Travels of a Scenic Artist and Scholar. Theatre Royal, Glasgow, Sept. 16, 2023

Copyright © 2023 by Wendy Waszut-Barrett

Stage door at the Theatre Royal Glasgow.

The front facade, Theatre Royal Glasgow.

Theatre Royal Glasgow, 282 Hope Street.

Mike Hume, Rick Boychuk, and I took the train from Newcastle upon Tyne, England, to Glasgow, Scotland, on Sept. 15. We were scheduled to meet up with Megumi (scenic art tutor at the Royal Conservatoire of Scotland) and visit three theaters. Alan Butland also traveled up from Newcastle to spend time with us on our adventure.

Megumi in front of Wallace Studios, Royal Conservatoire Scotland. We first met at a CITT (Canadian Institute of Theatre Technology) scene painting workshop (2018, St. Catherines, Ontario, Canada).

For our Glasgow visit, Mike scheduled tours at the Theatre Royal, King’s Theatre, and the Citizen’s Theatre (the Citz). Our visit to both the Theatre Royal Glasgow and the King’s Theatre was facilitated by Gary Painter of UK’s Cinema Theatre Association. He could not have been more accommodating or kind!

Gary and Mike at the stage door, Theatre Royal Glasgow.

When all was said and done, we visited seven theaters before hopping a train for Edinburgh that evening.

Our first stop was the Theatre Royal Glasgow.

Auditorium at the Theatre Royal Glasgow.

Ornamental details on the ceiling.

Ornamental details on the boxes.

More Ornamental details with light.

View from the gallery.

Illuminated lettering for aisles.

View from an opera box.

View from the boxes..

Another view of the auditorium.

Backstage at the Theatre Royal Glasgow.

Backstage at the Theatre Royal Glasgow.

Megumi cossing the bridge backstage.

Upstage crossover against the back wall.

The Safety Curtain, Theatre Royal Glasgow.

The safety curtain, Theatre Royal Glasgow.

Detail of safety curtain.

Backside of the safety curtain.

Backside of the safety curtain.

For more information about the Theatre Royal Glasgow, please visit Hume’s website. He did a lovely write-up about the history of the venue. Here is the link:  https://www.historictheatrephotos.com/Theatre/Theatre-Royal-Glasgow.aspx

Mike Hume in action at the Theatre Royal Glasgow. Hume’s theatre photography is not only beautiful, but also informative.

None of our theater visits would have been possible without Hume’s previous visits to the venues, and various relationships that he has cultivated over the years. Thank you again, Mike!

Here are a few of my photographs from our visit on Sept. 13, 2023.

Here is also the link to the Theatre Royal Glasgow’s website:

https://www.atgtickets.com/venues/theatre-royal-glasgow/?utm_source=google&utm_medium=organic&utm_campaign=gmb

To be continued…

Author: waszut_barrett@me.com

Wendy Rae Waszut-Barrett, PhD, is an author, artist, and historian, specializing in painted settings for opera houses, vaudeville theaters, social halls, cinemas, and other entertainment venues. For over thirty years, her passion has remained the preservation of theatrical heritage, restoration of historic backdrops, and the training of scenic artists in lost painting techniques. In addition to evaluating, restoring, and replicating historic scenes, Waszut-Barrett also writes about forgotten scenic art techniques and theatre manufacturers. Recent publications include the The Santa Fe Scottish Rite Temple: Freemasonry, Architecture and Theatre (Museum of New Mexico Press, 2018), as well as articles for Theatre Historical Society of America’s Marquee, InitiativeTheatre Museum Berlin’s Die Vierte Wand, and various Masonic publications such as Scottish Rite Journal, Heredom and Plumbline. Dr. Waszut-Barrett is the founder and president of Historic Stage Services, LLC, a company specializing in historic stages and how to make them work for today’s needs. Although her primary focus remains on the past, she continues to work as a contemporary scene designer for theatre and opera.

One thought on “Travels of a Scenic Artist and Scholar. Theatre Royal, Glasgow, Sept. 16, 2023”

  1. God I would have loved to come along. Unfortunately I doubt my knees would have allowed me to keep up with the walking and the incredible steep stairs in the old auditoriums. I marvel there weren’t multitudes of fatalities in the audience portion of the theatres!

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