Tales from a Scenic Artist and Scholar. Part 691 – The Fort Scott Scottish Rite, 1904

Part 691: The Fort Scott Scottish Rite, 1904

 I have been exploring the lighting specified for Scottish Rite stages during the first decade of the 20th century. Another example of a Scottish Rite stage using white red and green lights was Fort Scott, Kansas. The Fort Scott Tribune and the Fort Scott Monitor published an article on April 30, 1904 describing the opening of the Scottish Rite Cathedral and dedication ceremony.

Postcard depicting the 1904 Fort Scott Scottish RIte

Bestor G. Brown, Past Grand Master for the state of Kansas, gave an address during the event. Nespapers reported, “He made a fine impromptu talk which reflected great credit on his ability as an entertainer. He amused the audience and kept the guests in good humor all the time. In addition to his princely proclivities in this respect Mr. Brown is an orator and has a fine command of English.

“A Temple of Liberty.

Scottish Rite Cathedral Dedicated Last Night.

Fitting Ceremonies.

Hundred of People in Evening Dress Astonished at Magnificence of Structure and Furnishing.

The Scottish Rite Cathedral, the existence of which is due largely to the unceasing efforts of the officer of the Scottish Rite bodies and the members at large, was fittingly dedicated last night. The services were impressive and the program carried out consisted of a couple of impromptu addresses by members of the Consistory and several musical selections, all of which was hugely enjoyed. The door of the cathedral for the reception that preceded the short program opened at 8 o’clock and the scene that was afforded by the hundreds of guests that crowded into the spacious building was one of attractiveness, and everybody was so surprised at the luxury that predominated and was seen at every nook and corner and all expressed delight and congratulations for so magnificent a place. The dining room and kitchen, which apartments are in the south wing of the third floor of the building, and also the small lodge room on the second floor and in the back part of the north wing were not completed and consequently was not furnished, but the principal parts of the cathedral wer e furnished in elaborate style. The parlor, lobby, ant-roooms, and the main auditorium were carpetd with fine velvet carpet of exquisite pattern. The stage and scenery was the delight of all. Never did the people of Fort Scott suspect that such finery could be crowded into a place like the Rite cathedral, but all know the members of these bodies. Nothing is too good for them and never do they do things in halves. The decorations in the auditorium are simply fine. The hall is finished in white and gold with panel sides and the walls and ceiling are studded with rows of incandescent lights, surrounded with individual mirrors. On either side of te auditorium near the stage there are two imitation boxes, and while one of these is used for the music room the other is simply there to complete the architectural beauty. The balcny is one of the nice features of the auditorium. It has a large seating capacity and this, together with the auditorium, was jammed with humanity. When the auditorium is lighted up the scene is a rare one. Of the guests that were present last night from out of this city all expressed themselves most forcibly on the arrangement of the cathedral. To some extent the hall was patterned after the Little Rock cathedral, which is one of the finest in America. The magnitude is not so great but the arrangement and decorations are as fine.

The scenery which was installed at a cost of several thousand dollars, is the finest in the west beyond all question. The electrical effects are even greated and this arrangement was the work of Freeman Martin, who wired the building. The lights used on the stage are white, red and green and the effect is caused by their use is most brilliant to the eye. During the program last evening a half dozen scenes were displayed to the audience, and they excelled in effect and grandeur even the best opera houses in Kansas City and St Louis. Over 400 lights are used on the stage. All of the curtains are drops and this is not only more convenient than the slide scenes but is more satisfactory in other respects. The scene of hades was elaborate.”

The original Hades scene for the Fort Scott Scottish Rite was enlarged for their second stage.
Detail of 1904 Hades drop for the Fort Scott Scottish Rite

On the eve of the Scottish Rite Cathedral dedication, a Mr. C. E. Benton gave a brief history of the Fort Scott Scottish Rite Bodies. He explained that the Fort Scott Consistory had only been established six years prior to the building. Those instrumental in getting a permanent home of the Fort Scott Scottish Rite bodies included Dr. C. A. Van Velzer and Joe Liepman. The current building was purchased for $20,000 by the Scottish Rite Association in Fort Scott. $40,000 was spent remodeling the hall after the purchase.

The newspaper reported, “He stated that the temple of all that is good and noble, the temple of justice and liberty and brotherly love would stand after we are dead; our children’s children are dead, as a school for Masonry. In closing he stated that the cathedral is a credit to the city and state and everybody should well feel proud of the undertaking.”

The building was home to the Scotttish Rte for only two decades. Grander plans began and the final Scottish Rite home was planned and constructed from 1924-1925. Again Thomas G. Moses of Sosman & Landis provided the scenery. The old scenery was returned on credit for the purchses of a new collection. However, a few scenes were reerved and enlarged for the new stage. One of the refurbished scenes was the scene of hades that the newspaper described as “elaborate.”

To be continued…

Author: waszut_barrett@me.com

Wendy Rae Waszut-Barrett, PhD, is an author, artist, and historian, specializing in painted settings for opera houses, vaudeville theaters, social halls, cinemas, and other entertainment venues. For over thirty years, her passion has remained the preservation of theatrical heritage, restoration of historic backdrops, and the training of scenic artists in lost painting techniques. In addition to evaluating, restoring, and replicating historic scenes, Waszut-Barrett also writes about forgotten scenic art techniques and theatre manufacturers. Recent publications include the The Santa Fe Scottish Rite Temple: Freemasonry, Architecture and Theatre (Museum of New Mexico Press, 2018), as well as articles for Theatre Historical Society of America’s Marquee, InitiativeTheatre Museum Berlin’s Die Vierte Wand, and various Masonic publications such as Scottish Rite Journal, Heredom and Plumbline. Dr. Waszut-Barrett is the founder and president of Historic Stage Services, LLC, a company specializing in historic stages and how to make them work for today’s needs. Although her primary focus remains on the past, she continues to work as a contemporary scene designer for theatre and opera.

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