Travels of a Scenic Artists and Scholar. USITT Seattle, March 20-23, 2024.

The United States Institute for Theatre Technology is a membership organization, established in 1960 to advance both knowledge and skills in the areas of design, technology, and production. There are several commissions within USITT that focus on specific areas of the industry, such as scene design and technology, costumes, lighting, sound design, education, engineering, and management. Each commission meets at the annual conference to propose sessions and workshops for the next year. The Scene Design and Technology Commission includes scenic art, properties, safety and health, heritage and more.

A few years back, I was appointed Vice-Commissioner of Heritage in the Scene Design Commission, replacing Arden Weaver when he stepped down from the position.

The 2024 conference is in Seattle, Washington (March 20-23). I am one of two presenters for Lies and Misrepresentation Behind the Curtain, a 60-minute session sponsored by the Scene Design and Technology Commission.

Our session is in room 608 at the Seattle Convention Center on Friday, March 22, 2024 (10:00 AM – 11:00 AM). My co-presenter is Ruben Arana of Florida A&M University. We proposed this session last year after meeting meeting for the first time; sitting next to one another at the the Commission meeting.

Our session looks at the history of underrepresented people of color and women in the 19th and early 20th century, sharing the stories of four specific individuals. If you are attending the conference this year, please consider joining us!

For more information about the United States Institute for Theatre Technology, visit www.usitt.org

Author: waszut_barrett@me.com

Wendy Rae Waszut-Barrett, PhD, is an author, artist, and historian, specializing in painted settings for opera houses, vaudeville theaters, social halls, cinemas, and other entertainment venues. For over thirty years, her passion has remained the preservation of theatrical heritage, restoration of historic backdrops, and the training of scenic artists in lost painting techniques. In addition to evaluating, restoring, and replicating historic scenes, Waszut-Barrett also writes about forgotten scenic art techniques and theatre manufacturers. Recent publications include the The Santa Fe Scottish Rite Temple: Freemasonry, Architecture and Theatre (Museum of New Mexico Press, 2018), as well as articles for Theatre Historical Society of America’s Marquee, InitiativeTheatre Museum Berlin’s Die Vierte Wand, and various Masonic publications such as Scottish Rite Journal, Heredom and Plumbline. Dr. Waszut-Barrett is the founder and president of Historic Stage Services, LLC, a company specializing in historic stages and how to make them work for today’s needs. Although her primary focus remains on the past, she continues to work as a contemporary scene designer for theatre and opera.

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