Tales from a Scenic Artist and Scholar. Part 1138 – The Tacoma Elks Temple, 1922

Copyright © 2020 by Wendy Waszut-Barrett

The Tacoma Elks Temple

In 1922 Thomas G. Moses was painting scenery for the Tacoma Scottish Rite.  During this time, he wrote, “I had a lot of extras on the job as well in the town.  I did a complete set for the Elks club, and some window displays.”  Everything was painted at the Tacoma Theatre.

By 1922, the Tacoma Elks Temple was six years old; time for some additional stage settings, as was common for many theaters. The building opened Feb. 19, 1916, to great fanfare and a very large membership (The Tacoma Times, page 1).

The Elks Temple was designed by Ecole des Beaux Arts graduate, É. Frère Champney, known for his world fair building designs at the Pan-American Exposition in Buffalo (1901), St. Louis Exposition (1904) and Lewis and Clark Exposition in Portland (1905). Before moving to Seattle in 1907, he was well-known for his work and connected to a firm in Buffalo, New York. Much has been written about the well-known architect and the Tacoma Elks, but very little has been written about the theater. To date, I have located no images of the 1916 stage, original stock scenery collection or 1922 scenery painted by Moses. Other than Moses’ own record, I have nothing to add about the technical theatre elements.  I am continually surprised that after incredible effort and expense to construct these massive edifices so much was left undocumented. This is common for many theaters in the 1920s. Unlike their predecessors, many 1920s newspaper accounts fail to include extensive building descriptions that focus on theaters and stage details, as well as the contributing artisans.

The Tacoma Elks Temple, like many fraternal buildings, had healthy membership levels in the early twentieth century. Unfortunately, the peak membership numbers that so many groups experienced in the 1920s continued to decline throughout the remainder of the century. At one time Tacoma boasted the largest Elk membership in the country. Over time, however, the organization could not overcome a series of obstacles and eventually vacated the building.

The Tacoma Elks Temple building continued to deteriorate after the organization vacated the building
The Tacoma Elks Theatre became home to many vagrants

The Elks Temple made the news again in 2019 when the dilapidated building was purchased by Brian McMenamins, owner of McMenamins restaurant and hotel chain. By November 2019, the renovated entertainment complex and hotel was featured on several local television stations, recounting the renovation story. McMenamins invested approximately $30 million dollars to transform the structure into the McMenamin Elks Temple hotel, restaurant and event space.

When the renovation was complete, the Elks Temple Theatre again made news. Here is a link to one of the many television storieshttps://www.q13fox.com/…/elks-temple-tells-the-story-of…
The renovated Tacoma Elks Temple theater
The renovated Tacoma Elks Temple theater

I have to wonder when the scenery painted by Moses was tossed out; if it was decades ago, or during the renovation. Although much has been written about McMenamins and the history of the Tacoma Elks, the history of the stage is nonexistent.

To be continued…

Author: waszut_barrett@me.com

Wendy Rae Waszut-Barrett, PhD, is an author, artist, and historian, specializing in painted settings for opera houses, vaudeville theaters, social halls, cinemas, and other entertainment venues. For over thirty years, her passion has remained the preservation of theatrical heritage, restoration of historic backdrops, and the training of scenic artists in lost painting techniques. In addition to evaluating, restoring, and replicating historic scenes, Waszut-Barrett also writes about forgotten scenic art techniques and theatre manufacturers. Recent publications include the The Santa Fe Scottish Rite Temple: Freemasonry, Architecture and Theatre (Museum of New Mexico Press, 2018), as well as articles for Theatre Historical Society of America’s Marquee, InitiativeTheatre Museum Berlin’s Die Vierte Wand, and various Masonic publications such as Scottish Rite Journal, Heredom and Plumbline. Dr. Waszut-Barrett is the founder and president of Historic Stage Services, LLC, a company specializing in historic stages and how to make them work for today’s needs. Although her primary focus remains on the past, she continues to work as a contemporary scene designer for theatre and opera.

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