Tales from a Scenic Artist and Scholar. Part 1058 – Sketching the Rock Island Block House, 1920

Copyright © 2020 by Wendy Waszut-Barrett

In 1920 Thomas G. Moses wrote, “In May I went to Rock Island to make a sketch for the old Block House on the island.  Had to get a permit.  I enjoyed myself immensely.” At the time, the “old Block House” was only four years old; a replica constructed in 1916.

Historic postcard of the Rock Island Block House for sale online.

Moses was referring to the Block House at Fort Armstrong on Rock Island. Located on the Mississippi River, the Fort Armstrong was erected as one of the many frontier defenses after the War of 1812.  The construction of the fort began on May 10, 1816 and was intended to establish a military presence to dissuade French and English Canadians from settling the territory. Ironically, this was part of the Americans settling land inhabited by the Sauk, native Americans of the region.

A century later, in 1916, a replica of the three-story block house was built. This was the structure that Moses sketched in 1920.

That same year, H. H Cleaveland announced plans to build a new hotel and social center on the island. The Fort Armstrong Hotel Co. was formed and plans to raise money for the endeavor. It took a while, but investors finally raised $451,000 and construction commenced March 17, 1925. The area has remained a popular tourist attraction over the decades.

For more information about Fort Armstrong, visit the Digital Research Library of Illinois History Journal by Neil Gale, PhD. Gale presents some wonderful background for the fort. Here is the link:  https://drloihjournal.blogspot.com/2018/08/fort-armstrong-illinois-1816-1836.html

To be continued…

Author: waszut_barrett@me.com

Wendy Rae Waszut-Barrett, PhD, is an author, artist, and historian, specializing in painted settings for opera houses, vaudeville theaters, social halls, cinemas, and other entertainment venues. For over thirty years, her passion has remained the preservation of theatrical heritage, restoration of historic backdrops, and the training of scenic artists in lost painting techniques. In addition to evaluating, restoring, and replicating historic scenes, Waszut-Barrett also writes about forgotten scenic art techniques and theatre manufacturers. Recent publications include the The Santa Fe Scottish Rite Temple: Freemasonry, Architecture and Theatre (Museum of New Mexico Press, 2018), as well as articles for Theatre Historical Society of America’s Marquee, InitiativeTheatre Museum Berlin’s Die Vierte Wand, and various Masonic publications such as Scottish Rite Journal, Heredom and Plumbline. Dr. Waszut-Barrett is the founder and president of Historic Stage Services, LLC, a company specializing in historic stages and how to make them work for today’s needs. Although her primary focus remains on the past, she continues to work as a contemporary scene designer for theatre and opera.

Leave a Reply

Your email address will not be published. Required fields are marked *