Travels of a Scenic Artist and Scholar: From Buxton to Brecon, August 5-6,  2024

Copyright © 2024 by Wendy Waszut-Barrett

I am going to cover a lot of ground in this post. From the morning of August 5 to the evening of 6, 2024, we ran on a tight schedule as we traveled from Buxton, England, to Brecon, Wales. In the end we visited seven theaters in two days: Buxton Opera House, Chatsworth House Theatre, Sheffield’s Lyceum Theatre, Nottingham’s Theatre Royal & Royal Concert Hall, Nottingham Playhouse, and Cheltenham’s Everyman Theatre.

On our way from Skipton to Nottingham, we opted to take a chance at the Lyceum Theatre in Sheffield, without an invitation.  There are no other words for our impromptu visit to the Lyceum other than “lucky.”

Lyceum Theatre, Sheffield, England.

Fortunately, Mike had already photographed the Lyceum, so this was our foot in the door. With the promise of “no photography” (due to a major touring production) we were soon ushered into the space for an amazing tour. Here are Mike Hume’s page on Sheffield’s Lyceum Theatre: https://www.historictheatrephotos.com/Theatre/Lyceum-Sheffield.aspx

Screenshot

On the morning of August 6, we headed into Nottingham for our first stop at the Theatre Royal. Our appointment was scheduled an hour before the crew was called, so we could see the safety curtain. Here are a few pictures of the space:

Theatre Royal, Nottingham, England.
Theatre Royal, Nottingham, England.
Theatre Royal, Nottingham, England.

An unexpected bonus was heading next door to see the Royal Concert Hall. Amazingly, this was the one time of the year that they perform maintenance on the orchestra shell – phenomenal site!

Royal Concert Hall, Nottingham, England.
Royal Concert Hall, Nottingham, England.

Our next visit was to the paint shop at the Nottingham playhouse.

Nottingham Playhouse.
Nottingham Playhouse.
Nottingham Playhouse.

Clair Thompson, Emily Hackett, and Erin Heming had all attended my Distemper Painting Workshop at the Tyne Theatre & Opera House from July 30-August 1, 2024. I also want to make it clear that we had more than one invitation from both workshop participants and conference attendees; we just couldn’t fit everything into our schedule. This visit was only possible because it was only a short walk from the Theatre Royal & Royal Concert Hall.

Left to right: Erin Fleming, Bronwen Herdman, Jodie Whitchurch, Anna Roberts, Emily Hackett, Claire Thompson and Wendy Waszut-Barrett.

Claire Thompson’s shop may be one of the friendliest spaces that I have entered in quite sometime.  Although, bustling with activity, there was a concerted effort to stop and welcome us with coffee/tea and biscuits (cookies). Those is charge frequently set the tone; Claire’s kindness radiates and is reflected by those around her. I will tell you one thing, if I ever move to Nottingham, I want to work with the women from this shop.

Anna Roberts, Jodie Whitchurch, and Claire Thompson.

Despite our busy schedule, Mike and I made time to visit two tourist attractions (my request).  The first was Robin Hood’s statue at Nottingham Castle; it was the tale of Robin Hood that peaked my mom’s interest in history, a passion that she passed down to me.

Robin Hood Statue at the base of Nottingham Castle.

Our second quick visit was to Old Ye Olde Trip to Jerusalem 1189 AD, purportedly the oldest inn in England.

Ye Olde Trip to Jerusalem at the base of Nottingham Castle.

After Nottingham, Mike and I drove to Cheltenham where we had an afternoon appointment at the Everyman Theatre. This tour truly exceeded all our expectations. We were all over the building! Here are a few photos from our visit.

Everyman Theatre, Cheltenham, England.
Everyman Theatre, Cheltenham
Everyman Theatre, Cheltenham
Everyman Theatre, Cheltenham

When Mike Hume creates pages for the abovementioned at Historic Theatre Photography, I will share the links HERE.

After Cheltenham, we we were on our way to Wales.

We made it to Wales!
Crossing the River Usk at Crickhowell, Wales.
Near Talybont-on-usk, Wales.
Near Talybont-on-usk, Wales.
Arriving in Becon, Wales, on the evening of August 6, 2024.

By early evening we were enjoying dinner at the Hotel Wellington. My next few posts will be about the Adelina Patti Theatre in Craig Y Nos, Wales.

Duke of Wellington Statue in front of St. Mary’s Church, Brecon, Wales. 6 August 2024.

To be continued…

Author: waszut_barrett@me.com

Wendy Rae Waszut-Barrett, PhD, is an author, artist, and historian, specializing in painted settings for opera houses, vaudeville theaters, social halls, cinemas, and other entertainment venues. For over thirty years, her passion has remained the preservation of theatrical heritage, restoration of historic backdrops, and the training of scenic artists in lost painting techniques. In addition to evaluating, restoring, and replicating historic scenes, Waszut-Barrett also writes about forgotten scenic art techniques and theatre manufacturers. Recent publications include the The Santa Fe Scottish Rite Temple: Freemasonry, Architecture and Theatre (Museum of New Mexico Press, 2018), as well as articles for Theatre Historical Society of America’s Marquee, InitiativeTheatre Museum Berlin’s Die Vierte Wand, and various Masonic publications such as Scottish Rite Journal, Heredom and Plumbline. Dr. Waszut-Barrett is the founder and president of Historic Stage Services, LLC, a company specializing in historic stages and how to make them work for today’s needs. Although her primary focus remains on the past, she continues to work as a contemporary scene designer for theatre and opera.

One thought on “Travels of a Scenic Artist and Scholar: From Buxton to Brecon, August 5-6,  2024”

  1. I’m enjoying every one of these posts!
    Such a great trip and such a fine exploration of so many of the U.K.’s fascinating historic theatres… thank you for all your efforts in recording the journey. 👏👏👏

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