theatre folk. 20-yrs. old John Boaty and Annie’s 18-yrs. old sister, Maggie Bradley, were living with them.

By 1902, Barr was working for Thomas G. Moses alongside many other well-known scenic artists, including John H. Young, Harry Vincent, Otto Armbruster, Al Roberts, Ed Loitz, and Walter C. Hartson to name a few.

Sometime between 1902 and 1905, Barr headed west without his wife and daughter.  It remains unclear if he abandoned them, or if was no longer able to adequately provide for his family. I wonder if it had something to do with the death of his daughter Maude. To date, I have yet to locate any information about her birth or passing.

By 1905, Barr was working in San Francisco, California. That same year, “Arthur Barr” named as part of the Advertised Letter list in the “Santa Barbara Weekly,” suggesting that he spent some time in the city during 1905 (June 8, 1905, page 8).

By now he was separated from his wife, who had returned to Pittsburgh with their daughter. In 1906 Annie married Charles Edward, a motorman in the Pittsburgh area. Edward’s WWI Draft Registration card described him as tall, thin with blue eyes and light hair. The two remained married until Annie’s passing in 1926. Georgeanna grew up under their care and went on to get married herself. In the end, she cared for her step father in his old age and never left Pittsburgh.

When Georgie was about nine years old, her birth father began faulter in California.

In 1909 Barr was listed in the Los Angeles Directory as an artist, working at the C. F. Thompson Scenic Co., residing at 464 Witmer. However, 464 Witmer was the business address of Charles’ F. Thompson’s scenic studio.  For context, Thompson established his first scenic studio in Chicago, before moving west. Over the years, his established a series of regional branches across the country, including in Dallas, Texas, and Detroit, Michigan. Between 1908 and 1909, the C. F. Thompson Scenic Co. was doing quite well and expanding its studio staff and sales team. In 1909, Barr was working at Thompson Scenic Co. with Ansel Cook, another former Sosman & Landis scenic artist. Projects at that time included a new drop curtain for the Home Theatre in Hutchinson, Kansas. On January 22, 1909, the “Hutchinson Daily Gazette” described the composition: “The center is a redwood scene with stage coach and a group of horsemen approaching a watering place” (page 5).

By the summer of 1909, however, Barr’s mental health faltered. Little is known about the artist at this time, with only newspaper accounts providing some insight.

Barr was living in Santa Barbara when he attempted suicide in Needles, California, that June.

On June 5, 1909, “The Needles Eye” reported, “Attempted Suicide.

Arthur L. Barr who recently came here from Santa Barbara, according to statements made by him, tried to commit suicide last Wednesday afternoon by cutting his wrist with a piece of glass. He had scratched the back of his wrist in several places and the underside of the writs was more or less cut. He struck no vital artery but bleed quite a little. When arrested by the officers he was taken to the office of Dr. D. W. Rees who dressed the wounds after which he was taken to the jail where he remained until the next evening when he was taken to the County Hospital by Deputy Sheriff George Acuna. Barr is a man of about 32 years of age, and seemed to be possessed of his faculties, but a letters he had left behind would indicate he was not in his right mind. The letters read as follows: “My name is Arthur L. Barr, Would like my mother notified in case of sudden death, also Louis Dressler California and Division St. California. “Mrs. Sarah T. Barr, care of G. G. O’Brien 5^th Ave. Pittsburgh. Was to be taken from Priests House at 7 o’clock tonight to be terribly tortured by yags, tramps. Ask Sheriff West will not go out with man Woodruff, or any other Detective Woodruff supposed friend of my brother Tooner [sic.] and Carroll” (page 6).

For additional context, Gerald G. “George” O’Brien was a decorator in Pittsburgh, listed in the 1909 Pittsburgh Directory, 1002 5^th Ave. The 1910 Census listed him as a sign painter, living at Fifth Avenue, with his wife,  children and extended family. O’Brien was likely a close friend of Barr’s from his sign painting days in Pittsburgh.

His brothers J. Toner and Carroll had been actively looking for their brother, sending detectives all over the country. Arthur’s sad tale of attempted suicide did not end in Needles, California. He tried again on his way from Needles to San Francisco. “The San Francisco Chronicle” fully described the sad tale on June 5, 1909 (page 10). The article reported:

“Fails in Two Attempts at Suicide. San Bernardino, June 4. – Arthur L. Barr of Santa Barbara was driven insane by the intense heat at Needles yesterday and attempted suicide by slashing his wrists with a pocketknife. While en route to this city in charge of Deputy Sheriff George Acuna he made a plunge head first through the window of a swiftly moving Santa Fe overland, escaping with slight bruises on the head, though in the fall he went over a fifteen-foot embarkment. Barr, who is a mineral surveyor had been two days on the desert north of Needles. When he found his hands were hanging by threads of flesh. When the train was passing Barstow the officer left Barr alone in the seat. Suddenly the demented man rushed down the car, pursued by Acuna. Seeing a window open he took a header. His severe jolt apparently restored his reason. To-night he talks sanely and regrets his rash attempts.” (page 10).

Barr seems to have temporarily recovered somewhat, enough to continue work as a scenic artist. He remained in California and was listed in the Los Angeles Directory was working for Edwin H. Flagg. The 1911 Los Angeles city directory listed:

“Barr, artist, E. H. Flagg Scenic Co. r 1638 Long Beach av.” I

Interestingly, this was also the address used by C. F. Thompson studio in 1909 want ads for labor – suggesting an alliance, or shared space, between the two studios.

Unfortunately, this was the last listing for Barr. Sometime between 1911 and the summer of 1912, Barr moved from California to Kentucky.  He passed away from tuberculosis at the Waverly Hill Sanatorium in Louisville during the summer of 1912. At the time of his death, no one knew his background or next of kin. As there was no family to claim the body, his remains were donated for medical research at the University of Louisville.

Fortunately, his brothers arrived in town, before Barr’s body was dissected. Their discovery made the headlines across the country.

On August 28, 1912, the story was published in “The Courier-Journal” of Louisville, Kentucky (page 8). The article was entitled, “Body Consigned to Pickling Vat is Recovered By Dead Man’s Relatives.” It reported, “The relatives of Arthur Leo Barr, a scenic artist and member of a prominent family of Pittsburgh, who died at Waverly Hill Sanatorium July 14, were able to take the body yesterday with them to their home city yesterday is due to the fact that the winter semester of the medical department of the University of Louisville has not begun its sessions. The body had been turned over to this department for dissecting purposed, as it is customary in cases where a body is not claimed by relatives or friends within a month after death. J. Toney Barr, a civil engineer, and J. V. Carroll Barr, brothers of the dead man arrived here yesterday, and with the aid of a local  detective department and Dr. Ed Grant, City Health Officer, they were enabled to trace the body of their brother to the morgue of the medical department of the university, where it was found in a good state of preservation.

Barr, who was 34 years old, had not been heard from his relatives for nine years. He is said to have been an artist of ability, but he was of a roving disposition and had refused to give the name of any relative or friend when received at the hospital. Under these circumstances it was impossible to locate his relatives, and it was by accident they heard of his death here.”

Arthur L. Barr was buried at Calvary Cemetery in Pittsburgh.

To be continued…