Travels of a Scenic Artist and Scholar. Theatre Royal, Bath, Sept. 19, 2023.

Copyright © 2023 by Wendy Waszut-Barrett

After visiting the Theatre Royal, Bristol, Mike Hume, Rick Boychuk, and I headed to Bath. Hume had arranged a tour with Eugene Hibbert, general manager of operations. Here is link to the history of the theatre site and current building: https://www.theatreroyal.org.uk/about/history/

The Theatre Royal, Bath.

The Theatre Royal, Bath.

It was a load-in day for Noises Off, the same touring production that we saw in Newcastle-upon-Tyne. I was amazed that anyone would contemplate giving us a tour during final preparations for opening night. While waiting at the stage door, we watched a few cast members sign in.

The stage door at Theatre Royal, Bath.

Poster for “Noises Off” at the Theatre Royal, Bath.

Despite the flurry of activity throughout the building, Hibbert spent a considerable amount of time with us that day.

Here are a few photos from the theatre and our walk back to the train station:

A view from the stage.

The ornate ceiling.

Ceiling details.

Painted ornament on ceiling.

Proscenium detail.

A view from the gallery.

Wendy Waszut-Barrett, Rick Boychuk , and Mike Hume in the opera box.

This was my last theater visit on our trip to the UK. Although the day began as a dreary one, the sun finally peeked out as we walked back to the train station. I really wished that we were able to spend a little more time that day. Unfortunately, I had an early flight out of Heathrow the next morning. Late that afternoon we headed back to London where we parted ways after dinner. I could not have asked for better travel companions and am really looking forward to our next trip. We will all be at USITT this coming March.

The Pulteney Bridge over the Avon River in Bath, England.

Another view of the Pulteney Bridge over the Avon River in Bath, England.

To be continued…

Author: waszut_barrett@me.com

Wendy Rae Waszut-Barrett, PhD, is an author, artist, and historian, specializing in painted settings for opera houses, vaudeville theaters, social halls, cinemas, and other entertainment venues. For over thirty years, her passion has remained the preservation of theatrical heritage, restoration of historic backdrops, and the training of scenic artists in lost painting techniques. In addition to evaluating, restoring, and replicating historic scenes, Waszut-Barrett also writes about forgotten scenic art techniques and theatre manufacturers. Recent publications include the The Santa Fe Scottish Rite Temple: Freemasonry, Architecture and Theatre (Museum of New Mexico Press, 2018), as well as articles for Theatre Historical Society of America’s Marquee, InitiativeTheatre Museum Berlin’s Die Vierte Wand, and various Masonic publications such as Scottish Rite Journal, Heredom and Plumbline. Dr. Waszut-Barrett is the founder and president of Historic Stage Services, LLC, a company specializing in historic stages and how to make them work for today’s needs. Although her primary focus remains on the past, she continues to work as a contemporary scene designer for theatre and opera.

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