Tales from a Scenic Artist and Scholar. Part 674: Henry Wallenstein and the Scottish Rite in Wichita, Kansas

Part 674: Henry Wallenstein and the Scottish Rite in Wichita, Kansas

In 1898, Little Rock Scottish Rite purchased more scenery, effects and lighting for their degree. That same year another Scottish Rite building with stage was dedicated in the region – Wichita, Kansas. “The Wichita Daily Eagle” commented on the rapid growth of the Scottish Rite in Wichita, a very similar situation to the Little Rock Scottish Rite from 1891 to 1899. (6 Nov 1898, page 13). The newspaper article reported, “The pyrotechnic career of the local organization of Scottish Rite Masonry is so really marvelous and brilliant that a brief recapitulation must be of interest to all readers. Its embryonic state was commonplace and primeval enough. Eleven years ago the co-ordinate bodies in this valley were organized with twelve charter members. They then met in the Hacker and Jackson block corner Douglas Avenue and Fourth, in lowly quarters. In January, 1891, having 92 members, the Cathedral property, corner of Market and First streets, was purchased of the First Baptist church society, and fitted up for exclusive Scottish Rite purposes. From that date, the advancement was so rapid that it was very soon it became evident that those accommodations were entirely inadequate and it was talked among members to erect a new edifice on that site….The result is that right here in Wichita is located one of the most completely equipped and magnificent Temples entirely devoted to Masonry any where in the southern jurisdiction.” By 1908, there were 412 members,

Bestor G. Brown set his sites on this new project after outfitting the stage at the 1896 Albert Pike Cathedral in Little Rock, Arkansas. The scenery for the stage was subcontracted to Sosman & Landis. In addition to representing E. A. Armstrong Manufacturing Co. of Chicago in 1898, Brown was the stage director for the Wichita Consistory. This allowed him to speak with his Scottish Rite clients in Kansas from a unique position and deep understanding of the demands for various degrees. Even though Brown’s his primary residence was in Chicago from 1892 to 1898, he remained active in Kansas Masonry. As a traveling salesman, Brown’s returning to Kansas for a Scottish Rite reunion twice each year helped fraternal sales.

In Wichita, Brown recommended the purchase of a building for their Scottish Rite, just a he had in Little Rock, Arkansas. The renovation of an existing building was far less costly than the construction of an entirely new structure. As with Little Rock, the renovation included a theater space. The Valley of Wichita purchased the Young Men’s Christian Association for during January 1898, and extensively remodeled the space to include a 300-seat auditorium. $15,000 was spent on the inclusion of a stage, scenery and other necessary paraphernalia.

The Wichita Scottish Rite before the addition
The Wichita Scottish Rite before the addition
The Wichita Scottish Rite after the addition
Postcard of the completed Wichita Scottish Rite

Brown was not alone in this endeavor. There was a second Scottish Rite Mason from Wichita to greatly aided in promoting the theatrical interpretation of Scottish Rite degree work- Henry Wallenstein, a 33rd degree and Grand Cross. In Wichita, Wallenstein was the Director of the Work. Born in Cincinnati, Ohio, Wallenstein moved to Wichita at the age of twenty-seven and entered the mercantile business, becoming a co-owner of the business by 1886. He came from a city that was well-known for staged degree productions and beautiful Masonic theaters. As with Brown, Wallenstein became a well-known “staging expert” for the Scottish Rite degrees. His contributions to the successful dramatization of degree work were recognized as an outstanding achievement in Masonry.

Wallenstein was a Deputy of the Supreme Council in Kansas during 1909 when the second Scottish Rite building was dedicated on November 19. From the modest 300-seat auditorium of 1898, the Wichita Scottish Rite constructed a 1500-seat auditorium. Located on Seventh Street and Ann Avenue in Wichita, the dimensions of the complex were 138 feet long, 65 feet wide, and 78 feet high. Towering four stories over the area, the building was exclusively constructed for Masonic uses. By 1910, there were 2,400 Scottish Rite Masons holding membership in Wichita Consistory No. 2. That same year, the “Wichita Daily Eagle” reported, “Wichita Consistory is now without peer throughout the southern grand Masonic jurisdiction in the high quality of the dramatic work placed and staged before yearly increasing classes; and in numerical membership, and ranks high among other cities of the world. It boasts the costliest cathedral exclusively dedicated to Masonry, in the world” (3 July 1910, page 5). The article continued, “To Henry Wallenstein as to no other one man, belongs the most credit for any single individual…For ten years Mr. Wallenstein has been the Director of the Work, his fine dramatic personality, rare histrionic conceptions, pecularly [sic.] fitting him for this trying position.”

The 1909 stage measured 60 feet wide by 35 feet deep, necessitating all new scenery and stage equipment, including Brown’s special system. By this time, Brown was the western sales manager for M. C. Lilley and a Past Grand Master of the Grand Lodge of Kansas. He was well-respected throughout the country and known as the only Masonic stage carpenter in the United States.

Stage machinery currently at the Wichita Scottish Rite
The original counter weight system for the Wichita Scottish Rite now in Yankton, South Dakota.

The 1898 scenery and stage machinery in Wichita were returned to M. C. Lilley & Co. for credit on the purchase of their new collection. Only a few pieces were retained; the seventeenth degree visions drops were enlarged and are still used today. Keep in mind that in 1909 Brown’s special system was the standard counterweight system delivered by Sosman & Landis, subcontracted by M. C. Lilley & Co. It likely replaced their previous counterweight system. The used system and stage machinery were then sold to another Scottish Rite Valley – Yankton, South Dakota.

Brown’s special system currently in Wichita, Kansas
Fabric wrapped counterweight that was originally used at the Wichita Scottish Rite, now in Yankton, South Dakota

It remains uncertain as to what the 1896 stage machinery delivered to Little Rock, Arkansas looked like, but it likely was similar to what was delivered to Wichita in 1898 and is now at the Scottish Rite in Yankton, South Dakota. The rigging system delivered to the Yankton Scottish Rite is an interesting blend of elements, including a pinrail and cloth-wrapped iron weights, resembling sand bags. There is no question that the scenery delivered to the Scottish Rite in Yankton was the original Wichita Scenery. As is the case in Pasadena with the Little Rock collection, the Wichita scenery was clearly marked with shipping notes on the sandwich battens and “Wichita” as the first destination written on the back of many drops. The same writing is still apparent in Wichita on a few enlarged scenes that remained at the venue. This makes the scenery in Yankton, the earliest known example of a counterweight rigging system used in the Southern Jurisdiction.

 

To be continued…

Author: waszut_barrett@me.com

Wendy Rae Waszut-Barrett, PhD, is an author, artist, and historian, specializing in painted settings for opera houses, vaudeville theaters, social halls, cinemas, and other entertainment venues. For over thirty years, her passion has remained the preservation of theatrical heritage, restoration of historic backdrops, and the training of scenic artists in lost painting techniques. In addition to evaluating, restoring, and replicating historic scenes, Waszut-Barrett also writes about forgotten scenic art techniques and theatre manufacturers. Recent publications include the The Santa Fe Scottish Rite Temple: Freemasonry, Architecture and Theatre (Museum of New Mexico Press, 2018), as well as articles for Theatre Historical Society of America’s Marquee, InitiativeTheatre Museum Berlin’s Die Vierte Wand, and various Masonic publications such as Scottish Rite Journal, Heredom and Plumbline. Dr. Waszut-Barrett is the founder and president of Historic Stage Services, LLC, a company specializing in historic stages and how to make them work for today’s needs. Although her primary focus remains on the past, she continues to work as a contemporary scene designer for theatre and opera.

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