Tales from a Scenic Artist and Scholar. Part 689 – M. C. Lilley & Co. Lighting for Scottish Rite Stages

Part 689: M. C. Lilley & Co. Lighting for Scottish Rite Stages

 Any painting can be destroyed in an instant with poor lighting. It does not matter how beautiful the composition, or the painted aesthetic; if the person designing ot running the lights does not understand two-dimensional scenes it doesn’t matter.

Lighting for the Scottish Rite stage in Austin, Texas.

During a 1913 New York Dramatic Mirror interview with scenic artist Ernest Albert, he explained that a scenic artist’s function did not cease until the scenery was all installed and the lighting arrangements completed. He commented, “Lighting is within his province, just as groupings are in a measure. An unexpected orange light on violet, for instance, will produce a russet brown that will make everything look dirty. It is true that in the days of gas lighting much softer effects were possible, but I will sacrifice all of the advantages of mellow light for safety…Anyway, we are now avoiding many of the hard qualities of the electric light by greater use of ambers, straw colors, and pinks.”

A pamphlet produced by the M. C. Lilley & Co. for Scottish Rite stages during the early twentieth century commented, “The lighting equipment of a stage used for Scottish Rite purpose is very important. No matter how well the scenery may be executed, much of its effect will be lost without proper lighting. The equipment should be complete and in no department should a false economy produce a lack of capacity.”

In 1900, the following lighting equipment was delivered to the Scottish Rite stage in Guthrie, Oklahoma.

Four (4) Borders

Four (4) portable ground rows

Two (2) Strip rows

Two (2) Bunch lights

One (1) Slate switch board, full fused, containing 1 main, 3 Service and 32 subordinate double contact knife switches – 36 switches in all; connections on board all made

 

In 1912, the following lighting equipment was delivered to the Scottish Rite stage in Santa Fe, New Mexico:

 

Six (6) Border Rows

Six (6) Ground Rows

Two (2) Strip lights

One (1) Dimmer plant

One (1) Switch board

One (1) Arc spot light

One (1) Arc reflector

Two (2) Metal bunch lights

Eight (8) Framed gelatins

 

To be continued…

Author: waszut_barrett@me.com

Wendy Rae Waszut-Barrett, PhD, is an author, artist, and historian, specializing in painted settings for opera houses, vaudeville theaters, social halls, cinemas, and other entertainment venues. For over thirty years, her passion has remained the preservation of theatrical heritage, restoration of historic backdrops, and the training of scenic artists in lost painting techniques. In addition to evaluating, restoring, and replicating historic scenes, Waszut-Barrett also writes about forgotten scenic art techniques and theatre manufacturers. Recent publications include the The Santa Fe Scottish Rite Temple: Freemasonry, Architecture and Theatre (Museum of New Mexico Press, 2018), as well as articles for Theatre Historical Society of America’s Marquee, InitiativeTheatre Museum Berlin’s Die Vierte Wand, and various Masonic publications such as Scottish Rite Journal, Heredom and Plumbline. Dr. Waszut-Barrett is the founder and president of Historic Stage Services, LLC, a company specializing in historic stages and how to make them work for today’s needs. Although her primary focus remains on the past, she continues to work as a contemporary scene designer for theatre and opera.

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