Tales from a Scenic Artist and Scholar. Part 570 – Cleopatra at Kansas City’s Electric Park

Part 570: Cleopatra at Kansas City’s Electric Park

In 1907, Thomas G. Moses wrote that he did one project “outside in the Electric Park.” He noted that it was a small Cleopatra production.

Main Entrance to Electric Park in Kansas City, Missouri

The Electric Park that Moses worked at was the second amusement park constructed by Joseph, Michael, and Ferdinand Jr. Heim, of Heim Brothers Brewery. It opened to the public May 19, 1907, and remained in operation until 1925 when it burned to the ground. The first Electric Park in Kansas City constructed by the Heim Brothers was built next to the Heim Brewery in 1899. At the time, Heim Brothers Brewery was the largest brewery in the world.

Heim Brewery in Kansas City, Missouri
Heim Brewery with the first electric park in the distance.

The first Electric Park was open from 1899-1906. When the first park closed, some of the attractions were moved to the second Electric Park. Both parks were known for their illuminated buildings and considered trolley parks.

A scene from the first Electric Park in Kansas City, Missouri. The brewery in pictured in the distant right background.

Known as Kansas City’s Coney Island, the second Electric Park was served by the Troost Avenue, Woodland Avenue, and Rockhill lines of the Metropolitan Street Railway Company. The park featured band concerts, vaudeville theatre, a natatorium (outdoor swimming area), boat tours, soda fountains and ice cream shops. A variety of attractions included, an electric fountain, a ballroom, a German Village, and alligator farm, boat tours, and old mill ride, a scenic railway, a shooting gallery, ice cream shops, an air gun gallery, Chutes, Dips Coaster, Norton Slid, Hale’s Tour of the World, a Temple of Mirth, Flying Lady, Double Whirl, a carousel, pool room, penny parlors, Casino 5 Cent Theatre, fortune telling, palmistry, a covered promenade and horseless buggy garage.

A postcard of Electric Park in Kansas City, Missouri
The same scene at night. A postcard of Electric Park in Kansas City, Missouri

In 1911, one million people visited Electric park, averaging 8000 visitors a day during the season. It was the second Electric Park, however, that would prove inspirational to Walt Disney when he designed Disneyland.

A postcard of Electric Park in Kansas City, Missouri
A postcard of Electric Park in Kansas City, Missouri
A postcard of Electric Park in Kansas City, Missouri
A postcard of Electric Park in Kansas City, Missouri

When the park burned to the ground in 1925, a young Walter Cronkite witnessed the event. In his 1996 memoirs, “A Reporter’s Life” he wrote, “Our hill overlooked, a half dozen blocks away, Electric Park…One night after closing it burned in a spectacular fire. The Ferris wheel seemed to turn as the flames climbed up its sides. The grease caught fire on the two parallel tracks of the Greyhound Racer roller coaster, and twin blazes raced up and down with the speed of the cars that once toured the Disorderly conduct tumultuous circuit…”

To be continued…

Author: waszut_barrett@me.com

Wendy Rae Waszut-Barrett, PhD, is an author, artist, and historian, specializing in painted settings for opera houses, vaudeville theaters, social halls, cinemas, and other entertainment venues. For over thirty years, her passion has remained the preservation of theatrical heritage, restoration of historic backdrops, and the training of scenic artists in lost painting techniques. In addition to evaluating, restoring, and replicating historic scenes, Waszut-Barrett also writes about forgotten scenic art techniques and theatre manufacturers. Recent publications include the The Santa Fe Scottish Rite Temple: Freemasonry, Architecture and Theatre (Museum of New Mexico Press, 2018), as well as articles for Theatre Historical Society of America’s Marquee, InitiativeTheatre Museum Berlin’s Die Vierte Wand, and various Masonic publications such as Scottish Rite Journal, Heredom and Plumbline. Dr. Waszut-Barrett is the founder and president of Historic Stage Services, LLC, a company specializing in historic stages and how to make them work for today’s needs. Although her primary focus remains on the past, she continues to work as a contemporary scene designer for theatre and opera.

Leave a Reply

Your email address will not be published. Required fields are marked *