Tales from a Scenic Artist and Scholar. Part 948 – The Palace Theatre, Milwaukee, 1917

Copyright © 2020 by Wendy Waszut-Barrett

In 1917, Thomas G. Moses recorded that Sosman & Landis delivered “a number of new drops for the Palace, Milwaukee.” Sosman & Landis had previously delivered scenery to Palace Theatres in Fort Wayne, Indiana, and Detroit, Michigan. As with other chains, such as Fox theaters, there were multiple Palace Theatres all over the country.

Photograph of the Palace Theatre in Milwaukee posted to www.cinematreasures.org

The entry in Moses’ memoirs for this Milwaukee project was early in 1917.

The theater was located on 535 W. Wisconsin Avenue in Milwaukee. On February 19, 1917, the “Post-Crescent” reported, “Cigarette Fire. Stub starts blaze that partly destroys the Palace Theatre at Milwaukee today.” The International New Service announced, “Fire said to have originated from a cigarette stub left in the audience caused $10,000 damage to the new Palace theatre here early this morning. The house ran popular vaudeville and will be closed for several days pending renovation” (page 1).

The Palace Theatre of Milwaukee, Wisconsin.

It remains unclear whether any of the stage or scenery were damaged during the fire.

The venue was designed by local architects Charles Kirchoff and Thomas Rose. The pair later designed the Palace Theatre in New York (1918), as well as many other venues that included the American Theatre, Colonial Theatre, Garden theatre, Majestic Theatre, New Star theatre, Rialto Theatre, and Riverside Theatre. The only A detailed description of interior is posted at http://cinematreasures.org/theaters/4067, noting three eras for the venue.

To be continued…

Author: waszut_barrett@me.com

Wendy Rae Waszut-Barrett, PhD, is an author, artist, and historian, specializing in painted settings for opera houses, vaudeville theaters, social halls, cinemas, and other entertainment venues. For over thirty years, her passion has remained the preservation of theatrical heritage, restoration of historic backdrops, and the training of scenic artists in lost painting techniques. In addition to evaluating, restoring, and replicating historic scenes, Waszut-Barrett also writes about forgotten scenic art techniques and theatre manufacturers. Recent publications include the The Santa Fe Scottish Rite Temple: Freemasonry, Architecture and Theatre (Museum of New Mexico Press, 2018), as well as articles for Theatre Historical Society of America’s Marquee, InitiativeTheatre Museum Berlin’s Die Vierte Wand, and various Masonic publications such as Scottish Rite Journal, Heredom and Plumbline. Dr. Waszut-Barrett is the founder and president of Historic Stage Services, LLC, a company specializing in historic stages and how to make them work for today’s needs. Although her primary focus remains on the past, she continues to work as a contemporary scene designer for theatre and opera.

Leave a Reply

Your email address will not be published. Required fields are marked *