Travels of a Scenic Artist and Scholar: From Settle to Buxton, England. August 4,  2024

Copyright © 2024 by Wendy Waszut-Barrett

This particular post is about our journey from Settle to Buxton in England. What could have been less than a 3-hrs.-drive, took us all day long. Overall, it was quite an exciting day.

Starting with our morning visit to Victoria Hall (see yesterday’s post), we hiked to Scaleber Foss (waterfalls), explored Skipton’s Castle, enjoyed a Sunday Roast in Kelbrook (village in Lancashire), dropped Grit Eckert off at the train station in Manchester, visited The Plaza in Stockport, and snuck into Buxton’s Opera House (during intermission of HMS Pinafore). It was an absolutely amazing day and I will share some photos from each leg of our journey.

For geographical context, here is a map of our travels on August 4, 2024.

Screenshot

After visiting Victoria Hall that morning, we enjoyed coffee and some Victoria cake before visiting the local scenic attraction known as  Scaleber Foss. We travel a bit like Hobbits; first breakfast, second breakfast, elevenses, and so forth. It makes up for the energy spent tromping across towns and in theaters.

The one-lane road from Scaleber Foss to Settle.

Also known as Scaleber Force, it is a 40-ft. high waterfall on Stockdale Beck, flowing into the River Ribble between Settle and Long Preston in the North Yorkshires. Sounds a bit like fairytale locations, right? The landscape is enchanting even on a cloudy day.

Although the water is much more forceful in spring, late summer slows the stream down to a trickle, a series of gentle cascades.  Over time, water has eroded the limestone, carving out giant steps that lead to the base of the ravine.

Scaleber Foss near Settle.
Scaleber Foss near Settle.

I was surprised to discover that some believe Scaleber Foss was inspirational to Edward Elgar; he walked the countryside with his friend Dr. Buck, of Settle.

Despite overcast skies, the serene landscape, tumbling waterfall, steep footpath, and dense foliage were magical. The water was so pleasantly cool that I couldn’t resist going barefoot in the stream. 

View from the footpath to Scaleber Foss.
The surrounding landscape near Scaleber Foss.

Our next stop was Skipton Castle, known as one of the best-preserved medieval castles in England. Atop a rocky bluff, high stone walls are quite formidable to those below.

Visiting Skipton Castle with Grit Eckert and Mike Hume on August 4, 2024.
Skipton Castle

At over 900 years old the Skipton Castle is still fully roofed and contains Lady Ann Clifford’s ancient yew tree in the Early Tudor Courtyard.

I was especially taken with the castle’s Conduit Courtyard. According to guidebooks, “It is formed by a range of domestic buildings which survive unaltered and intact from early Tudor times.” In the center, a stone bench surrounds an ancient yew tree, planted by Lady Anne Clifford in 1659.

The Conduit Courtyard with yew tree planted by Lady Anne Clifford in 1659.
Another view of the Conduit Courtyard near the yew tree.
Detail from the Conduit Courtyard.

Here are a few more photographs from our visit to Skipton Castle.

The grounds surrounding Skipton Castle.
View from the Watch Tower at Skipton Castle.
The Banqueting Hall at Skipton Castle.
Mike Hume (for scale) in the fireplace.
One of three ovens (this one used with coals) in the kitchen at Skipton Castle.
The Lord’s Dayroom at Skipton Castle

We were all able to enjoy an early dinner – Sunday roast – before heading on to Manchester where Grit grabbed a train back to London. Mike and I were now headed to out next destination – Buxton, as the next morning we were touring another Opera House.

On a whim, Mike suggested that we stop at Stockport and visit The Plaza Amazingly, he was able to get us in for a quick tour from a head usher after the show let out.

What a treat!  

The Plaza in Stockport.
View of the flytower at the Plaza, Stockport.
The Plaza, Stockport.
The Plaza, Stockport.
The Compton organ at the Plaza, Stockport.

Our visit took place just before the new House Tabs were installed.

Old House Tabs at the Plaza, Stockport.

Then we were off to Buxton.  Little did we know, but the town was bursting with visitors, many attending  the 30th International Gilbert & Sullivan Festival. Had we only known, tickets would have been purchased in advance! This festival is now officially on my bucket list with Andrew and Aaron.

The Gilbert & Sullivan line-up for August 4, 2024. The festival ran from July 27-August 10, 2024.
Schedule for the 30th International Gilbert & Sullivan International Festival, 2024.
The Buxton Opera House during the International Gilbert & Sullivan Festival.
Storage containers for various productions at the Buxton Opera House for the 30th International Gilbert & Sullivan Festival.

It was an absolutely lovely evening as we wandered around the opera house. Occasionally a few lyrics from H. M. S. Pinafore interrupted the quiet night.

After lurking about until intermission, we were able to sneak in through a side door to see what the house looked like full of people. No, we didn’t stay for the second act. It was a sold-out show.

A full house for H. M. S. Pinafore at the Buxton Opera House.
The Buxton Opera House on the evening of August 4, 2024.
The park near adjacent to the Buxton Opera House.
The Garden Pavillion, attached to the Buxton Opera House.

My next post will be about the Buxton the Opera House.

To be continued…

Author: waszut_barrett@me.com

Wendy Rae Waszut-Barrett, PhD, is an author, artist, and historian, specializing in painted settings for opera houses, vaudeville theaters, social halls, cinemas, and other entertainment venues. For over thirty years, her passion has remained the preservation of theatrical heritage, restoration of historic backdrops, and the training of scenic artists in lost painting techniques. In addition to evaluating, restoring, and replicating historic scenes, Waszut-Barrett also writes about forgotten scenic art techniques and theatre manufacturers. Recent publications include the The Santa Fe Scottish Rite Temple: Freemasonry, Architecture and Theatre (Museum of New Mexico Press, 2018), as well as articles for Theatre Historical Society of America’s Marquee, InitiativeTheatre Museum Berlin’s Die Vierte Wand, and various Masonic publications such as Scottish Rite Journal, Heredom and Plumbline. Dr. Waszut-Barrett is the founder and president of Historic Stage Services, LLC, a company specializing in historic stages and how to make them work for today’s needs. Although her primary focus remains on the past, she continues to work as a contemporary scene designer for theatre and opera.

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