Tales from a Scenic Artist and Scholar. Part 947 – Murat Theatre, 1917

Copyright © 2020 by Wendy Waszut-Barrett

In 1917, Thomas G. Moses wrote, “Got a $1,430.00 contract from the Murat Theatre.” 

Murat Shrine Building in Indianapolis, Indiana.
From “The Indianapolis Blue Book,” 1913

Sosman & Landis previously provided scenery for the Ancient Arabic Order of the Nobles of the Mystic Shrine in Indianapolis, Indiana.

The Shrine building was named for the Nubian desert oasis Bin Murat. Bin Murat was named after Napoleon’s general Joachim Murat during his Egyptian campaign. The Murat Shrine in Indianapolis was located at the corner of Massachusetts Avenue and New Jersey Street. The theater officially opened on March 1. By March 3, 1910, “The Waterloo Press” included a lovely article on the new structure in an article entitled “New Murat Theatre Opens” (page 2). The article reported, “The Murat Theatre, contained in what is said to be the most elaborate Mystic Shrine temple in the United States, was opened at Indianapolis, Ind., under the management of the Schubert Theatrical Producing Company. The temple, completed, will cost $250,000, but only the theatre has been finished. James T. Powers and his company, in the musical comedy, ‘Havana,’ gave the first performance in the theatre. Only the members of the Mystic Shrine were admitted but the subsequent performances will be public. The theatre is decorated with mural pictures representing camel caravans passing through a desert and approaching an oasis, and with other allegorical paintings symbolic of the significance of the Mystic Shrine.” The Schuberts leased the theater from 1910 to 1930. In 1910 Sosman & Landis also provided stock scenery for the Schuberts’ newly acquired Great Northern Theatre in Chicago.

From the “Elwood” Daily Record, 5 April, 1910, page 2.

Over the years, the building was known as the Murat Shrine Temple, Murat Shrine Theatre, Murat Theatre, and Old National Centre. It is now called the Murat Theatre at Old National Centre, located at North and New Jersey Street in Indianapolis. Noted at the oldest stage house in downtown Indianapolis, it is still in use.

Murat Temple Theatre

To be continued…

Author: waszut_barrett@me.com

Wendy Rae Waszut-Barrett, PhD, is an author, artist, and historian, specializing in painted settings for opera houses, vaudeville theaters, social halls, cinemas, and other entertainment venues. For over thirty years, her passion has remained the preservation of theatrical heritage, restoration of historic backdrops, and the training of scenic artists in lost painting techniques. In addition to evaluating, restoring, and replicating historic scenes, Waszut-Barrett also writes about forgotten scenic art techniques and theatre manufacturers. Recent publications include the The Santa Fe Scottish Rite Temple: Freemasonry, Architecture and Theatre (Museum of New Mexico Press, 2018), as well as articles for Theatre Historical Society of America’s Marquee, InitiativeTheatre Museum Berlin’s Die Vierte Wand, and various Masonic publications such as Scottish Rite Journal, Heredom and Plumbline. Dr. Waszut-Barrett is the founder and president of Historic Stage Services, LLC, a company specializing in historic stages and how to make them work for today’s needs. Although her primary focus remains on the past, she continues to work as a contemporary scene designer for theatre and opera.

Leave a Reply

Your email address will not be published. Required fields are marked *