Tales from a Scenic Artist and Scholar. Part 673 – Charles E. Rosenbaum and Little Rock, Arkansas

Part 673: Charles E. Rosenbaum and Little Rock, Arkansas

Bestor G. Brown arrived in Chicago during 1892, and by 1894 he was working as a traveling salesman for fraternal supplier E. A. Armstrong Manufacturing Co. of Chicago. 1892 was also a significant year for the Little Rock Scottish Rite as the Bodies were reorganized. At the time, their was a total membership of only 18. Over the course of three years the Little Rock Scottish Rite would gain 84 32nd degree Masons in their Consistory, with a total membership of 115.

When the Little Rock Bodies reorganized in 1892, there was not a single piece of paraphernalia to confer the degrees. Within a very short time, the Little Rock Scottish Rite went from nothing to fully-staged degree productions with hundreds of members. During the period from October 23, 1891, until February 21, 1895 the Little Rock Scottish Rite received $11,357, of which $3,627.46 was spent for paraphernalia and another $367.10 for fixtures and furniture. For the 1895 Fall Reunion in Little Rock, the Scottish Rite announced, “We are well equipped with paraphernalia for the proper conferring of these beautiful degrees.” That year the Little Rock Scottish Rite would plan for the construction of a new home. The last reunion held in the Masonic Temple was during the summer of 1896, with the plan that the fall reunion would be held at their new home.

Scottish Rite stage pictured in Little Rock, Arkansas, in 1899 Reunion Program

In 1896 an existing Little Rock building was renovated to include a stage. Located on Center Street between Third and Fourth Street, the structure was constructed as a Jewish synagogue. The building was remodeled and equipped for a total of $12,000, allowing the growing membership room to expand and stage portions of their degree work. By 1898 changes continued to be made to the building, especially in the areas of additional scenic and electrical effects.

Little Rock’s Fall Reunion program of 1898 praised the new scenery acquisitions, commenting, “The building has the same appearance outside as when you saw it last, but when you enter the auditorium, don’t beat a retreat – thinking you are in the wrong place – it may take you a moment or two to become accustomed to the great change in the interior, but you will soon feel home again, and will enjoy a will enjoy to a much greater extent the exemplification of the various degrees, assisted so materially by additional scenic and electrical effects, on which neither labor or expense have been spared, to the end that it might be the most perfect to produce” (“Fall Reunion Program” Albert Pike Scottish Rite Cathedral, 1898). This second scenery collection was again delivered by Sosman & Landis. As with many Valleys, the skyrocketing membership demanded a larger facility, so a second building was constructed, moving the Scottish Rite from Center Street to the northwest corner of 8th and Scott.

Backstage area picture in 1904 Little Rock Scottish Rite Reunion program.
Brown’s special counterweight system from Little Rock, Arkansas, now still in use at the Pasadena Scottish Rite.
Looking up at Brown’s special system arbors (left) and bottoms of backdrops (right)

The Albert Pike Consistory Building was dedicated on September 18, 1902, With Charles E. Rosenbaum, as Sovereign Grand Inspector General in Arkansas, presiding over the dedication ceremonies, with Bestor G. Brown giving an address. At the time, Brown was the Deputy Grand Master of the Grand Lodge of Kansas. By 1905, the Little Rock Consistory building was christened the “Gem of the Southern Jurisdiction.” Within the first decade of use, however, the Little Rock Scottish Rite Bodies were already outgrowing their home. The Albert Pike Consistory was remodeled and enlarged by 1913. The expansion of the Albert Pike Consistory Building incorporated the 1902 building into the complex, but added a projecting front bay and triangular pediment, supported by four fluted Ionic columns. The Little Rock Scottish Rite remained in this space until their move to the Albert Pike Memorial Temple in 1924.

In 1919, the Grand Lodge of Arkansas building burned, prompting discussions concerning a new home to house the Grand Lodge of Arkansas, two Blue Lodges, the Scottish Rite and the York Rite. This magnificent edifice would span an entire city block and contain 156,00 square feet.
On May 12, 1924 the new building was dedicated the “Albert Pike Memorial Temple.”  This is the current home of the Little Rock Scottish Rite.

When the Scottish Rite left the Albert Pike Consistory building for the Albert Pike Memorial Temple building, the 1902 Little Rock scenery collection was split between the Valley of Pasadena and the Valley of Miami. It is possible that elements from the original 1896 and 1899 installations made up a portion of the collection. At the time, many Scottish Rite theaters retained certain scenes, even when purchasing brand new collections. The stage aesthetic remained constant, and certain scenes were cherished by the membership.

The Little Rock collection included approximately 100 drops and over 100 scenic pieces (flats, profile pieces and ground rows). When the scenery was divided for Miami and Pasadena, additional scenes were added at the time. Over the years, Pasadena continued to add scenic elements, yet seldom removed any backdrops. They also did not replace their entire counterweight system. Brown’s special system only remains in Pasadena, the Miami Scottish Rite having replaced their stage machinery and original drops.

There is no question that many of the backdrops in Pasadena came from the Albert Pike Consistory building. Original charcoal labels and shipping stencils denote “Little Rock” as the delivery destination. Furthermore, one bottom batten includes the Scottish Rite recipient, Charles E. Rosenbaum. There are also two scenes in the current Pasadena collection that exactly match two photographs included in the 1904 Little Rock Scottish Rite spring reunion program- King Cyrus’ throne room and the camp scene. This makes the Pasadena Scottish Rite extremely significant in not only theater history, but also the history Scottish Rite Freemasonry. It holds some of the earliest stage elements used in the Southern Jurisdiction. The collection in Pasadena is part of Charles E. Rosenbaum’s and Bestor G. Brown’s legacy.

Kin Cyrus scene pictured in Little Rock Scottish Rite Reunion program, 1904
Same Little Rock backdrop with fabric extensions in the Pasadena Scottish Rite

The “Scottish Rite Orient of Arkansas” website explains, “Brother Rosenbaum’s service to the Scottish Rite remains unmatched since his death.  Successive generations and thousands of Masons have enjoyed and continue to enjoy the many improvements and innovations that he infused into our great fraternity.  The Scottish Rite of Arkansas has always felt honored and privileged to have had Albert Pike as one of our own and his contributions are countless but we are also thankful to have had Brother Rosenbaum for his innumerable contributions to our Craft.” One of the greatest contributions that Rosenbaum personally oversaw still exists – the stage machinery and scenery now in Pasadena.

To be continued…

Author: waszut_barrett@me.com

Wendy Rae Waszut-Barrett, PhD, is an author, artist, and historian, specializing in painted settings for opera houses, vaudeville theaters, social halls, cinemas, and other entertainment venues. For over thirty years, her passion has remained the preservation of theatrical heritage, restoration of historic backdrops, and the training of scenic artists in lost painting techniques. In addition to evaluating, restoring, and replicating historic scenes, Waszut-Barrett also writes about forgotten scenic art techniques and theatre manufacturers. Recent publications include the The Santa Fe Scottish Rite Temple: Freemasonry, Architecture and Theatre (Museum of New Mexico Press, 2018), as well as articles for Theatre Historical Society of America’s Marquee, InitiativeTheatre Museum Berlin’s Die Vierte Wand, and various Masonic publications such as Scottish Rite Journal, Heredom and Plumbline. Dr. Waszut-Barrett is the founder and president of Historic Stage Services, LLC, a company specializing in historic stages and how to make them work for today’s needs. Although her primary focus remains on the past, she continues to work as a contemporary scene designer for theatre and opera.

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