Tales from a Scenic Artist and Scholar. Part 835 – “The Little Homestead,” 1912

Advertisement for “The Little Homestead” with Sosman & Landis scene pictured in the center. From the “Idaho Republican,” 12 Jan 1912, page 4
Detail of the scene pictured in the advertisement.

There were many projects completed at Sosman & Landis that were not mentioned by Thomas G. Moses in his memoirs. In 1912, Sosman & Landis delivered scenery for “The Little Homestead.” The “Idaho Republican” described, “The entire production is the work of those famous artists, Sosman & Landis of Chicago” (Blackfoot, Idaho, 12 Jan. 1912, page 8). “The electrical effects for the production were provided by the General Electric Co. of Pittsburg, Pa.”

From the “Daily Appeal,” 5 Feb 1912, page 4

As W. B. Patton’s play toured the United States, advertisements promised “A Big Scenic Production. SEE the Famous Old Southern Mansion. SEE the Black Gorge of Virginia. SEE the James River in Winter. See the Great Fields of Ice” (“Daily Appeal,” 5 Feb. 1912, page 4). The production was a southern play about old Virginia, staged in picturesque settings. The “Montpelier Examiner” reported, “There are four big acts in this production, showing some of the most beautiful scenery, such as Old Black top mountain of Virginia in winter; the famous James River as it flows down from the mountains with its great fields of ice; the great black gorge where lies “Little Homestead;” Colonel Fairfax’s grand old southern mansion near Richmond, Virginia; and the battlefields of old Virginia (12 Jan 1912, page 5).

From the “Oakdale Graphic” (Oakdale, CA), 14 feb 1912, page 6.

The “Oakdale Leader” commented, “This play has been the rage in the eastern states for the past three years and produced for the first time in the west by Messrs. Droffops & Jack. The management guarantees this to be a strictly first class production in every respect, a mammoth scenic production. The play ran for over 300 nights in Chicago and 200 nights in Boston”” (15 Feb 1912, page 1).

To be continued…

Author: waszut_barrett@me.com

Wendy Rae Waszut-Barrett, PhD, is an author, artist, and historian, specializing in painted settings for opera houses, vaudeville theaters, social halls, cinemas, and other entertainment venues. For over thirty years, her passion has remained the preservation of theatrical heritage, restoration of historic backdrops, and the training of scenic artists in lost painting techniques. In addition to evaluating, restoring, and replicating historic scenes, Waszut-Barrett also writes about forgotten scenic art techniques and theatre manufacturers. Recent publications include the The Santa Fe Scottish Rite Temple: Freemasonry, Architecture and Theatre (Museum of New Mexico Press, 2018), as well as articles for Theatre Historical Society of America’s Marquee, InitiativeTheatre Museum Berlin’s Die Vierte Wand, and various Masonic publications such as Scottish Rite Journal, Heredom and Plumbline. Dr. Waszut-Barrett is the founder and president of Historic Stage Services, LLC, a company specializing in historic stages and how to make them work for today’s needs. Although her primary focus remains on the past, she continues to work as a contemporary scene designer for theatre and opera.

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