Tales from a Scenic Artist and Scholar. Part 832 – “The Seven Aviator Girls,” 1912

From “The Evening Review,” 2 Dec. 1912, page 6

There were many projects completed by Sosman & Landis during 1912 that were not mentioned by Thomas G. Moses in his memoirs. Sosman & Landis provided the scenery and stage effects for a touring production called “The Seven Aviator Girls.” The “Quad-City Times” reported that Sosman & Landis provided scenery for “The Aviator Girls,” a musical act composed of “seven winsome women” (17 March 1912, page 12).

Scenic embellishments accompanied each song, to “make them all the more delightful.” The production was produced by Virgil Bennett and headed by Miss Carlie Lowe, who was accompanied by the seven aviator girls in what was billed as “a spectacular scenic and singing novelty.” The four scenes for the show included “Owl Land, “ “On the Beach,” “In the Surf,” and a Japanese Palm Garden.” Musical interludes (olios) between scenes included “The Boogie Boo Owls,” “Serenade Me Sadie,” “Spooning in My Aeroplane,” and other catchy numbers” (Los Angeles Times, 4 Aug. 1912, page 26).

“The Daily Gate” reported that the show was “a spectacular musical and scenic singing act that has been the sensation in all the big houses in the country where they have played. A carload of special scenery is carried with the act and is said to be one of the most beautiful stage settings found in vaudeville. A special property man and electrician are carried with the company, which numbers seven principles and two mechanics” (Keokuk, Iowa, 17 Oct, 1912, page 5). The “Davenport Times” described, “They have five different song numbers and each means a change of costumes and ‘back drops.’ As a result their tuneful efforts are accompanies by a spectacular display that induces the natives to applaud vigorously. The big number, ‘Spooning in My Aeroplane,’ presents Miss Carlie Lowe soaring up to the roof in a miniature machine, while her feminine mechanicians cut fancy ‘diddoes’ with their feet and join the chorus in song. It is a prettily staged and engaging act all the way” (Davenport, Iowa, 19 March 1912, page 8).

From “The Province,” 25 July 1912, page 16

To be continued…

Author: waszut_barrett@me.com

Wendy Rae Waszut-Barrett, PhD, is an author, artist, and historian, specializing in painted settings for opera houses, vaudeville theaters, social halls, cinemas, and other entertainment venues. For over thirty years, her passion has remained the preservation of theatrical heritage, restoration of historic backdrops, and the training of scenic artists in lost painting techniques. In addition to evaluating, restoring, and replicating historic scenes, Waszut-Barrett also writes about forgotten scenic art techniques and theatre manufacturers. Recent publications include the The Santa Fe Scottish Rite Temple: Freemasonry, Architecture and Theatre (Museum of New Mexico Press, 2018), as well as articles for Theatre Historical Society of America’s Marquee, InitiativeTheatre Museum Berlin’s Die Vierte Wand, and various Masonic publications such as Scottish Rite Journal, Heredom and Plumbline. Dr. Waszut-Barrett is the founder and president of Historic Stage Services, LLC, a company specializing in historic stages and how to make them work for today’s needs. Although her primary focus remains on the past, she continues to work as a contemporary scene designer for theatre and opera.

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